The Project Gutenberg eBook of The Brass Bottle: A Farcical Fantastic Play in Four Acts

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Brass Bottle: A Farcical Fantastic Play in Four Acts

Author: F. Anstey

Release date: October 10, 2011 [eBook #37685]

Language: English

Credits: Produced by David Clarke, Josephine Paolucci and the Online
Distributed Proofreading Team at http://www.pgdp.net. (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK THE BRASS BOTTLE: A FARCICAL FANTASTIC PLAY IN FOUR ACTS ***

THE BRASS BOTTLE

UNIFORM WITH THIS VOLUME

Cloth 2s. 6d.; paper covers, 1s. 6d. each.

Plays by | ARTHUR PINERO
| GILBERT MURRAY
| W. E. HENLEY & R. L. STEVENSON
| GERHART HAUPTMANN
| EDMUND ROSTAND
| HENRIK IBSEN
| C. HADDON CHAMBERS
| ROBERT MARSHALL
| HERMAN HEIJERMANS
| FRANZ ADAM BEYERLEIN

LONDON: WILLIAM HEINEMANN
21 Bedford Street, W.C.

THE BRASS BOTTLE

A FARCICAL FANTASTIC PLAY

In Four Acts

By F. ANSTEY

LONDON: WILLIAM HEINEMANN

MCMXI

Copyright, 1911, London, by William Heinemann

COPY OF THE "FIRST NIGHT" PROGRAMME AT THE VAUDEVILLE THEATRE, LONDON

THE BRASS BOTTLE A Farcical Play in Four Acts By F. ANSTEY PERFORMED FOR THE FIRST TIME on Thursday Evening, September 16, 1909

Horace Ventimore | Mr. Laurence Grossmith
Professor Anthony Futvoye | Mr. Alfred Bishop
Fakrash-el-Aamash | Mr. E. Holman Clark
Spencer Pringle | Mr. Rudge Harding
Samuel Wackerbath | Mr. Luigi Lablache
Rapkin | Mr. J. H. Brewer
Chief of Caravan | Mr. A. Spencer
Head Efreet | Mr. John Carey
A Waiter | Mr. Walter Ringham
Mrs. Futvoye | Miss Lena Halliday
Sylvia Futvoye | Miss Viva Birkett
Mrs. Rapkin | Miss Mary Brough
Mrs. Wackerbath | Miss Armine Grace
Jessie | Miss Gladys Storey
Zobeida (Principal Dancing Girl) | Miss Mabel Duncan
Dancers. | Misses Phyllis Birkett, Florence A. Pigott, Susie Nainby, Dorothy Beaufey, Nina De Leon, Cynthia Farnham

SYNOPSIS OF SCENERY

Acts I And II

HORACE VENTIMORE'S ROOMS

There will be an Interval of Two Minutes after Act I, and Eight Minutes after Act II

Act III

Scene I. VENTIMORE'S OFFICE

Scene II. DRAWING-ROOM AT THE FUTVOYES'

There will be One Minute Interval between Scenes I and II, during which the Audience are requested to keep their seats. After Act III, Eight Minutes.

Act IV

Scene I. VENTIMORE'S ROOMS

Scene II. "PINAFORE" ROOM, SAVOY HOTEL

There will be an Interval of One Minute between Scenes I and II, during which the Audience are requested to keep their seats.

The Scenery painted by Walter Hann and Son.

The Play has been Produced (for Mr. Gaston Mayer) by Mr. Frederick Kerr.

The Amateur fee for each and every
representation of this play is five
guineas, payable in advance to the
Author's Sole Agents, Messrs.
Samuel French, Ltd., 26 Southampton
Street, Strand, London,
W.C.

THE PERSONS OF THE PLAY

Horace Ventimore (a young Architect, aged 28)
Professor Anthony Futvoye (an Egyptologist, aged 60)
Fakrash-el-Aamash (a Jinnee of the Green Jinn, age uncertain)
Spencer Pringle (an Architect, aged 32)
Samuel Wackerbath (an Auctioneer and Estate Agent, aged 60)
Rapkin (Ventimore's Landlord, a retired butler, aged 55)
Chief of Caravan
Head Efreet
A Waiter (at the Savoy Hotel)
Mrs. Futvoye (aged 55)
Sylvia Futvoye (her Daughter, aged 21)
Mrs. Rapkin (Ventimore's Landlady)
Mrs. Wackerbath
Jessie (Parlour-maid at the Futvoyes')
Principal Dancing Girl
Caravan Slaves, Musicians, Efreets, Dancing Girls

ACTS I AND II

VENTIMORE'S ROOMS IN VINCENT SQUARE, WESTMINSTER

ACT III

Scene I. VENTIMORE'S OFFICE IN GREAT COLLEGE STREET, WESTMINSTER

Scene II. A DRAWING-ROOM AT THE FUTVOYES' HOUSE IN COTTESMORE GARDENS, KENSINGTON

ACT IV

Scene I. VENTIMORE'S ROOMS

Scene II. THE "PINAFORE" ROOM AT THE SAVOY HOTEL

THE BRASS BOTTLE

THE FIRST ACT

The scene represents Horace Ventimore's rooms in Vincent Square, Westminster.

The sitting-room is simply but artistically furnished and decorated. Walls with a lining-paper of a pleasant green, hung with coloured prints and etchings. Fireplace at back. Down left is a large open French window, opening on a balcony, with a view beyond of the open square and some large dull-red gasometers in the distance. Above the window is a small Sheraton bookcase. On the right of fireplace is a door leading to the landing and staircase. Down on the right, another door to Ventimore's bedroom. Above this door, a small Sheraton sideboard. Near the window on left is an armchair, and by it a table, with two smaller chairs. [N.B.—Right and Left mean the spectator's Right and Left throughout.]

The time is late afternoon in summer.

When the curtain rises there is no one in the room. A knock is heard at the door on right of fireplace. Then, after a pause, Mrs. Rapkin enters. She is a pleasant, neatly dressed, elderly woman, of the respectable landlady class. She wears a cooking-apron and her sleeves are turned up. She looks round the room, and turns to the door as Professor Futvoye appears.

Mrs. Rapkin.

Mr. Ventimore don't seem to be in, after all, sir. Unless he's in his bedroom. [She comes down to the door on right, as Professor, Mrs., and Miss Futvoye enter from the other door. Professor Futvoye is elderly and crabbed; his wife, grey-haired and placid, bearing with him as with an elderly and rather troublesome child; Sylvia Futvoye, their daughter, is a pretty and attractive girl of about twenty. Mrs. Rapkin knocks at the bedroom door.] Mr. Ventimore! A gentleman and two ladies to see you. [She opens the door—then, to the Professor.] No, sir, he hasn't come in yet—but he won't be long now.

Professor Futvoye.

[By the table.] Are you sure of that, ma'am?

Mrs. Rapkin.

Well, sir, he said as how he'd be in early, to make sure as everythink was as it should be. [In a burst of confidence.] If you must know, he's expecting company to dinner this evening.

[Sylvia has moved to the window; Mrs. Futvoye stands by the table.

Professor Futvoye.

[Placing his hat and stick on a small shelf on the left of fireplace, and standing by table.] I'm aware of that, ma'am. We happen to be the company Mr. Ventimore is expecting. Don't let us keep you from your cooking.

Mrs. Rapkin.

[With another burst of confidence.] Well, sir, to tell you the truth, I 'ave a good deal on my 'ands just now.

[She goes out by door at back.

Sylvia.

[After moving about and inspecting the pictures.] I rather like Horace's rooms.

Professor Futvoye.

[Irritably.] I wish he'd manage to be in 'em! I fully expected he'd be back by this time. Most annoying!

Mrs. Futvoye.

[Resignedly.] I thought you were bringing us all this way for nothing! And when you must be quite exhausted enough as it is, after lecturing all the afternoon!

Professor Futvoye.

I'm not in the least exhausted, Sophia; not in the least!

Mrs. Futvoye.

Well, Anthony, if you're not, Sylvia and I are! [She sits in armchair by the window.] But why you couldn't wait till eight o'clock to know how Horace got on at that sale I can't think!

Professor Futvoye.

He ought to have been back long ago! I can see no excuse for his dawdling like this. None whatever!

[He sits on right of table.

Sylvia.

[Standing behind table.] Perhaps he went back to his office?

Professor Futvoye.

[Tartly.] He's much more likely to have dropped into his club for a rubber of Bridge!

Sylvia.

Don't you think you're rather ungrateful to grumble at poor Horace like this, after he's given up a whole day's work to oblige you?

Professor Futvoye.

I was not aware, my dear, that he has, or ever had, a day's work to give up! Correct me if I am wrong—but I am under the impression that nobody has employed him as an architect yet.

Sylvia.

That isn't Horace's fault!

Professor Futvoye.

Possibly—but it doesn't make him more desirable as a future son-in-law.

Sylvia.

Horace is sure to succeed as soon as he gets a chance. [Sitting on table and leaning over the Professor.] If you would only say a word for him to Godfather, he might be able to help him.

Professor Futvoye.

Wackerbath? No, my dear, I couldn't bring myself to take such an advantage of our old friendship as that! I've no belief in Ventimore's succeeding in life. He may have ability—though I'm bound to say I see little evidence of it—but, depend upon it, he'll never make any money!

Sylvia.

How can you tell?

Professor Futvoye.

Because he can't even take care of the little he has! Look at the money he's throwing away on this totally unnecessary dinner to-night!

Sylvia.

Oh! When it's just a quiet little dinner in his own rooms! If it had been the Carlton, now!

Professor Futvoye.

He proposed to entertain us at the Carlton at first—but I stopped that. It all bears out what I say—that he has absolutely no sense of the value of——

Mrs. Futvoye.

[Interposing calmly.] There, Anthony, that's enough! Horace is engaged to Sylvia—and the most sensible thing we can do is to make the best of it.

Professor Futvoye.

[Rising and moving to the right.] I am making the best of it, Sophia! If Ventimore was like Spencer Pringle, now!——

Sylvia.

He would never have been engaged to me!

Professor Futvoye.

[To Sylvia.] Pringle, my dear, is a steady, hard-working young fellow. I've a real respect and liking for Pringle. And if I must have an architect for a son-in-law, he is the man I should have preferred!

Sylvia.

Why, he hasn't been near us for weeks and weeks—and I hope he means to stay away altogether! I always thought him a conceited prig.

[Moving towards door at back.

Professor Futvoye.

You may come to think differently, my dear. [Pulling out his watch.] Nearly half-past six! Tut-tut! All this time wasted! It's useless to wait any longer for Ventimore. We may just as well go!

[He goes to get his hat and stick.

Mrs. Futvoye.

[Rising.] I knew how it would be!

Sylvia.

[At door.] Wait! [Opens door and listens.] There's Horace coming upstairs! I'm sure it's his step!

Professor Futvoye.

[Stops by table with relief.] At last! Now I shall know!

[Spencer Pringle enters. He is a smug, self-satisfied looking man of about thirty-five, smooth-shaven, except for small side-whiskers. He is in a light tweed suit, having just come up from the country.

Sylvia.

[Repressing her disappointment.] Mr. Pringle!

Pringle.

[In doorway.] Miss Sylvia! Mrs. Futvoye! [Shaking hands with the Professor.] Professor! Well! this is unexpected.

[Sylvia comes down to right.

Professor Futvoye.

[Graciously.] Glad to see you, Pringle! You are quite a stranger. Indeed, my daughter was remarking, only a little while ago, that you hadn't been near us for weeks!

Sylvia.

[In an indignant undertone.] Father!

[Mrs. Futvoye sits down again.

Pringle.

[To Sylvia, flattered.] Delighted to think I've been missed! But my apparent—er—neglect has been quite unavoidable.

Sylvia.

[Laughing.] So kind of you to relieve our minds, Mr. Pringle!

Pringle.

[Solemnly.] I assure you it's the fact. I've been away constantly for the last two months, superintending work I'm doing in various parts of the country. [With importance.] Hardly a moment to call my own!

[Sylvia turns with the intention of sitting down; he places a chair for her.

Professor Futvoye.

[Taking chair behind table.] A busy man like you, my dear Pringle, has no need to make excuses.

Pringle.

[Fetching a chair for himself.] I really have been fearfully overworked. Not that I complain of that! [As he sits down between the Professor and Sylvia.] I'd no idea we should meet here, though. Is Ventimore a friend of yours?

Professor Futvoye.

Oh, we know him, yes. As you do, it seems.

Pringle.

I sublet a room in my offices to him. Rather a good arrangement for him, because he gets experience by looking after any little matters that I've no time to attend to.

Sylvia.

[With suppressed resentment.] And isn't that rather a good arrangement for you?

Pringle.

It works fairly well—as a rule. But when I returned from the country this afternoon I found he hadn't been near the office all day!

[He rises, takes Sylvia's parasol officiously, and places it in a corner, then returns.

Professor Futvoye.

[To his wife, but speaking at Sylvia.] Not been near the office all day! I thought as much!

Sylvia.

The reason why he wasn't able to help you, Mr. Pringle, is because he's been at an auction, bidding for things on father's account.

Professor Futvoye.

I should have attended the sale myself but for an engagement to lecture at the Hieroglyphical on a recently inscribed cylinder.

Mrs. Futvoye.

And—you'll hardly believe it, Mr. Pringle,—but, the moment the lecture was over, he hurried us off here to find out what Mr. Ventimore had got for him! It's really too ridiculous! As if his study wasn't littered up quite enough already!

Professor Futvoye.

Women, my dear Pringle, can't understand the feelings of a collector. It's not every day, I can tell you, that a collection of such importance comes into the market.

Pringle.

I didn't know Ventimore was an expert in such things. I thought you could get brokers to bid for you.

Professor Futvoye.

Of course—of course. But I don't trust brokers—they know too much! And, as I gave Ventimore my own catalogue, with a tick against the lots I want and the limit I'm prepared to go, noted on the margin, he can't make any mistake.

Pringle.

I suppose not. That is, if he's accustomed to auctions.

Professor Futvoye.

What do you mean?

Pringle.

Only that if you aren't, there's always a liability to lose your head in the excitement, and go beyond the margin. But I daresay Ventimore wouldn't do that.

Professor Futvoye.

If he has! [He rises excitedly.] And he might—he might! With his recklessness about money, it's the very thing he would do! Letting me in for prices I can't afford! [Passionately.] No wonder he is in no hurry to show himself—no wonder!

Mrs. Futvoye.

[Rising and attempting to pacify him.] Now, Anthony, there's nothing to work yourself up into a state for, at present. Do for goodness' sake wait till you hear all about it!

Professor Futvoye.

[Resentfully.] It seems I shall have to wait, Sophia—but I'm tired of waiting here. [He goes to get his hat and stick.] And evidently he doesn't intend to——

[Turns, as the door opens and Horace Ventimore comes in briskly. Horace is a pleasant-looking young man, with a cheery and rather boyish manner; he comes down and greets the Futvoyes without seeing Pringle for the moment; Sylvia has risen, delighted at his arrival.

Horace.

I say! This is jolly! [Shaking hands.] Wish I'd known you were coming on here after the lecture. [Pringle rises, and waits stiffly for recognition.] Warm work, wasn't it, Professor, lecturing on an afternoon like this? Do sit down. [Looks at table.] Haven't they given you any tea?

Professor Futvoye.

[Irritably.] No, no, no. We want no tea. It's too late for tea. We merely looked in on our way home to——

Horace.

[Sees Pringle.] And Pringle, too! [Pats him on shoulder.] How are you, old fellow? You been at the lecture, too?

Pringle.

[With implied rebuke.] No, I've only just come round—as you weren't at the office,—to——

Horace.

I've been engaged all day. Oh, by the bye, do you know Professor and Mrs.——

[Is about to introduce him.

Pringle.

[Stiffly.] I am happy to say, my dear fellow, that I require no introduction. We are old friends.

Professor Futvoye.

[Impatiently.] To come to the point, Ventimore, as we are rather pressed for time—about the sale? How did you get on, eh?

Horace.

Oh, ah—the sale. [Producing catalogue from pocket.] Well, I did exactly as you told me.

Professor Futvoye.

[Snatching catalogue from him.] Yes, yes. Let's go through it lot by lot. Lot 23, now. Did you get that?

Horace.

No. Another fellow got that.

Professor Futvoye.

[Annoyed.] Tssch! Well,—so long as you secured Lot 35. [Reading from catalogue.] "Copper bowl, engraved round rim with verse from Hafiz," you know. Come, you didn't miss that?

[Sylvia is listening anxiously.

Horace.

I did, though. It was snapped up by a sportsman in the very worst hat I ever saw in my life. He got it for sixteen guineas.

Professor Futvoye.

[Disgusted.] What? A rare example of early Persian work like that going for only sixteen guineas! I'd willingly have paid double the money!

Horace.

But your limit was seven pound ten, sir! And you warned me not to exceed it.

Professor Futvoye.

You should have used your own judgment, sir! Well, well,—which of the lots I marked did you get?

Horace.

[Going to Sylvia, who is sympathetically distressed.] Couldn't get one of 'em. They all fetched record prices.

Professor Futvoye.

[Violently.] Upon my soul!... Pringle, you were right! I ought to have employed a broker! [To Horace.] So you've come back with absolutely nothing?

Horace.

Well, no. I did manage to get one thing.

Sylvia.

I knew you would!

Professor Futvoye.

[To Horace.] You did? But I understood you to say just now——!

Horace.

This was a little flutter on my own account. I thought I'd stick the sale out, do you see; and near the end there was an extra lot put up—it wasn't in the catalogue. [The Professor makes an exclamation of angry disgust.] Well, it was being passed round for us to look at—and nobody seemed to think much of it. But it struck me, somehow, it might be a dark horse, so I made a bid—and got it for only a sovereign!

Professor Futvoye.

Pah!

Sylvia.

But you haven't told us yet what it is.

Horace.

Haven't I? Oh, well, it's a sort of metal jar. Brass, the auctioneer said it was.

Professor Futvoye.

Tchah! Some modern bazaar trash!

Horace.

It doesn't look modern. I left it downstairs to be cleaned. [Going to door right of fireplace.] I'll go and bring it up.

[He goes out.

Professor Futvoye.

[Furious.] I've no patience with the fellow! Squandering his sovereigns like this on worthless rubbish!

Mrs. Futvoye.

Don't be so fractious, Anthony! For all you can tell, he may have picked up a treasure.

Professor Futvoye.

[Grimly.] He may, Sophia. On the other hand, he may not. Which, on the whole, is rather more probable.

[He retires up to the fireplace as Horace returns, carrying a large metal bottle with a long neck and bulbous body, encrusted with a thick greenish-white deposit. Pringle closes the door for him after he has entered.

Horace.

[Bringing the bottle down to right of table.] Here it is! [The others—except the Professor, who remains aloof—gather round and examine it in dubious silence.] It's not much to look at.

Pringle.

Very dusty! [Wipes his hand after touching the bottle.] And you gave a sovereign for this, Ventimore, eh? H'm! Dear me!

Sylvia.

It may look better when it's had a good scrubbing.

Mrs. Futvoye.

Scrubbing, my dear! It will have to be scraped first!

Horace.

Yes—looks as if it had been dragged up from the bottom of the sea, doesn't it? I've an idea it may be worth something. I should like to have your opinion, Professor.

[He smiles uneasily.

Professor Futvoye.

[After a glance at it.] My opinion is that you might just as well have flung your sovereign into the gutter!

Horace.

I admit it was speculative—but it may turn out a winner. It's rather odd it should be so tightly sealed up.

Professor Futvoye.

[With more interest.] Sealed up, is it? [Coming down and looking at it more carefully.] H'm—the form is certainly antique. It's wonderful what they can do in Birmingham!

Horace.

I really think it may have something inside it. It's not so very heavy, and yet—[tapping it]—it doesn't sound quite as if it were empty.

Professor Futvoye.

It might contain something. I think it most unlikely—but still, it might.

Sylvia.

[Laughing.] You don't mean it might be like that jar the Fisherman found in "The Arabian Nights," with a Genius inside it?

Professor Futvoye.

I did not mean anything so frivolous, my dear. And, if you must quote "The Arabian Nights," it's as well to remember in future that the more correct term is not "Genius," but "Jinnee." Singular, Jinnee—plural, Jinn.

Sylvia.

I'll remember, dear. Singular, Jinn—plural, Jinnies.

Professor Futvoye.

[Instructively.] A name applied by Arab mythology to a race of aerial beings, created of the flame of fire, but capable of assuming human form and exercising supernatural powers.

Sylvia.

Oh, do let's open it now and see what is inside!

Professor Futvoye.

Don't be childish, Sylvia, don't be childish! We've no time now for idle curiosity. If we're to dress and be back here by eight o'clock, we ought to start at once. [Mrs. Futvoye prepares to go and moves towards door.] Good-bye, then, Ventimore, for the present. [He gets his hat and stick.] It is not to be an elaborate entertainment, I trust? A simple ordinary little dinner is all I require.

Horace.

[As he opens the door for Mrs. Futvoye.] I've tried to remember your tastes, Professor.

Professor Futvoye.

I hope you have succeeded. Good-bye, Pringle. Very glad to have run across you again. Let us see more of you in future.

Pringle.

[Going to the door with him.] You shall, Professor, you shall. [Following Professor and Mrs. Futvoye out to landing.] By the way, are you likely to be in next——?

[Horace closes door, leaving Sylvia still looking at the bottle.

Sylvia.

[Turning as he comes down to her.] I'm certain there must be something inside that jar. And if it's anything really interesting, father will be so frightfully pleased that he won't be disagreeable all the evening!

Horace.

[Ruefully.] Ah, I'm afraid that's too much to look forward to.

Sylvia.

[Touching his arm with a little gesture of sympathy.] You poor dear! You're not beginning to be nervous about your dinner, are you?

Horace.

N—no. Not nervous exactly. Something might go wrong. Still, I hope there won't be much your father can find fault with.

Sylvia.

I'm sure there won't! And if he does, why, we won't mind, will we? We shall be together, you know!

Horace.

[Putting his arm round her.] That's what I've been thinking of all day!

[He kisses her as Pringle returns, unseen by them. His jaw drops as he sees them together.

Pringle.

Coming forward.] Er——[Horace and Sylvia separate.] Miss Sylvia—the Professor asked me to tell you——

Sylvia.

I was just coming. [Taking her parasol and moving to door, which Pringle has left open.] Good-bye, Mr. Pringle. [Stopping Horace and Pringle as they are about to see her down the stairs.] No, you mustn't come down, either of you. [To Horace, with an affectation of distance.] Good-bye—Mr. Ventimore.

[She goes out.

Pringle.

[By the table.] I should like to ask you, Ventimore, have you known Miss Futvoye long?

Horace.

[Still at door, looking after Sylvia.] A little over six weeks.

Pringle.

And I have known her for as many years!

Horace.

[Closing door, and coming towards him.] Have you, though? I noticed the Professor was uncommonly cordial to you. Look here, are you doing anything this evening?

Pringle.

Er—no. That is, nothing particular. Why?

Horace.

Because it would be friendly of you if you'd come and dine here. They're coming, you know.

Pringle.

I know. [After a moment's hesitation.] Thanks, I don't mind if I do.

Horace.

Capital! I'm sure if any one can keep the old man in a good humour, you can.

Pringle.

[Sourly.] I see. You want me to engage him in conversation and leave you free to carry on your flirtation with Miss Futvoye unobserved?

Horace.

Not quite that. There's nothing underhand about it. We're engaged, you know.

Pringle.

Engaged! [After a pause.] And how long have you been that?

Horace.

Only since the day before yesterday.

Pringle.

[Blankly.] Oh! [He walks down to window.] I congratulate you; er—heartily, of course. [Looking out of window.] And—and when do you think of being married?

Horace.

It's no use thinking of that, at present. Not till the Professor takes a rosier view of my prospects, at all events. But if, like a good fellow, you could put in a word for me, it would give me no end of a leg up!

Pringle.

[Dully, with his face still averted.] You don't seem to realise what you're asking!

Horace.

[Suddenly understanding, with compunction.] My dear chap! [He puts both his hands on Pringle's shoulders.] What a selfish brute I've been not to see! I am sorry!

Pringle.

[Stiffly.] As a matter of fact, I'd quite made up my mind to propose to her—as soon as I'd got those country jobs off my mind. And now I find you've cut in before me!

Horace.

Well, it's straight of you to tell me. I suppose you'd rather come and dine some other evening? If so——

Pringle.

No. A promise is a promise. I'll come. Mind you, I don't pretend it won't be an effort—but I'll see what I can do for you.

Horace.

[Gratefully.] You are a good chap, Pringle!—one of the best! Though, really, after what you've told me, I hardly like——

Pringle.

Not another word. Anything I can say on your behalf—without too wide a departure from strict accuracy—I'll say with pleasure. [Going up to door.] Eight o'clock's the hour, isn't it? All right. [He goes out.]

[Horace makes a movement towards the fireplace, as if to ring the bell. Then his eye is caught by the brass bottle, which is standing in the centre of the room. He stops, looks at his watch, and decides that he has time to open the bottle. He examines the cap on its neck, then goes to sideboard and takes from it a heavy paper-weight and a champagne-opener, returns to chair on right of table and sits, holding the bottle between his knees. Using the champagne-opener as a chisel, and the paper-weight as hammer, he proceeds to chip away the deposit round the cap, whistling an air from a musical comedy as he works.

Horace.

[To himself.] I've loosened it. [He seizes the cap and tries to screw it off.] It's giving!

[Suddenly the room is in complete darkness; there is a loud report and a spurt of flame from the bottle. Horace has fallen back on the floor, with the cap of the bottle in his hand. There is just light enough to see a tall weird figure standing with out-stretched arms behind the bottle.

Horace.

[Sitting up and rubbing the back of his head; faintly.] Hullo! Is any one there? Who's that come in?

The Stranger.

[In an attitude of supplication.] Towbah! Yah nebbi Ullah! Anna lah amill Kathahlik ibadan! Wullah-hi!

Horace.

I daresay you're perfectly right, sir—but I've no idea what you're talking about.

The Stranger.

[Repeating the Arabic sentence.] Towbah! (&c. &c.) Wullah-hi!

Horace.

[About to raise himself, sees the figure for the first time, and falls back astonished; then, recovering himself.] I suppose you've just taken the rooms on the ground-floor—so you must be able to make yourself understood in English?

The Stranger.

[The room has grown lighter, and he is seen to be in dull-green robes and a high-peaked turban. His long grey beard is divided into three thin strands; his eyes are slightly slanted, and his expression is a curious mixture of fatuous benignity, simplicity, and cunning.] Assuredly I can speak so as to be understood of all men.

Horace.

Then it's as well to do it. What was it you said just now?

The Stranger.

I said: "Repentance, O Prophet of Allah! I will not return to the like conduct ever!"

Horace.

Oh, I beg your pardon. [Sitting up again.] Thought you were speaking to me. But I say—[looking up at him]—how do you come to be here?

The Stranger.

Surely by thine own action!

Horace.

I see. You ran up to see what was the matter. Fact is, my head's still rather buzzy. I fancy I must have hit it somehow when I was trying to open that jar.

The Stranger.

Then it was thy hand and none other that removed the stopper?

Horace.

I—I suppose so. All I know is that something went off with a bang. I can't imagine what could have been inside the beastly thing!

The Stranger.

Who else but I myself?

Horace.

[Slowly rising to his feet.] You must have your little joke, eh? [He reels against the table.] Or did I misunderstand you? My head's in such a muddle!

The Stranger.

I tell thee that I have been confined within that accursed vessel for centuries beyond all calculation.

Horace.

You can't pull my leg like that, you know! Seriously, just tell me who you are.

The Stranger.

Know then that he who now addresseth thee is none other than Fakrash-el-Aamash, a Jinnee of the Green Jinn.

Horace.

[Half to himself.] Singular, "Jinnee"—plural, "Jinn." Where did I hear that? I—I shall remember presently.

Fakrash.

I dwelt in the Palace of the Mountain of the Clouds in the Garden of Irem, above the City of Babel.

Horace.

[To himself.] Why, of course! Sylvia! The Arabian Nights! [To Fakrash.] I can quite account for you now—but go on.

Fakrash.

For a certain offence that I committed, the wrath of Suleymán, the son of Dáood—on whom be peace!—[he salaams]—was heavy against me, and he commanded that I should be enclosed within a bottle of brass, and thrown into the Sea of El-Karkar, there to abide the Day of Doom.

Horace.

Don't think I'm believing in you. [Walking round the front of the bottle, as if to test Fakrash by touching him.] I've sense enough to know you're not real!

[He withdraws his hand without venturing upon the experiment.

Fakrash.

Stroke thy head and recover thy faculties! I am real, even as thou art.

[He touches Horace's shoulder; Horace recoils.

Horace.

I shall come round in time! [By the table, to Fakrash.] You tell me you've just come out of this bottle?

Fakrash.

Dost thou doubt that it is even as I have said?

Horace.

Well, I should have thought myself you'd take a bigger size in bottles. But of course, I couldn't doubt you if I saw you get into it again.

Fakrash.

That would be the easiest of actions! [He makes a sudden swooping movement, as though to re-enter the bottle, and then thinks better of it.] But I should indeed be a silly-bearded one to do this thing, since thou mightst be tempted to seal me up once more!

Horace.

[Disappointed, and backing against table, half afraid.] Too knowing an old bird to be caught like that, aren't you? But I don't mind! You'll disappear presently.

Fakrash.

True, O young man of perfect qualities and good works! But I will not leave thee before I have rewarded thy kindness. For in the sky it is written upon the pages of the air: "He who doeth kind actions shall experience the like!" Therefore—[with a lordly gesture]—demand of me what thou wilt, and thou shalt receive!

Horace.

Oh, I shall be awake so soon it's not worth while troubling you.

Fakrash.

Dismiss bashfulness from thee. [Advancing towards him.] For by thy hand hath my deliverance been accomplished, and if I were to serve thee for a thousand years, regarding nothing else, even thus could I not requite thee!

Horace.

[Retreating in some alarm to window.] Look here. I don't want anything, and—and the best thing you can do is to vanish.

Fakrash.

[At back of table.] Not till thou hast told me thy name and the trade that thou followest.

Horace.

Oh, you'll go then? [Fakrash assents.] Well, I'll humour you. My name is Horace Ventimore, and I'm an architect. I get my living by building houses, you know. Or rather, I should, if I could only get hold of a client—which I can't.

Fakrash.

[Coming down nearer bottle.] Grant thy servant a period of delay, and it may be that I can procure thee a client.

Horace.

Good old Arabian Nights again! You'd better not make the delay long—my head will be clear very soon.

Fakrash.

Greater rewards by far will I bestow upon thee, most meritorious of men! But now—[going up to right]—I must leave thee for a season.

Horace.

I knew I was coming round—you'll be gone directly.

Fakrash.

Aye, for I must seek out Suleymán—[salaaming]—on whom be peace!—and obtain pardon from him.

[He waves his arm, and the door at back flies open.

Horace.

[Eagerly.] Yes—I would! You go and do that! Make haste! [The door closes, leaving Fakrash visible through it in an unearthly light.] Good-bye—and good luck!

Fakrash.

[Through door.] To thee also! And be assured that I will not be unmindful of thy welfare!

[The door becomes solid as Fakrash vanishes.

Horace.

[Rubbing his eyes.] What a queer dream! [He goes up to the door, opens it, then returns and sits by table.] So vivid! [He sees the brass bottle on the floor.] Open! [Looking inside it.] Empty! H'm, better get it out of the way.

[He takes the bottle in one hand and the cap in the other, and carries them into the bedroom on right. The moment he has gone there is a rush of wind, and then a heavy thud on the balcony outside, and Mr. Wackerbath, a stout, prosperous-looking, elderly gentleman, in tall hat, frock-coat, white waistcoat, &c., reels through the open window into the room, and sinks into the armchair on left of tablet where he sits puffing and blowing.

Mr. Wackerbath.

[Feebly.] Where am I? How did I——? [He takes off his hat.] Ah, of course! I remember now. [He rises as Horace enters from bedroom.] Mr.—ah—Ventimore, I think? Mr. Horace Ventimore?

Horace.

[Slightly surprised.] Yes, that's my name. [Offering chair on right of table.] Won't you sit down?

Mr. Wackerbath.

Thank you—I will. [He sits down.] I—I ought to apologise for dropping in on you in this—ah—unceremonious way—but I acted, I may say—ah—on a sudden impulse.

Horace.

I'm afraid I haven't much time to spare—but if it's anything of importance——

Mr. Wackerbath.

[Panting.] You must give me a little time—till I—ah—get my wind again.

Horace.

Certainly. I know the stairs here are rather steep.

Mr. Wackerbath.

Are they? I don't remember noticing them. However! My name, Mr. Ventimore, is Wackerbath—Samuel Wackerbath, of Wackerbath and Greatrex, a firm of auctioneers and estate agents whose name may—ah—possibly be not unfamiliar to you.

Horace.

[Who has obviously never heard it before.] Oh, of course—of course.

Mr. Wackerbath.

I may tell you that for the last few years I have rented an old place—Moatham Abbey they call it—in Surrey, which is not quite as up-to-date as I could wish in the matter of modern conveniences.

Horace.

That's not unusual with ancient abbeys, is it?

Mr. Wackerbath.

[Solemnly.] Precisely. Well, to come to the point, I've lately acquired some land in the neighbourhood of Surrey and Hampshire, with a view to building a country residence. [Horace becomes more interested, and seats himself at table on Mr. Wackerbath's right.] You see, there's an excellent site—on a hill with a south aspect, just above the village of Lipsfield, and overlooking the valley and river——

Horace.

[Making a note.] Well, Mr. Wackerbath——?

Mr. Wackerbath.

Well, as I was saying only a minute or two ago to a friend as we were crossing Westminster Bridge on our way to Waterloo——[He pauses, with an endeavour to recollect.] Where was I?

Horace.

Waterloo.

Mr. Wackerbath.

Ah, yes. I remarked to him: "All I require is a thoroughly capable architect." [Horace grows alert and excited.] And instantly your name flashed across my mind. So I—ah—hurried off at once, and—here I am!

Horace.

[With a sudden misgiving.] May I ask—you—you weren't recommended to me by—by—[he looks round at the door through which Fakrash has vanished]—any one?

Mr. Wackerbath.

[With dignity.] Certainly not! It was—ah—entirely my own idea. But why do you ask? [Huffily.] Is an introduction necessary?

Horace.

[Relieved.] No, no—not in the least! I—I merely asked. I shall be very pleased to undertake the commission. Could you give me some idea of the amount you thought of spending on the house?

Mr. Wackerbath.

Well, I don't think I could go to more than—say, sixty thousand pounds.

Horace.

[Half rising in his surprise.] Sixty thousand! [He recollects himself and sits down in assumed calm.] Oh, not more than that? I see.

Mr. Wackerbath.

For the house itself. But there'll be the out-buildings—and the decorations. Altogether, I sha'n't complain so long as the total doesn't exceed a hundred thousand. I take it that, for that sum, Mr. Ventimore, you could give me a country-house that I shall have no cause—ah—to feel ashamed of.

Horace.

I can safely promise that. And now—when could I run down and have a look at the site, and go into the matter thoroughly?

Mr. Wackerbath.

We must fix a day later. I'm rather in a hurry now; and besides, I must consult the wife. Perhaps you could give me an appointment here?

Horace.

These are only my private rooms. I shall be at my office in Great College Street to-morrow, if you could look in then. [Giving him card.] Here's the address.

Mr. Wackerbath.

Good! [He rises and moves towards window, while Horace rings bell by fireplace.] I'll look in on my way from Waterloo to the City. [He perceives that he is walking out on to a balcony, and turns.] How the devil did I come in? I'll be with you at eleven sharp.

[He goes towards the bedroom door on the right.

Horace.

[At door to landing.] This way, Mr. Wackerbath.

Mr. Wackerbath.

[Vaguely.] I thought I came that way. [As he goes up.] I can see already that you're the very man for me. [At door to landing.] Now I must be off, or I shall miss my train to Lipsfield. [As Horace offers to see him downstairs.] Don't trouble—I can find my way down. Eleven sharp to-morrow. Good evening.

[As he passes out Horace touches his back, as though half suspecting him to be another illusion. Mr. Wackerbath turns and shakes hands effusively, then goes out, and Horace closes door.

Horace.

[To himself.] He's no dream, anyhow! [With exultation.] A client! A real client of my own! At last!

Mrs. Rapkin.

[Enters from landing.] Did you ring for me, sir?—or was it only to let the gentleman out?

[She comes down.

Horace.

Oh, there is something I had to tell you. We shall be five at dinner, not four. You can manage all right, eh?

Mrs. Rapkin.

[Comfortably.] Lor, yes, sir. That won't make no difference!

Horace.

[In front of table.] By the way, Mrs. Rapkin, you haven't let your ground-floor yet, have you? To—to an Asiatic gentleman?

Mrs. Rapkin.

Me, sir? Let to a Asiatic! No,—nor wouldn't! Why, there was Rapkin's own sister-in-law let her droring-room floor to one. And—[darkly]—reason she 'ad to repent of it—for all his gold spectacles.

Horace.

[Relieved.] Ah, I thought you hadn't. [Sits on table.] Well, about the waiting to-night? I suppose I can depend on Rapkin for that, eh? Where is he?

Mrs. Rapkin.

Well, sir, not to deceive you, he ain't back yet from his Public—Libery as he calls it.

Horace.

Oh, that's what he calls it, eh?

Mrs. Rapkin.

Whatever he's took, sir, you may rely on him to 'and the dishes without 'aving no accidents.

[A noise is heard from the street below, which gradually resolves itself into an Oriental chant.

Horace.

What's going on outside? [He goes to window, looks out, and then starts back uneasily.] I say. It's—it's devilish odd—but there seems to me to be a whole caravan of camels down there!

Mrs. Rapkin.

[Crossing to window.] Camuels, sir?

Horace.

Well, you look and see what you make of them!

Mrs. Rapkin.

[Looking down over balcony.] Lor! They do look like camuels, sir—or somethink o' that. I expect they belong to the 'Ippodrome, or else a circus.

Horace.

[Relieved.] I say, what a sensible woman you are! Of course! I never thought of that!

Mrs. Rapkin.

[Still looking out, while the chant finishes with a few shouts, as though a halt were called.] They seem to be stopping outside the 'ouse. Them camuels have folded up, and all the niggers as is with them is a kneelin' down with their noses on the kerbstone!

Horace.

[Uncomfortably.] They're only resting. Come away and don't take any notice. They'll move on presently.

Mrs. Rapkin.

[Still at window.] But they're unpackin' the camuels now! And—well, if they ain't bringing everythink in 'ere!

[She retreats to behind the table.

Horace.

Great Scott!

[He comes down to left of stage.

Mrs. Rapkin.

They wouldn't be more things as you've been buying at that auction, sir, would they?

[The chant is heard now inside the house.

Horace.

No, no. It's a mistake! It must be a mistake!

Mrs. Rapkin.

Then I'd better go and tell them——

[She moves towards door to landing, but before she reaches it, it flies open mysteriously. A moment afterwards a tall, fierce Oriental in turban and robes appears in doorway and salaams. Mrs. Rapkin recoils with a cry. Then a train of black slaves enter, carrying large sacks, bales, and chests, which they deposit on the table and floor, till the room is completely blocked; their chief stands down on right, with his back to the audience, and directs them by gestures.

Horace.

Look here! I say,—you fellows! You've come to the wrong house!

[The slaves pay no attention to him.

Mrs. Rapkin.

'Ere! my good men, what are you comin' in 'ere for, bringing all your dust into my apartments?

Horace.

[Standing paralysed; to himself.] We can't both be dreaming!

Mrs. Rapkin.

[Trying to remonstrate with slaves.] This rubbish don't belong 'ere! I can't 'ave the 'ole place littered up with it! You needn't act so ridic'lous if you are niggers! [To Horace.] It ain't no use my talking to 'em, sir. They're not like Christians—they're deaf and dumb, seemingly! You try!

Horace.

[Going to the Head Slave, who salaams as he approaches.] Can you understand if I ask a question? [The Head Slave salaams again.] Well, I—I know it seems a silly thing to ask—but—but you don't happen to be sent here by—by anybody with a name something like Fakrash? [The Head Slave implies by a gesture that this is so.] You have!... Well, look here. I don't want 'em. I decline to take 'em in. You have all these things put on the camels again, and clear out! Do you see what I mean? [By this time the other slaves have gone; the Head Slave signifies in pantomime that the things are Horace's, salaams, and goes out, the door closing behind him mysteriously.] I don't believe that idiot understands now! They've gone off to fetch more!

Mrs. Rapkin.

[Who has returned to window.] They've gone off altogether, sir. I can't see nothink now but a cloud of dust.

Horace.

[Sinks into chair on right of table with his head buried in his hands.] The fools! The confounded fools!

Mrs. Rapkin.

[Comes to table and looks for Horace in vain.] Sir! Sir! [Sees him over the bales, &c.] Sir! Where are you going to 'ave your dinner-party now?

Horace.

[Forlornly.] Oh, I don't know—I don't know! Don't worry me now, Mrs. Rapkin! Go away! Can't you see I want to think—I want to think!

Mrs. Rapkin.

[As she goes towards door at back.] Well, I must say and I do say that if this 'ad to 'appen, it couldn't have come more ill-convenient! [She goes out.

[As soon as she has gone Horace rises and comes to an antique-looking trunk on left; he opens it, and brings out an enormous emerald and ruby, each the size of a cocoa-nut; he looks at them for a moment in dismay, and drops them back with a groan. Then he crosses to a sack on the right, opens it, and brings out an immense diamond. While he is doing all this, Fakrash has risen from among the bales behind the table, and watches him with benign complacency.

Horace.

[As he returns the diamond to the sack.] Oh! damn it all!

Fakrash.

My son!

Horace.

[Recoiling on sacks.] I'm not dreaming now! I'm awake! And yet—all that story of yours about your being shut up in a brass bottle? I did dream that—eh?

Fakrash.

Nay, it is even as I told thee.

Horace.

And it was you who sent me all these things?

Fakrash.

A few trifling gifts by no means suited to thy dignity! Thou owest me no thanks.

Horace.

I—I'd rather not owe you anything. I mean—I can't possibly accept any presents from you.

Fakrash.

Nay, they are freely thine.

Horace.

I don't want to be ungracious, but I must decline to be under any obligation whatever to a—well, to a perfect stranger like yourself.

Fakrash.

Hast thou not placed me under the heaviest of obligations by delivering me from a bottle of brass? To escape out of a bottle is pleasant!

Horace.

So I should imagine. But, you see, I'd no notion what I was doing or—well, it's done now, and if you really wish to show your gratitude for a very trifling service, I'll tell you how you can do it. [In a tone of earnest entreaty.] Take back all these gifts of yours, and let me alone!

Fakrash.

[Beaming.] Truly I am amazed by thy modesty and magnanimity!

Horace.

I'm not magnanimous—I'm devilish annoyed! [Exasperated.] Hang it all! Can't you understand that all these things are no earthly use to me? You might just as well have sent me so many white elephants!

Fakrash.

As thou pleasest! To send thee elephants—yea, even in abundance—will be no difficult undertaking.

[He makes a movement as though about to summon them.

Horace.

[Aghast.] Good Lord! Don't you go wasting white elephants on me! You take everything so literally! All I meant was that if these things were white elephants, instead of what they are, I couldn't be more embarrassed! Now do you see?

Fakrash.

[Coming down to right.] Thou seemest to me to be despising riches beyond all price.

Horace.

Exactly! Because they are beyond all price! Look at those sacks—bulging, simply bulging with diamonds and rubies and emeralds as big as ostrich eggs! Well, I can't wear 'em. They'd be too dressy! I can't sell 'em—no one could afford to buy a single one of 'em! And how am I to account for having them at all?

Fakrash.

Thou canst surely say that they are presents to thee from Fakrash-el-Aamash, a Jinnee of the Green Jinn, in return for thy kindness in releasing him from a bottle of brass.

Horace.

Oh, can I? I fancy I see myself giving that explanation! [More mildly.] No, Fakrash,—you meant well—but the kindest thing you can do is to remove all this at once——

Fakrash.

This is a thing that cannot be. For to bestow gifts and receive them back disgraceth the giver.

Horace.

Not when the gifts are only in the way. [He nearly trips over a sack.] Just look at this room!

Fakrash.

Verily it is but a miserable apartment for a person of thy distinction!

Horace.

It's quite good enough for me when it isn't lumbered up like this. I'm expecting friends to dinner this evening, and how the deuce am I to entertain them comfortably unless you make it possible for me?

Fakrash.

[Benevolently.] Have no uneasiness. I will see that thou art enabled to entertain thy guests as is fitting.

Horace.

Good! [At window.] Then you'll send for that caravan of yours?

Fakrash.

I hear and obey.

[He goes towards door at back and waves his hand. The door flies open. The chant is heard as before. A pause, after which the Head Slave enters and salaams. Then the train of black slaves pour in noiselessly, and proceed to carry out the chests, &c., and throw the bales out over the balcony.

Horace.

[Encouraging them.] That's right! All those are to go. Put your back into it! [To some slaves who are throwing down bales from the balcony.] Do be careful! You nearly bowled a camel over that time! [The last slave has gone out with a sack from which an immense blue jewel has rolled; Horace picks it up and calls after him.] Hi! You've dropped a little sapphire thing! [The Head Slave takes the sapphire from him and salaams.] Sure you've got the lot? All right! Good day! [The Head Slave makes a final salaam and goes out, the door closing after him mysteriously; Horace approaches Fakrash.] It's awfully nice of you not to be offended, old fellow, and I'm just as much obliged as if I'd kept the things, you know.

Fakrash.

It is no matter. Thou shalt receive other rewards more to thy liking.

Horace.

[Alarmed.] No, no! I assure you I don't want anything. I can get along quite well by myself. Because—of course, you wouldn't know it, but—[with pride]—I've got a client now!

Fakrash.

[Calmly.] I know it. Was he not my first gift unto thee?

Horace.

[Staggered.] Your first——? No, no—don't you go taking credit for that! He assured me himself that he came of his own accord!

Fakrash.

He knew no better. Nevertheless it was I that procured him for thee.

Horace.

How?

Fakrash.

[Airily.] In the easiest manner possible. Having remarked him upon a bridge, I transported him instantly to thy dwelling, impressing him without his knowledge with thy names and thy marvellous abilities.

Horace.

[Horrified—to himself.] Good Lord! He said he came in by the window! [To Fakrash.] So you did that, did you? Then you took a confounded liberty! You'd no business to introduce clients to me in that irregular way! Don't you ever do this sort of thing again! Just attend to your own affairs in future. I understood you were going off in search of Suleymán. It's high time you started. You won't find him in this country, you know.

Fakrash.

He is on some journey—for in Jerusalem itself could I find no sign of him.

Horace.

Oh, come! You can't have flown as far as Jerusalem and back already!

Fakrash.

Know'st thou not that, to a Jinnee of the Jinn, distance is but a trifling matter?

Horace.

So much the better! You'll be back in the East all the sooner. And when you are there, you stay there. Don't get disheartened if you don't find Suleymán directly. Keep on pegging away till you do! Why, the mere travelling will be a pleasant change for you!

Fakrash.

[On right of table; sententiously.] Well and wisely was it written: "In travel there are five advantages. [Proceeding to enumerate them on his fingers.] The first of these is——"

Horace.

[Impatiently, as he moves to his bedroom door on right.] I know, I know! Don't you bother to run through them now—I've got to dress for dinner. Just you bundle off to Arabia and search for Suleymán like billy-oh. Good-bye!

Fakrash.

May Allah never deprive thy friends of thy presence! Never have I encountered a mortal who has pleased me so greatly!

Horace.

[At bedroom door.] Awfully good of you to say so!

Fakrash.

Farewell! Prepare to receive a reward beyond all thine expectations!

[He waves his arm, and for ten seconds the room is in utter darkness. There are sounds as of a rushing wind and crashes and rumblings. Then the glimmer of three Arabian hanging lanterns is seen faintly illuminating a large central arch and two smaller side ones. An immense perforated lantern hanging from the domed roof then becomes lit, and reveals an octagonal hall with four curtained arches, the fourth, down on the right, being where Horace's bedroom door had been. The walls are decorated in crimson, blue, and gold arabesques. Above the bedroom door is a low divan with richly embroidered cushions. Opposite to it, on the left, is a similar divan. High in the wall overhead is a window with gilded lattice-work, through which is seen a soft blue evening sky.

Horace.

[With his back to the audience.] Great Scott! What's that old idiot let me in for now?

Mrs. Rapkin.

[Heard outside the arch up on right of central arch.] Oh, whatever is it now? What's 'appened? [She enters.] Goodness gracious! Mr. Ventimore, sir—what's come to the 'ouse?

Horace.

Then—you see a difference, Mrs. Rapkin?

Mrs. Rapkin.

I don't see nothink as ain't different. For mercy's sake, sir, 'oo's been alterin' of it like this?

Horace.

Well, I haven't.

Mrs. Rapkin.

But where are you going to 'ave your dinner-party now, sir?

Horace.

Where? Why, here! There's lots of room.

Mrs. Rapkin.

But I don't see no dinner-table, nor yet no sideboard.

Horace.

Never mind—never mind! Don't make difficulties, Mrs. Rapkin. You must manage somehow.

Mrs. Rapkin.

I'll try, sir, but—not to deceive you—I feel that upset I 'ardly know where I am.

Horace.

You—you'll get used to it. [Persuasively.] And you're going to see me through this, I'm sure. I must go and dress now. [Looking round the hall.] I suppose you haven't any idea where my bedroom is?

Mrs. Rapkin.

I've no idea where any of the rooms has got to, sir!

Horace.

[Going to arch down on right.] I expect it's through here.

[As he goes out, Rapkin enters from the arch on left of central arch. He is respectably dressed—type of elderly retired butler; just now he is slightly and solemnly fuddled.

Mrs. Rapkin.

William, this is a pretty state o' things!

Rapkin.

What's marrer, M'rire? I'm all ri'. On'y bin a-improvin' o' my mind in Public Libery.

Mrs. Rapkin.

Public Libery, indeed! You and your Public Libery.

Rapkin.

It's pos'tive fac'. Bin p'rusin' En-ensicklypejia Britannia.

[He stands blinking and slightly swaying.

Mrs. Rapkin.

But do you mean to say you don't see nothing?

Rapkin.

[Muzzily.] Not over distinct, M'rire. Curus opt'cal d'lusion—due to overshtudy—everything's spinnin' round. 'Ave I stepped into Alhambra, or 'ave I not? That's all I want to know.

Horace.

[Outside from right.] That you, Rapkin? I want you.

Mrs. Rapkin.

[To Rapkin.] You ast 'im where you are—he's better able to tell you than I am. I'm going back to my kitching.

[She hesitates for a moment as to which arch to go out by, and finally goes out by the one on right of central arch.

Horace.

[Outside.] Rapkin, I say! [Then entering from the lower arch on right as soon as Mrs. Rapkin has gone; he is wearing a richly embroidered Oriental robe, &c., and a jewelled turban and plume, of which he is entirely unconscious.] Oh, there you are! Don't stand there gaping like a fish at a flower-show! Where the deuce are my evening clothes?

Rapkin.

[Staring at him.] I don't know if it's 'nother opt'cal d'lusion—but you appear t' me to ha' gorrem on.

Horace.

Eh, what? Nonsense! [Suddenly discovering that he is in a robe and turban.] Hang it! I can't dine in these things! Just see if you can't find—no, there's no time. You haven't changed yet! Look sharp, the people will be here in a minute or two—you must be ready to open the door to them.

Rapkin.

[Looking round the hall.] I don't seem to see no doors—on'y arches. I can't open a arch—even if it would stay still.

Horace.

Pull yourself together, man! [He twists Rapkin sharply round.] Come, a little cold water on your head will soon bring you round.

Rapkin.

I'm comin' round. Don't see s'many arches already!

Mrs. Rapkin.

[Rushing in from arch on right of centre arch.] Oh, William, William! Come away at once!

Rapkin.

[Peacefully.] I'm aw'ri, M'rire!

Mrs. Rapkin.

[Seeing Horace's costume.] Oh, Mr. Ventimore, who's been and dressed you up like that? Why, it's 'ardly Christian! [To Rapkin.] Come away out of this 'orrible 'ouse, do!

Rapkin.

What's 'orrible about it?

Mrs. Rapkin.

Everything! Can't you see it's all turned into Arabian 'alls?

Rapkin.

Is it? [He suddenly becomes indignant.] 'Oo's bin and took sech a liberty?

Mrs. Rapkin.

Ah, you may well ask! Oh, Mr. Ventimore. [Crossing to Horace.] You've a deal to answer for, you 'ave!

Rapkin.

What? 'Im? 'E's done it all?

Horace.

Mrs. Rapkin, don't you lose your head! I depend on you, you know. Get your husband away and make him sober—or the dinner's bound to come to grief!

Mrs. Rapkin.

Dinner indeed! And me unable to get into my own kitching for them nasty niggers o' yours as is swarmin' there like beedles! The gell's bolted already, and you and me'll go next, William, for stay under this roof with sech I won't!

[She drags Rapkin by the arm to arch up on right.

Horace.

I say, Mr. Rapkin, don't you two desert me now! Just think of the hole I'm in!

Mrs. Rapkin.

Bein' a 'ole of your own makin', sir, you can get out of it yourself! Come, William!

Rapkin.

I'm comin', M'rire! [As he is dragged through arch by Mrs. Rapkin.] You'll 'ear more o' this, Mr. Ventimore!

Horace.

[Alone on stage.] What's to be done now? Can't dine here! [The front door bell rings with a long jangling tingle.] There they are! What am I to do with 'em? It'll have to be the Carlton, after all! [He glances down at his robes.] Can't go like this, though! [He tries to take off his turban.] This damned thing won't come off! [Searching himself for money.] And where are my pockets? [With resigned despair.] Well, I suppose I must let them in, and—and tell 'em how it is!

[As he turns to go up to the centre arch, the hangings are drawn back with a rattle, disclosing a smaller hall behind. A row of sinister-looking but richly robed black slaves forms on each side of the arch; a still more richly dressed Chief Slave salaams to Horace, and with a magnificent gesture ushers in the Professor, Mrs. Futvoye, and Sylvia, to each of whom the double row of slaves salaam obsequiously, to their intense amazement.

Professor Futvoye.

[Coming down to the right and looking round him.] Why, why, why? What's all this? Where are we?

Mrs. Futvoye.

[Following him closely.] We've evidently mistaken the house!

Sylvia.

[Following her mother, and suddenly seeing Horace.] But surely that's—yes, it is Horace!

[At a gesture from their chief, the slaves retire, and he follows.

Horace.

[With some constraint, but trying to seem at his ease.] Yes, it's me all right. There's no mistake. Most awfully glad to see you!

Mrs. Futvoye.

Dear me! [Coming towards Horace.] I really didn't recognise you for the moment.

Professor Futvoye.

[Snappishly.] I don't know who would!

Horace.

Oh, ah—you mean in these things. I—I must apologise for not dressing, Mrs. Futvoye, but the fact is, I—I found myself like this, and I hadn't time to put on anything else.

Professor Futvoye.

[Crossing to Horace.] Any apologies for the simplicity of your costume are quite unnecessary.

Sylvia.

You really are magnificent, Horace! My poor frock is simply nowhere!

Professor Futvoye.

[Glaring round.] I observe that this is a very different room from the one we were in this afternoon.

Horace.

Ah, I thought you'd notice that! [Deciding on perfect candour.] I—I'd better tell you about that. The—the fact is——

[He starts nervously, as the hangings of the centre arch are drawn back once more, the slaves form a double row, and their chief appears, beckoning to some one to follow him.

Pringle.

[Heard outside, addressing Chief Slave.] Mr. Pringle. Mr. Spencer Pringle.... Oh, if you can't manage it, it don't matter! [He enters, and stares at the salaaming slaves, then round the hall.] My aunt!

Horace.

[Coming forward.] Here you are, eh, old fellow?

[The slaves go out.

Pringle.

[Staring after the slaves.] Yes, here I am. [Reproachfully, as he observes Horace's costume.] You might have told me it was a fancy-dress affair.

Horace.

It isn't. I—I'll explain presently.

Pringle.

[Sees the Futvoyes, and crosses to them.] How do you do again, Miss Sylvia? How are you, Mrs. Futvoye? We meet sooner than we expected, eh? [Turning to the Professor.] Well, Professor, I suppose you weren't surprised at finding our good host in—[he looks round the hall again]—this exceedingly snug little sanctum? I must confess I am.

Professor Futvoye.

My dear fellow, you can't be more surprised than we are!

Pringle.

[With satisfaction.] You don't mean it! [Turning to Horace, who is on the other side of the hall, talking to Mrs. Futvoye and Sylvia.] Then you've only just got this place finished, eh, Ventimore?

Horace.

That's all, Pringle.

Professor Futvoye.

To build and decorate such a place as this must have cost a very considerable sum of money.

Horace.

You'd think so, wouldn't you? But it didn't.

Professor Futvoye.

[Coming towards him.] And that costume you're wearing, those negroes in rich liveries, all this senseless profusion and display we see around us—are you going to tell me they haven't cost you anything?

Horace.

I—I was going to explain about that. It's a most extraordinary thing, but—well, you remember that old brass bottle I showed you this afternoon?

Professor Futvoye.

Remember it? Of course I remember it! But what of it, sir, what of it?

Horace.

Why—er—in a manner of speaking—everything you see here has—er—more or less—come out of that bottle——

Professor Futvoye.

[Infuriated.] That is enough, sir, that is enough! You choose to give me a frivolous answer! I will not submit to be treated like this—I would rather leave the house at once. And I will, too!

[He makes a movement towards the arch. Sylvia and her mother look on in distress, and Pringle with secret gratification.

Horace.

No, but I haven't finished! You see, it was like this: When I opened the bottle——

Professor Futvoye.

[Savagely.] Tchah! As you seem unable to realise that this is not a fit time for fooling, I will not stay here to be trifled with. Sophia, Sylvia, we must find some other place to dine in!

Sylvia.

[Going to Horace, and speaking in a rapid undertone.] Horace! Can't you see? He means it. You must be serious—or else——!

Horace.

[To her.] Yes, I see.... Professor, I'm sorry. I—I never thought you'd be annoyed. All I really meant by—by my feeble little joke was to tell you—in a sort of figurative way, do you see?—that—that my luck has turned at last.

The Others.

[Together.] Turned? How turned? What do you mean?

Horace.

Well, I've got a client.

The Others.

[As before.] A client? How? Where? When?

Horace.

Just after you all left this afternoon. A clinking good client, too! He's asked me to build him a big country-house, and my commission can't come to less than seven or eight thousand pounds.

Pringle.

[At the end of a general chorus of surprise.] Seven or eight thousand! [Incredulously.] May we know the name of this wonderful client of yours?

Horace.

It's a Mr. Samuel Wackerbath, a big City auctioneer, I believe.

Sylvia.

Why, he's my godfather!

Mrs. Futvoye.

An old friend of ours. Eliza Wackerbath and I were at school together.

Horace.

[To Professor.] So you see, sir, I—I'm not so badly off as you thought. I can afford to—to launch out a bit.

Professor Futvoye.

[Somewhat mollified.] Hardly, I should have thought, to this extent. However, in the circumstances, I consent to remain.

Sylvia.

[In an undertone to Horace.] I thought it was all over with us!

Horace.

[In the same to her.] So did I! But I think I'm out of the cart this time.

[He goes up towards the left, talking to her.

Pringle.

[Crossing to the Professor; in an undertone.] So glad you decided to stay, Professor. I was really half afraid you'd go—as a protest against all this ostentation.

[Mrs. Futvoye is admiring the workmanship of the hangings.

Professor Futvoye.

[In an undertone to Pringle.] I should have done so, Pringle, I should have done so—but for the inconvenience of dining elsewhere at this hour. [Aloud, to Horace.] Ventimore! [Pringle joins Mrs. Futvoye.] I don't know if you are getting hungry,—but I own I am. Will it be long before they announce dinner?

Horace.

[Turning, with a start.] Dinner? Oh, I hope not—I mean, I think not.

Professor Futvoye.

I see no table is laid here. [Acidly.] But probably you have an equally spacious dining-hall adjoining this?

Horace.

Yes. That is,—probably, you know. I mean, it's quite possible.

[The curtains of the arch on left of centre arch are drawn.

Professor Futvoye.

Do you mean to tell me you haven't settled yet where we are to dine?

Horace.

[At a loss for an instant, then he suddenly sees the slaves enter from the arch on left, bearing a low round table, which they place in the centre of the hall.] Oh, we dine here, of course!—here. I—I leave it to these fellows.

[Four of the slaves fetch cushions and arrange them as seats around the table, the Chief Slave directing them.

Pringle.

I say, Ventimore, what an odd idea of yours, having all these black footmen! Don't you find them a nuisance at times?

Horace.

Oh, they—they've only come in for the evening. You see—they're—er—quieter than the ordinary hired waiter—and—and they don't blow on the top of your head.

Sylvia.

[In an undertone, nervously.] Horace! I don't like them! They're so creepy-crawly, somehow!

Horace.

[Suppressing his own antipathy.] After all, darling, we—we mustn't forget that they're men and brothers. [To the others, as the Chief Slave advances to him and makes elaborate gesticulations.] I think what he means is that dinner is served. Shall we sit down?

Mrs. Futvoye.

I don't see any chairs.

Horace.

No. It—it's such a low table, you see. So we sit on cushions. M—much better fun!

Professor Futvoye.

[Grimly.] May I ask if the entire dinner is to be carried out on strictly Arabian principles?

Horace.

[Helplessly.] I—I rather think that is the idea. I hope you don't mind, Professor?

Professor Futvoye.

I am in your hands, sir, in your hands! Sophia!

[He indicates to Mrs. Futvoye that she is expected to sit down, and seats himself on the right of table with many precautions; Horace leads Mrs. Futvoye to a cushion on his right, and establishes Sylvia on his left, inviting Pringle to the place below Mrs. Futvoye and opposite the Professor. A slave brings on a large covered golden dish, which he places on the table in front of Horace.

Horace.

[With a pathetic attempt to be cheery, as another slave raises the cover.] Ha! Now we shall see what they've given us!

[The expressions of the party indicate that, whatever the food may be, its savour is not exactly appetising.

Professor Futvoye.

I should just like to remark that, having lived in the East myself and had considerable experience of native cooking, I expect to be extremely unwell to-morrow.

Horace.

Let's hope for the best, Professor, hope for the best! [Turning to the Chief Slave behind him.] But, I say! You've forgotten the knives and forks. Nobody has any! What are these fellows about? [The Chief Slave explains in pantomime that fingers and thumbs are all that is necessary Eh? Do without them? Dip into the dish and help ourselves? Oh—if you say we've got to! [To Mrs. Futvoye.] Mrs. Futvoye, can I persuade you to—er—have first dip?

Mrs. Futvoye.

Really, Horace, I must get my gloves off first!

[She removes them.

Horace.

It does seem a little messy. But quite Arabian, you know—quite Arabian!

Mrs. Futvoye.

[Vainly trying to reach the dish.] I'm such a long way off!

Horace.

Yes. I think we'd better all—er—close up a bit.

[They all work themselves up uncomfortably on their respective cushions nearer the table.

Professor Futvoye.

[As Horace takes Mrs. Futvoye's and Sylvia's right hands and guides them to the dish.] And he calls this a simple, ordinary little dinner!

Curtain

THE SECOND ACT

The scene is the Arabian Hall—an hour later. The slaves are offering the guests water in golden bowls, and insisting on wiping their hands for them, an attention which the Professor resents.

Professor Futvoye.

Ventimore!

Horace.

[Seated in utter dejection.] Yes, Professor?

Professor Futvoye.

I infer from the fact that the last course seemed to be something in the nature of—ah—sweets——

[Mrs. Futvoye and Pringle exchange glances, and sigh audibly.

Horace.

They were rather beastly, weren't they?

[A slave takes the Professor's hands with great respect, and inserts them into the bowl.

Professor Futvoye.

As I was saying, I infer from that, and the circumstance that your attendant has again attempted to wash my hands, that the—ah—banquet has come to an end. Is that so?

Horace.

[Miserably.] I hope so! I mean—I think so.

Professor Futvoye.

Then, as I have been suffering agonies of cramp from having had to sit for an hour on a cushion with my legs crossed, I should be glad, with your permission, to stretch them again.

Horace.

So sorry! Mrs. Futvoye, shall we——?

[He helps Mrs. Futvoye and Sylvia to rise. Pringle has also risen; the Professor remains on his cushion.

Professor Futvoye.

I should be glad of some slight assistance.

[Sylvia comes to him; Horace and Mrs. Futvoye are by the divan on the left.

Pringle.

[Crossing in front of table.] Allow me, Professor, allow me!

[He helps him to his feet.

Professor Futvoye.

Thank you, Pringle, thank you. A word with you—[drawing him away to the right, while Sylvia joins her mother and Horace up on the left.]—Pringle. [Lowering his voice.] I declare to you that never, never have I been called upon to swallow a more repulsive and generally villainous meal! And that in a life which has had its—ah—ups and downs!

Pringle.

It's the same here, I can assure you. I don't understand our host's partiality for Arab cookery. And the wine! [With a reminiscent shudder.] Did you try the wine?

Professor Futvoye.

I did. It must have been kept in a goat-skin for years! And yet he must have spent a perfectly scandalous amount on this preposterous banquet of his!

Pringle.

A small fortune! Ah, well—I suppose he feels entitled to indulge in these costly fancies—now.

Professor Futvoye.

He's no business to—just after he's engaged to my daughter!

Pringle.

Ah! It's a thousand pities. Still—he may give up some of this magnificence, when he's married.

Professor Futvoye.

I shall take very good care he does that—if he marries Sylvia at all!

[He lowers his voice still more, and the conversation continues in dumb show, Pringle by his manner showing that he is doing all in his power to prejudice Horace while ostensibly defending him. The slaves return, clear away cushions, and remove the table.

Horace.

[To Mrs. Futvoye, while Sylvia stands slightly apart with a somewhat resentful expression.] It's awfully kind of you to be so nice about it—but I know only too well you can't really have enjoyed it. It was a shocking bad dinner from start to finish!

Mrs. Futvoye.

[Tolerantly.] Oh, you mustn't say that! Perhaps, next time, if you could tell your landlady not to scent all the dishes quite so strongly with musk——

Horace.

I shall certainly mention that—if I get the chance. [Looking across at the Professor, whose temper is evidently rising.] I'm afraid the Professor won't get over this in a hurry.

Mrs. Futvoye.

Perhaps I'd better go and see how he's feeling.

[She crosses, leaving Horace with Sylvia.

Horace.

[To Sylvia.] I can guess how you're feeling about this.

Sylvia.

[Coldly.] Can you? Then it isn't necessary for me to tell you.

Horace.

No, I—this little dinner of mine hasn't turned out quite as we expected, has it?

Sylvia.

I don't know what you expected—I thought it was going to be so delightful!... How could you be so foolish?

Horace.

You see, dear, you don't understand how it all came about yet. If you'd only let me tell you——

Sylvia.

I think you had much better say no more about it.

Horace.

Ah, but I can't! I must get it off my chest. [Before he can begin the slaves enter once more, and shift the divans on either side to lower and rather more oblique positions, after which the Head Slave approaches Horace, and makes signs.] What do you want?

Sylvia.

[Clinging to Horace.] Oh, don't let him come too near me!

Horace.

[As the Chief Slave repeats the signs.] He sha'n't, darling—but he's quite friendly. He's only suggesting that we should sit down.

[Horace and Sylvia sit on the divan on left. The Chief Slave turns to Professor and repeats the gestures.

Professor Futvoye.

[Puzzled and irritable.] What does he want me to do now?

Mrs. Futvoye.

[Soothingly.] Why, to sit down, of course, and take your coffee comfortably.

Professor Futvoye.

[Appeased.] Oh, is that it? [Going to divan on right.] I sha'n't be sorry to rest my back against something. [Sitting.] You'd better sit down yourself, Sophia.

Mrs. Futvoye.

[Placidly.] I was going to, Anthony.

[She sits on the Professor's left.

Professor Futvoye.

Plenty of room for you, Pringle. [Pringle seats himself on Professor's right.] I think I might feel better after a cup of strong coffee—Turkish coffee—and perhaps a glass of liqueur brandy. [As the Chief Slave moves up to the centre arch without paying any attention to him.] As you said, Pringle, the attendance is disgraceful! [Raising his voice, and calling across to Horace.] Ventimore, is your—ah—major-domo—going to bring us our coffee and what not soon?

Horace.

At once, Professor, at once!

[He claps his hands, and the Chief Slave stalks forward majestically.

Professor Futvoye.

And a cigar—a good cigar, if it's not asking too much?

Horace.

What am I thinking of? Of course! [To the Chief Slave.] Serve coffee at once, please. [The Chief Slave expresses in pantomime that he fails to understand Horace's desires.] I said "Coffee." You know what coffee is! [Apparently the Chief Slave does not.] I never saw such a fellow! Well, cigars, then! Come, you must know them! Things to smoke? [He imitates the action of smoking. The Chief Slave seems to take this as a dismissal. He salaams, motions to the other slaves to retire, upon which they all go out, then salaams once more and stalks off.] That beggar must be a born idiot! I can't make him understand.

Professor Futvoye.

[Drily.] So I perceive. No matter, I must do without my usual after-dinner coffee, that's all! But at least, Ventimore, you must know where to lay your hand on your cigar-box!

Horace.

I did—before the place was altered so,—but I'm not sure if——[He rises.] I'll just go and have a look in my bedroom.

[He crosses and goes out by the lower arch on the right.

Pringle.

[To the Professor.] Seems to me that Oriental hospitality has been rather over-rated!

Professor Futvoye.

[Gloomily.] Ah! I know I wish I'd ordered our cab for ten o'clock, instead of eleven! Receiving us with all this ostentation, and yet grudging us the most ordinary comforts—I can't understand it!

Pringle.

[Rising.] It may be his notion of humour. [As he moves across to Sylvia.] If you and Mrs. Futvoye and Miss Sylvia will only give me the pleasure of dining with me some night at the Holborn,—or rather the Savoy—I would endeavour to wipe out the memory of this evening's sufferings.

[He takes Horace's place by Sylvia's side.

Professor Futvoye.

Whenever you please, my dear Pringle, whenever you please,—and the sooner the better! Sophia! [He turns to Mrs. Futvoye, and discovers that she is gently dozing.] Asleep! How she can do it!—but I won't disturb her now. [To Horace, who returns from arch down right.] Well? Have you found your cigars?

Horace.

[Standing in centre depressed.] No. There's nothing in there—except that beastly brass bottle. I am so sorry!

Sylvia.

[Rising and going to Horace.] Horace! It is all over, isn't it? You're sure there's nothing more to come?

[Pringle, finding himself deserted, returns to his place on the divan by the Professor.

Horace.

[Looking round anxiously.] I—I hope not. No, I think we're all right. We shall have no more trouble now all those black Johnnies have cleared out.

[At this moment there is a confused sound of Oriental instruments outside, with wailing cries. Sylvia turns from Horace, and goes back indignantly to the divan on the left. Horace follows, and sits by her.

Mrs. Futvoye.

[Waking up as the music stops.] Dear me! What is that horrible noise? Not cats?

Professor Futvoye.

Cats! No,—it's Arab music! [To Horace.] So you've a fresh surprise in store for us, eh, sir?

Horace.

[Forlornly.] It—it does sound rather like it, Professor.

[Four negro musicians enter, playing a tom-tom, mandoline, flageolet, and native fiddle respectively, while they chant a weird ditty, and sit cross-legged, right and left of the central arch.

Sylvia.

[As the music stops.] Horace, this is really too bad of you! You assured me there was nothing more coming!

[She turns her shoulder on him with marked displeasure.

Pringle.

So you keep a private band, do you, Ventimore?

Horace.

No, no,—of course I don't. It—it's only engaged for the evening.

Pringle.

I see. Hired from the Arab encampment at Earl's Court, eh?

Horace.

[Irritated.] You've guessed it first time, Pringle!

Pringle.

That's odd. Because, now I come to think of it, there isn't any Arab encampment there this season.

Horace.

Then they come from somewhere else. At all events, they're playing here for nothing.

Professor Futvoye.

Ah! They know their own value!

Mrs. Futvoye.

Now, Anthony, you're finding fault before they've even begun! [She rises.] That was only tuning, of course! [She passes in front of the Musicians, and then comes down to Horace.] Can they play English music? Do ask them if they know "The Choristers."

Horace.

I'm afraid they're not at all likely to be familiar with it.

[The Musicians begin once more, and Mrs. Futvoye retreats hastily to the divan, as they sing and play for a few bars in hideous cacophony.

Pringle.

[As they stop once more.] Vocal as well as instrumental, eh? Are they going to give us any more little things like that, Ventimore?

Horace.

No. Not if I know it! They've done now!

[At this the music starts again, louder and more discordant than ever.

Professor Futvoye.

[Springing to his feet in a fury, and shouting.] Ventimore! You must put a stop to this abominable din! Do you hear? I can't and won't put up with it!

Horace.

[Rising, and going to the Musicians.] Here, you chaps! Hi! That's enough! [He claps his hands.] Get out! Get out!

[The Musicians seem to treat this as an encouragement, for they play with more vigour than ever; then, as they reach the climax, the music changes to slower strains, in which some sort of air is recognisable, and a troop of Oriental Dancing Girls come writhing and posturing in from the arches on right and left of the centre arch. Horace recoils in horror, and collapses on the divan by Sylvia's side.

Mrs. Futvoye.

[Making her voice carry above the music.] And do these young persons come from Earl's Court, too?

Horace.

[Wildly.] No! Oh, dear no! They come from—from Harrod's. The Entertainment Department, don't you know!

[He sits paralysed as the Principal Dancing Girl suddenly floats down from the central arch, and executes a slow and sinuous Oriental dance in the middle of the other performers. The Professor and his wife exchange scandalised comments, and Pringle endeavours to look shocked and grieved.

Horace.

[As the Principal Dancing Girl has glided down opposite him, and stands posturing, with her eyes fixed on his face; to Sylvia.] I—I don't think she's bad.

Sylvia.

[Coldly.] Don't you? I'm perfectly sure she is!

Horace.

No, no. She—she's a lady and all that. They all are. Highly respectable girls! They only give their dances at private parties.

Sylvia.

I don't think you need have engaged them for yours! Really, Horace!

[The music stops; all, except the Principal Dancer, who remains standing and smiling at Horace, fall on their hands and faces in a line across the stage.

Horace.

It was a mistake. But I'll get rid of them! [He rises and goes towards the Principal Dancer.] It's charming—charming—but that will do, you know. You can go away now. You can all of you go away!

[The Principal Dancing Girl, with a swift, sudden movement, throws herself at his feet and embraces his knees; Sylvia starts up indignantly. The Professor, Mrs. Futvoye, and Pringle rise also.

Principal Dancing Girl.

[In Arabic, in a tone of adoring submission.] Yah Sîdî! Yah noor ainy! Yah nass al Kalbi Sîdî!

Horace.

[To the others.] She is a little hysterical, that's all—the artistic temperament. [As he succeeds in freeing himself.] I don't know what on earth she's talking about! I fancy she says she's feeling seedy.

Professor Futvoye.

[Who has come down on the right.] "Sîdî"—as you may well know—is the ordinary Arabic word for "Master," and, if I follow her correctly, she is calling you her Protector, the Light of her Eyes, and the Vital Spirit of her Heart!

[The Principal Dancing Girl has fallen on her hands and face in front of the others.

Sylvia.

Oh! So this is what you were trying to confess to me!

Horace.

She's quite mistaken, you know. I'm not the light of her eyes, I've never seen her before in all my life!

Sylvia.

You think I believe that! [She rushes across to Mrs. Futvoye.] Oh, mother—mother!

Horace.

Professor, you know Arabic. Couldn't you get these people to understand that they aren't wanted?

Professor Futvoye.

[Coming forward.] I intend to. [In Arabic.] Eerga dugghery gowan illa bait bettah Harrood!

[As he speaks all the dancing girls raise their heads in horror, then rise screaming and holding their hands to their ears, and rush out through arches, followed by the musicians. The moment they disappear through the arches all is silent.

Pringle.

[Coming down to centre.] They weren't long in taking your hint, Professor. What did you say to them?

Professor Futvoye.

[Rather puzzled.] I merely told them, in the best Arabic I could command, to go back to Harrod's at once.

Mrs. Futvoye.

I am quite sure they cannot have come from Harrod's!

Horace.

You're perfectly right, Mrs. Futvoye. They didn't.

Professor Futvoye.

[Advancing to him.] After that admission, you will hardly be surprised if I tell you—as I do—that you may consider your engagement to my daughter at an end.

Horace.

At an end! Why, what have I done?

Professor Futvoye.

Done, sir, done? You ask that, after grossly insulting my wife and daughter by this—this outrageous exhibition!

[He goes up, followed by Pringle.

Horace.

[Going to Mrs. Futvoye.] Mrs. Futvoye, you don't misunderstand me, I'm sure?

Mrs. Futvoye.

[Icily.] For once, I entirely agree with my husband, and I believe Sylvia herself will tell you——

[She turns, and joins the Professor on the left.

Horace.

No, she won't? Will you, Sylvia? You won't give me up?

Sylvia.

What else can I do?

Horace.

What else? Why, trust me, stick to me—in spite of everything and everybody!

Sylvia.

After what I've just seen! No, that's too much to expect!—unless, of course, you've some satisfactory explanation?

Horace.

Well, I have—if you'll all promise to listen to it—you wouldn't when I tried to explain before, you know. Now you must hear me out! [They all prepare to listen attentively.] It's like this. Sylvia wasn't far wrong about that beastly jar I bought this afternoon—there was a Jinnee inside it.

Professor Futvoye. |  | All speaking together.
What? How dare you, sir—how dare you trifle with us like this? | )
Mrs. Futvoye. |
Disgraceful! To stand there talking such nonsense—at such a time! | )
Sylvia. |
Turning it all into a joke! Oh, how can you—how can you? | )
Pringle. |
Upon my word, Ventimore, you ought to be ashamed of yourself! | )

Horace.

There you are, you see! You won't give me a hearing! I ought to know what was inside the bottle, considering I let it out. Fakrash-el—what did he tell me his name was?—oh, Aamash—Fakrash-el-Aamash. He's a Jinnee. Of the Green Jinn.

Pringle.

Well, we're not Green Jennies!

Horace.

[Losing his temper.] Shut up, Pringle! This is my story—and you'll be good enough to let me finish it. Well, according to old Fakrash, he'd been sealed up in that bottle by Solomon——

Professor Futvoye.

What, in the name of common sense, has all this to do with the case?

Horace.

I'm coming to that, if you'll only have a little patience. Naturally, he was grateful to me for letting him out, and, in a weak moment, I—I blurted out that you were all coming to dinner here to-night. And what does the old idiot do but transform my rooms into these halls, and provide the whole entertainment himself! And—as might be expected—it was pretty rotten!

[He sinks on the divan on right in despair, as he sees the general incredulity.

Professor Futvoye.

Ha! And you seriously expect us to believe this cock-and-bull story as an explanation—unsupported by any kind of proof?

Horace.

Not unsupported, Professor! How about these halls?

Professor Futvoye.

They are only evidence of your unbridled extravagance, sir! Where is this precious Jinnee you talk about? Produce him—let me see him with my own eyes, and I might—but, bah! you won't venture to accept that challenge, I'm sure of that!

[He crosses to Mrs. Futvoye and Pringle.

Horace.

It's unfortunate—but Fakrash has—er—left the country. I don't expect him back for some time—if at all.

Professor Futvoye.

Nor I, sir, nor I! Sophia, you and Sylvia had better go to the vestibule and get your things on.

Mrs. Futvoye.

I am only too anxious to go. [To Sylvia.] Come, darling.

[She moves towards arch on right.

Sylvia.

[In sudden alarm.] Mother! Not with all those horrid dancing-girls and things! They're in there!

Mrs. Futvoye.

[At arch.] Trust me to deal with them!

[She goes out with Sylvia.

Professor Futvoye.

[Going up and calling after them.] Make haste, Sophia! We must walk till we get a cab, that's all!

Horace.

[Who has risen.] Professor, don't go yet. I've just remembered. If you'll only wait a moment, I believe I can bring you something to prove I've been telling the simple truth.

[He goes out by lower arch on right.

Professor Futvoye.

[Approaching Pringle.] "Prove he's been telling the truth!" You heard that, Pringle? Did you ever hear such bare-faced impudence in all your life?

Pringle.

[Virtuously.] Never, Professor, never! I quite share your indignation. Perhaps I may be allowed to accompany you? I am going your way.

Professor Futvoye.

Do so, Pringle; do so, my dear fellow. As we may have to walk some distance, my daughter will be glad of your escort. [As Mrs. Futvoye and Sylvia appear from arch up right.] Ah, they're ready, I see. Go and get your coat on and bring mine, and we'll leave at once.

Pringle.

[With alacrity, as he goes up.] By all means, Professor! I won't be a minute.

[He goes out by the arch up right.

Horace.

[Returning at the same moment from lower arch on right.] I've had a hunt—but I've found it. [He offers a metal cap to the Professor.] Now, if you'll only examine this, Professor.

Professor Futvoye.

What do you mean by offering me that piece of dirty old metal, sir? Take the thing away!

Horace.

It's the cap or stopper that belongs to that brass bottle. And, I don't know, but I rather fancy there's something engraved on it.

Professor Futvoye.

Eh, what? [He takes the cap.] So far as I can tell by feeling it, there does seem to be—but what if there is—what if there is?

Horace.

Well, it might refer to a Jinnee having been bottled up by Solomon, don't you know.

Professor Futvoye.

Bah!—but no matter. [He slips the cap into his tail-coat pocket.] Whatever it is, I will examine this inscription—after breakfast to-morrow morning. [Triumphantly.] And I shall decipher it, sir,—you may depend upon that! [To Pringle, who returns with coat and helps him into it.] Thank you, my boy, thank you. Now, Sophia,—if you are ready!

Mrs. Futvoye.

I am only waiting for you, Anthony. [Frostily, to Horace.] Mr. Ventimore, I will wish you good-night.

[She goes out by central arch.

Pringle.

[Approaching Sylvia.] Good-night, Ventimore. Miss Sylvia—[offering his arm]—I am to have the privilege of taking care of you.

Sylvia.

[Declining his arm.] Thank you, Mr. Pringle,—but I can quite well take care of myself. [She turns to Horace.] Horace, I want to say just this before I go—I will trust you still,—in spite of everything and everybody!

Horace.

[Putting his arm round her.] You little brick! And you won't have to go on trusting me much longer!

Professor Futvoye.

[Interposing and separating them.] That she will not, sir! Let her go! [Horace releases Sylvia, who goes up towards central arch, Horace attempting to follow her, when he is stopped by the Professor.] Stay where you are!

[Sylvia and Pringle pass through to the outer hall.

Horace.

Surely I may go as far as the door with her!

Professor Futvoye.

[By the central arch.] Not another step, sir! One last word. This precious seal of yours will enable me to expose you as a shameless liar. That is all I have to say. Good evening.

[He goes out. Pause, the front door is heard to slam.

Horace.

[To himself, in despair.] Gone! She's gone! [He flings himself down on the divan on the left, with his face to the audience.] The Professor may be right—the seal mayn't be Solomon's! How do I know old Fakrash hasn't been lying? And if he has—well, I'm done for! [Fakrash suddenly appears through the hangings, comes down to the divan, and touches Horace on the shoulder; Horace starts, then swings round to a sitting posture, facing Fakrash.] Eh? So you have come back!

Fakrash.

[Benevolently.] May thy head long survive!

Horace.

[Choking with rage.] If you'd only turned up four minutes earlier I could have introduced you to my guests. It's too late now!

Fakrash.

Thou hast dismissed them already?

Horace.

They've gone, anyhow.

Fakrash.

[Beaming.] And were they not astounded by the magnificence of thy dwelling and the liberality of their entertainment?

Horace.

Distinctly so. But I warn you—don't you press me on the subject of that entertainment. I can't trust myself to talk about it just yet.

Fakrash.

Render me no thanks.

Horace.

[Exasperated.] Thanks! Thanks!!

Fakrash.

I perceive that something hath displeased thee.

Horace.

[With an angry laugh.] No, do you? You're getting quite observant! Something jolly well has displeased me. Not so much the banquet—I could pass that—we did pass most of it! [Rising.] It was what came after the banquet!

Fakrash.

After the banquet I provided that a company of houris, lovelier than the full moon and graceful as young gazelles, should dance for the delight of thy guests. [With uneasiness.] Can I have failed in bringing this to pass?

Horace.

[Bitterly.] Oh, you brought that off all right—the houris came! [With rising resentment.] And what do you think the Chief Gazelle did?... Hugged my knees and called me her lord and protector and the light of her eyes! Pretty good that—for a gazelle!

Fakrash.

[With a fatuous smile of approval.] Excellent indeed!

Horace.

[Turning on him.] Perhaps, when I tell you that the company included the young lady I was engaged to marry—and her father and mother, and that they put the most unfavourable construction on the houri's behaviour, it may begin to dawn, even on you, that you might have been more tactful! I've lost Sylvia now—and all through you and your confounded gazelle!

Fakrash.

[Pulling his beard, and appearing slightly disconcerted.] Verily thy fortune is unlucky! But dismiss uneasiness, for to remedy this mischance will be the simplest thing possible.

Horace.

[More mildly.] Oh, if you'll do that! But how?

Fakrash.

[Standing in centre of hall.] By procuring thee another bride of far greater beauty and accomplishments.

Horace.

[Striding past him in a fury.] Another! You—you hopeless old ass! Can't you understand?

Fakrash.

[Seizing his arm, and bringing him down the stage.] Wait! Thou hast not yet heard the list of her perfections. A forehead shall she have like the gleaming dome of a temple, eyes like unto blazing lamps, a nose that shineth brighter than a sword, teeth resembling pearls strung on native gold, a bosom——

Horace.

Stop, I tell you! I don't want her—I won't have her! I want Sylvia, and I'll marry nobody else! Just get that into your muddled old head, will you! If you can't pull me out of this mess you've got me into, why the deuce have you come back at all?

[He sits on the divan on left.

Fakrash.

I am returned to impart unto thee wondrous intelligence.

Horace.

Oh? Well, fire away. Take a cushion.

[Flinging him one from the divan.

Fakrash.

[Squatting on cushion.] Hearken! During my wanderings I have learnt that, beyond all doubt, Suleymán, the son of Dáood, sleeps with his fathers!

Horace.

As a matter of fact, he's been doing that for about three thousand years.

Fakrash.

Sayest thou so? Then—[cunningly]—tell me. Doth there still remain any one of Suleymán's seed that exerciseth his authority over them of the Jinn?

Horace.

No. As soon as you've made things right for me, you can go off to your own country and settle down comfortably—there's no power on earth that can interfere with you.

Fakrash.

Then—before I do thee any further service—bring hither the stopper wherewith my bottle was sealed.

Horace.

[Uneasily.] The—the stopper? Oh, nonsense! You can't want that now! What for? As a souvenir?

Fakrash.

Nay, but because in all likelihood it is engraven with the mighty seal of Suleymán.

Horace.

[Rising excitedly.] I say! Are you sure of that?

Fakrash.

So it was customary with such vessels. And, bearing such a seal, I shall possess a mighty talisman. [Rising from his cushion.] Wherefore deliver it into my hands without delay, and I will reward thee by accomplishing all thy desires.

Horace.

[In extreme embarrassment.] I—I'd be only too happy to oblige you—if I could. But—well, the fact is, I've just parted with it.

Fakrash.

[Advancing on him in sudden fury.] Parted with it! With my seal! O thou of little sense! To whom? To whom, I say?

Horace.

To the father of the lady I was engaged to. He's a learned man, you see, and I knew, if there was anything engraved on the seal, he'd be able to make it out.

Fakrash.

[Striding up and down the hall, and brandishing his arms.] Perdition seize thee! For he will assuredly refuse to surrender such a talisman! Woe to me, for I am undone! Undone! Undone!

Horace.

Don't talk rot! You aren't undone—and nobody wants to undo you! [Fakrash utters wild cries.] Don't go howling about like that—sit down again and be sensible.

Fakrash.

[Halting opposite Horace, with a menacing gesture.] Take heed to thyself! For if thou dost not restore my seal immediately——!

Horace.

[Facing him composedly.] It's no good trying to bully me, you know. I'm not afraid of you. You sit down and be civil, and promise to do exactly as I tell you—or I'm hanged if I help you to get your seal back.

Fakrash.

[With sudden self-restraint.] My son, it was naught! Am I not thy servant? On the head and eye be all thy commands!

[He sits down on the cushion.

Horace.

Ah, that's better! [He goes to the divan and gets himself a cushion, then sits facing Fakrash.] Now I'll tell you an idea that's just struck me—the Professor said himself that nothing would convince him but seeing you with his own eyes. Well—why shouldn't you go to him?

Fakrash.

[Eagerly.] Tell me where he hath his abode, and I will visit him this same instant.

[About to rise.

Horace.

[Stopping him.] No, you don't! Just when he'll be turning in! You'll go about ten o'clock to-morrow morning, when he's had his breakfast—or you won't go at all!

Fakrash.

Be it so! I will restrain my impatience until the morrow. But the place of his dwelling?

Horace.

Wait a bit. I won't have him rattled. [Fakrash looks puzzled.] I mean, no popping up through the floor or down the chimney. You'll just walk quietly up to his front door, and ask to see him. Then you can explain who you are and what you want, and, if you're decently polite, I'm sure the Professor will give you back your property.

Fakrash.

All these instructions will I observe.

Horace.

But you can't go in that get-up, or you'll have a crowd of small boys at your heels. Couldn't you raise the sort of costume respectable elderly gentlemen go about in nowadays?

Fakrash.

I hear and obey. To assume such garb as is worn by aged dwellers in this city will be the simplest affair possible!

Horace.

All right, then. And you must go to No. 47 Cottesmore Gardens, Kensington, and ask whoever lets you in if you may see Professor Futvoye. Think you can remember all that?

Fakrash.

[Rising.] Indelibly is it inscribed upon the tablet of memory. To-morrow, then, at the appointed hour, will I repair to the abode of this sage.

Horace.

[Who has risen at the same time as Fakrash, and thrown the cushions back on the divan.] Good! And you'd better come on to me afterwards and let me know how you got on. Not here—at my office, Great College Street, Westminster. Got that down on your tablet?

Fakrash.

It is done. And now, O young man of abundant talents and obliging disposition, I will take my leave of thee. [Going to centre of hall.] For I must seek my Palace in the Garden of Irem and repose myself until it be day. But—[turning]—ere I depart, tell me by what service I can reward thy kindness?

Horace.

Well,—if you really want to do me a good turn,—you might change these halls again.

Fakrash.

What? Are they insufficient for thy dignity?

Horace.

No, no—they're much too grand! I—I want my old rooms back!

Fakrash.

[Pained.] Of what avail is it to confer favours upon thee, since thou rejectest them every one!

Horace.

[Approaching him, and speaking soothingly.] No, not every one. There was old Wackerbath—the client you sent me—I haven't rejected him. I'm going to build him a country-house.

Fakrash.

Ha! And on what spot is this mansion to be erected?

Horace.

Oh, he seems to have got an excellent site—on a hill near Lipsfield, between Hampshire and Surrey.

Fakrash.

[Touching his own brow.] It is on the tablet! And have no anxiety,—for the palace that will arise shall assuredly be the wonder of the universe!

Horace.

Very kind of you to say so—when I haven't even begun to work at it yet. And now—about these halls? [Persuasively.] You will turn 'em back into my old rooms, won't you? You're such a deuced clever old Johnny—I mean, Jinnee!

Fakrash.

Into the mean habitation in which I found thee? Far be this action from me!

Horace.

[Impatiently.] Oh, I'm sick of arguing with you—I command you. On the head and on the eye!

Rapkin's Voice.

[From the outer hall.] Mr. Ventimore! I want a word with you!

Horace.

[To Fakrash, quickly.] You hear? That's my landlord,—it's his house, not mine. Just you change it—quick—before he comes in!

Fakrash.

[Standing in centre.] Since thou insisteth. And be of light heart, for by to-morrow all thine affairs will prosper exceedingly!

[He waves his hand; there is a sudden and complete darkness for a few seconds, with the sounds of rumbling and rushing wind as before. Above this the Rapkins' voices are heard.

Rapkin's Voice.

Turned off the lights, 'as he? But I'll talk to 'im when I see 'im!

Mrs. Rapkin's Voice.

Don't let go of my 'and, Rapkin! I know there's some o' them nasty niggers about!

Rapkin's Voice.

'Im and his bloomin' niggers and Arabian 'alls! [Bawling.] Mr. Ventimore! You 'ear me!

[The stage has been growing gradually lighter, and Mr. and Mrs. Rapkin are seen standing together in the room in which the play opened.

Horace.

[Appearing at bedroom door on right, in smoking suit, holding candle.] Perfectly. [Blandly.] Anything the matter, Rapkin?

Rapkin.

[Looking round open-mouthed, and blinking in bewilderment.] Matter, sir? No, sir. Nothink, sir. Not now, sir!

Horace.

[Sweetly.] Glad to hear it. You'll be all right in the morning. Hot water at the usual time, please. Good night!

[He goes into his bedroom, leaving the stage in darkness again as the curtain falls.

END OF THE SECOND ACT.

THE THIRD ACT

SCENE I

The scene represents Horace's office in Great College Street.

It is a small room, panelled in dark oak. On the left is an old mantelpiece in white and yellow marble. Beyond the fireplace is a door communicating with Pringle's office. On the right is a recessed window, through which the top of an old grey wall with chevaux-de-frise and foliage above can be seen. At the back, on the right, is a door leading to the staircase. On the left of this door, an architect's cabinet, with narrow drawers for plans, &c. On the walls are plans and architectural drawings, a T-square or two, an office calendar, and sections of mouldings, sundry cards of tiling, ornamental fittings, &c., sent out by firms as advertisements to architects. On the right, by the window, is an architect's drawing-table, with a sheet of drawing-paper, tracing-paper, saucers of colour, and other usual requisites of an architect.

The time is 11.30 on the morning after the preceding acts.

As the curtain rises, the Westminster Clock-tower chimes the half-hour.

Horace is drawing at the table on right.

Horace.

[To himself, looking at watch.] Half-past eleven already!—and I haven't heard from either of them yet! [With some anxiety.] Very odd! Can anything have——? [There is a knock at the door on the left. Horace turns with a slight start as Pringle enters.] Oh, it's you, Pringle! [After a pause.] None the worse after last night, I hope?

Pringle.

[Very solemnly.] I am feeling no ill-effects at present. [Coming to centre of room.] Can I have a few words with you?

Horace.

[Going on designing.] Well, only a very few. We may be interrupted at any moment. I've appointments with two people this morning. Looks as if they'd both overslept themselves.

Pringle.

[Gravely, as he plants himself with his back to the fireplace.] I shall not detain you long. I merely wish to explain my position. When I accepted your invitation last night, I did so with the loyal intention of resigning myself, as cheerfully as possible, to your engagement to Miss Futvoye——

Horace.

[Wheeling his chair round so as to face him.] Instead of which you put a spoke in my wheel whenever you got the chance! Not behaving quite decently, was it?

Pringle.

[Stiffly.] After last night, I cannot consider you as an authority on decency.

Horace.

Don't rub it in, Pringle!

Pringle.

As I was saying, I came prepared to leave the field to you—for I am not the sort of man to unsettle any girl's affections——

Horace.

That's your modesty, Pringle! You don't realise how dangerous you are!

Pringle.

[Ignoring this.] I was going to say—so long as she continues engaged to another. But if Miss Sylvia doesn't recognise yet that you are utterly unworthy of her, she very soon will. Then my chance will come—and I've every intention of taking it.

Horace.

Sorry to discourage you, my dear Pringle—but your chance hasn't come yet, and it's not over likely to come at all.

[He turns to his work again.

Pringle.

She'll never marry you without her father's consent—and if you'd heard him last night in the cab——!

Horace.

[Easily.] I daresay. But he'll be very different this morning.

Pringle.

[Who has come nearer to him.] Why, you're not trusting to that trumpery seal of yours to convince him?

Horace.

No. I'm trusting to something—or rather somebody—[turning to him]—who will be more convincing than any seal.

Pringle.

It will take a good deal to reconcile him, or any of them, to such an extremely—er—Oriental interior as you rejoice in.

Horace.

The Oriental interior has gone, Pringle,—vanished into space!

Pringle.

Nonsense! How could solidly constructed halls like those vanish in a night?

Horace.

I don't pretend to know how—but they have, and that's enough for me!

[He returns to his drawing.

Pringle.

[Going back to fireplace.] And this client of yours—has he vanished, too?

Horace.

Old Wackerbath? Oh, no; he's much too solid to vanish—he's only a trifle late!

Pringle.

I shouldn't make too sure of him.

Horace.

[Listening.] I fancy he's coming upstairs now. [Rises and goes to door at back, then stops with a sudden recollection.] Unless it's the other one!

Pringle.

The other one? So you've two clients!

Horace.

No, only one. The other—isn't a client. [Half to himself, as he comes down.] Awkward if they happened to meet! I never thought of that! [There is a loud knock at the door to staircase.] Well, here's one of 'em, anyhow! Come in! [Mr. Wackerbath opens the door, and stands on the threshold, breathing hard, and purple and speechless with rage. Horace goes towards him.] It is Mr. Wackerbath! How do you do? [Pleasantly.] I was beginning to be afraid——[He notices Mr. Wackerbath's expression.] Eh? Has anything happened?

Mr. Wackerbath.

Happened, sir? Yes, something has happened! Which you'll be good enough to explain—if you can!

Horace.

Oh? [Turning to Pringle.] Perhaps, Pringle, if you wouldn't mind——?

Pringle.

[Moving to the door on the left.] Oh, by all means!

Mr. Wackerbath.

[To Pringle.] Stop, sir! Don't you run away! For all I know, you may have had a hand in this disgraceful business!

Pringle.

[With dignity.] I occupy the adjoining office, sir, and I am in practice as an architect. But I have no business connection with Mr. Ventimore—none whatever.

[Offering to go.

Mr. Wackerbath.

You will oblige me by staying. I should like your opinion—as an architect—on the way I've been treated.

[He puts down his hat on the cabinet by the door.

Pringle.

Oh, if Mr. Ventimore has no objection——

Horace.

Well—oh, stay if you think proper. [To Mr. Wackerbath, offering armchair on left of table.] Now, sir; if you'll sit down and compose yourself——

Mr. Wackerbath.

I will not sit down, sir, and I find it difficult to compose myself. You know very well why!

Horace.

I don't, indeed. Unless—unless you've discovered the—the means by which you were induced to come to me yesterday. But, after all, there's no great harm done.

Mr. Wackerbath.

[Bursting with rage.] No great harm! You can stand there and tell me that!

Horace.

[Calmly.] Certainly. If you prefer to go to some other architect, you're perfectly free to do so.

Mr. Wackerbath.

[Frantically.] Free! Free!! When the damned house is built!

Horace and Pringle.

[Together, each starting back.] Built?

Mr. Wackerbath.

Built, sir, built! When my wife and I saw it on our way to the station this morning, we could hardly believe our eyes. But my coachman—who's not given to imagination—saw it as plain as we did. [Horace hears all this with stupefaction at first, and then with growing comprehension.] And, considering I only gave you the commission yesterday afternoon, I should like to know how the devil you managed to put up such a place in the time?

Pringle.

My dear sir, as a professional man, let me assure you it would be impossible—quite impossible. It must have been due to some effect of mirage.

Mr. Wackerbath.

Mirage, indeed! We got out of the carriage and climbed the slope and went all over the building! Are you going to tell me we've been all over a mirage?

Horace.

[Half to himself.] Oh, the blithering old idiot!

Mr. Wackerbath.

[Turning on him suddenly.] Are you addressing me, sir?

Horace.

No, no; not you! Of course not. [With a groan.] I told him, like a fool, where the site was—and he's done the rest during the night!

[The door at the back flies open, and Fakrash appears. He is wearing a very tall hat with a wide flat brim, a frock-coat, baggy shepherd's plaid trousers fitting tightly over his ankles, and Oriental shoes.

Fakrash.

Greeting to ye, O company!

[Mr. Wackerbath and Pringle turn in surprise.

Horace.

[Sinking helplessly into his chair; half to himself.] It's with you, partner! [In an undertone to Fakrash.] Take off your hat!

[Fakrash removes his tall hat with both hands, and places it on the top of Mr. Wackerbath's hat. Mr. Wackerbath, annoyed, goes to cabinet and removes his own hat.

Fakrash.

[To Mr. Wackerbath.] If I mistake not, thou art the wealthy merchant for whom this my son hath undertaken to erect a mansion?

Mr. Wackerbath.

I am, sir. And you, I presume, are Mr. Ventimore, senior?

Horace.

No, he isn't—he's no relation of mine!

Fakrash.

[To Mr. Wackerbath, proudly.] Is he not an architect of divine skill, and hath he not built thee a palace that might cause even the gall of a Sultan to burst with envy?

Mr. Wackerbath.

It very nearly made me burst, sir, I can tell you that!

Fakrash.

I marvel not, for verily it is a lordly dwelling for such as thou.

Mr. Wackerbath.

"Lordly!" You can call it what you like. I call it a tom-fool cross between the Brighton Pavilion and the Palm-house at Kew! No billiard-room—and not a sign of any drainage system! And you have the brass—the—the unblushing effrontery to expect me to accept it as a first-class country-house with every modern convenience!

Pringle.

I must say that, in all my professional experience, I never——

Horace.

[Rising and approaching Mr. Wackerbath.] I'd better explain, Mr. Wackerbath. It seems that my old—er—friend here has, with the mistaken notion that he was helping me, built this palace for you himself. I haven't seen it—but, from what I know of his talents in that line, it can't be half a bad sort of place—in its way. And, anyhow, I shouldn't dream of making any charge under the circumstances. We make you a present of it—perhaps you didn't understand that? So, surely you will accept it in the—the spirit in which it was intended, what?

Mr. Wackerbath.

Accept it! See the finest position in the neighbourhood occupied by a jerry-built Moorish nightmare? Be the laughing-stock of the whole county? They'd call it "Wackerbath's Folly"! I won't have it on my land a day longer than I can help! I'll go to law, sir, and compel you and your officious partner here to pull the thing down! I—I'll fight the case as long as I can stand!

Fakrash.

[Who has been regarding him through this speech with glowering eyes.] "As long as thou canst stand"? That will be for no long period, O thou litigious one! [He points at him with his forefinger.] On all fours—[Mr. Wackerbath starts in speechless indignation, and bends slightly forward]—thankless dog that thou art, and crawl henceforth for the remainder of thy days!

Mr. Wackerbath.

How dare you address me in that way, sir! How——[He suddenly drops forward on his hands.] I will not go down on all fours! Do you hear, sir? I will not!

Pringle.

[Horrified.] But—Great Heavens, sir, you are on all fours!

Horace.

[Seizing Fakrash's arm.] Now, Fakrash—just you stop this!

Fakrash.

[Shaking Horace off.] Let me be! [To Mr. Wackerbath.] Begone, O contemptible of aspect! To thy kennel!

Mr. Wackerbath.

[Almost whining, as he crawls distractedly about on all fours.] I can't! I won't! I can't cross Westminster Bridge like this! What will the officials think at Waterloo, where I've been known and respected for years? How am I to face my wife and family in—in my present position? I insist on getting up!

Pringle.

Then, my dear sir, why don't you? Why humour him?

Mr. Wackerbath.

Why, why? Because I can't help myself! Damn it, sir, do you suppose I'm doing this for my own amusement? [To Fakrash.] Here, turn off your will-power, or whatever it is, and let me up! Do let me up!

Horace.

[In disgust.] I'll not have it, Fakrash! Let him up at once!

Fakrash.

Far be this action from me! This son of a burnt dog hath dared to disdain a palace—therefore let his abode be in the dust for evermore!

Mr. Wackerbath.

[Crawling to Horace.] You—you quite misunderstood me—I haven't a word to say against the palace. It's the very place I wanted! [Crawling up to Fakrash.] If—if you'll only let me up, I—I'll live in it—'pon my honour I will!

Horace.

[With authority, to Fakrash.] Let this unfortunate gentleman up, will you! I command you. Both on the head and eye!

Fakrash.

[Sullenly, to Horace.] But for the magnitude of thy services——! Be it as thou wilt. [He extends his arm over Mr. Wackerbath.] Rise! [Mr. Wackerbath rises and drops into chair by table, exhausted.] Depart, and show us the breadth of thy shoulders.

[Mr. Wackerbath gets up, puffing, and backs to the door.

Horace.

[Going towards him with concern.] My dear sir, you must believe I've had no share in this! I—I really don't know how to apologise——

Mr. Wackerbath.

[With his eyes on Fakrash.] Don't mention it, sir, pray don't mention it. I am perfectly satisfied—perfectly!

Horace.

You shall be, very soon. Fakrash, clear that palace away at once. Sharp, now!

Mr. Wackerbath.

[Nervously, to Fakrash.] No, no, I couldn't think of troubling you. I—I couldn't wish for a more delightful residential mansion, I assure you!

Horace.

[Coming to Fakrash.] I've told you to obliterate that palace, Fakrash. Am I to tell you twice?

Fakrash.

Hath not this overfed father of dogs—[Mr. Wackerbath starts, but controls his resentment immediately]—expressed his satisfaction with it?

Horace.

It won't do, Fakrash! Do as you're told—and be quick about it.

Fakrash.

Verily such a palace would but be defiled by his presence—therefore let it be annihilated. [He stalks to the window, which flies open at a wave of his hand, after which he faces it and mutters an incantation.] Pfpht! [All start.] It is accomplished. Of the palace and all the splendours therein there remaineth not a trace!

Horace.

[Going up to Mr. Wackerbath.] Mr. Wackerbath, you will find on your return that that is so. I've only to apologise once more for all the—er—inconvenience you've been put to.

Mr. Wackerbath.

[Near the door.] Not at all—not at all, I assure you. [Turning to Fakrash.] I haven't quite caught your name, my dear sir, but you must allow me to thank you for the—ah—very handsome manner in which you have met me.

Fakrash.

[With a menacing movement.] Begone, I say! [Mr. Wackerbath snatches his hat from cabinet.] Or thou mayst find thyself in some yet more unfortunate predicament.

Mr. Wackerbath.

[At the door.] Quite so—quite so! Er—delightful weather, isn't it? [Opening door.] Good morning, gentlemen. [Fakrash makes another movement.] Good morning.

[He goes out hurriedly.

[Fakrash turns to the window and stands there with folded arms, looking out in sombre abstraction. Pringle and Horace are on the other side of the room.

Pringle.

[Going towards the door to his office, and lowering his voice.] I don't think you'll see any more of Mr. Wackerbath after this.

Horace.

[In an undertone.] No, I've lost him—thanks to that old busybody over there. He's done my business!

Pringle.

It serves you right for having him about. Where on earth did you pick him up? Who is he?

Horace.

Surely you don't need to be told! Why, he's the old Jinnee who was inside the bottle.

Pringle.

Rats!—excuse the vulgarity!

Horace.

Hang it! You must have noticed something queer about him!

Pringle.

I have—and if he's the person you're relying on to remove the Professor's objections, I think the old gentleman should be warned against seeing him.

[He goes into his office and shuts the door; Horace returns to table, takes up the sheet on which he had been working, crumples it up, and flings it away.

Fakrash.

[Turns from window to Horace.] Receive news! Henceforth I shall cease to busy myself about thine affairs.

Horace.

[Sardonically.] That's the best news I've heard from you—so far.

Fakrash.

[Gloomily.] Uneasiness hath entered into my heart and I am sore troubled.

Horace.

So you ought to be after your latest performance. I suppose you know you've wrecked my chances as an architect? But never mind that now—have you found time to look up the Professor yet?

Fakrash.

I have but lately parted from him.

[He comes to fireplace.

Horace.

And you went to Cottesmore Gardens in that kit? [Amused in spite of himself.] If you could only see yourself!

Fakrash.

Didst thou not order me to assume such apparel as is worn in this city?

Horace.

I didn't say on the 5th of November! However, you saw him. Did you get your seal back?

Fakrash.

Nay, for the sage protested that he had mislaid it!

Horace.

Oh, well, never mind—it'll turn up in time. What I really want to know is whether you convinced him that you'd come out of the brass bottle?

Fakrash.

[Sombrely.] As to that I can tell thee naught. On hearing that I came from thee, he reviled me as a person of no reputation, and threatened to summon a certain constable and have me delivered into custody. Whereupon I took measures—[he smiles cunningly]—to ensure his silence.

Horace.

[Falling back in his chair in sudden terror.] His—silence! You—you old devil! You—you've not—killed him!

Fakrash.

Nay, nay, I have not so much as harmed a hair of his head.

Horace.

[Rising.] Phew! What a fright you gave me! [Moving towards fireplace, then turning.] But you've been up to some devilry or other—I'm sure of it. What have you done to him? Out with it!

Fakrash.

[Going up towards door.] It was necessary for my security to—[at door]—transform him into a one-eyed mule.

Horace.

[Petrified with horror.] A one-eyed what!

Fakrash.

[Walks through the door, then turns, remaining visible through the door panels.] A one-eyed mule of hideous appearance. Farewell to thee.

[He disappears; Horace seizes his hat and rushes madly out as the curtain falls.

END OF THE FIRST SCENE OF THE THIRD ACT.

SCENE II

The scene represents the drawing-room at 47 Cottesmore Gardens, Kensington.

It is a pleasant room, tastefully furnished. On the left a recessed fireplace, in which are ferns; on the mantelpiece are some large blue and white beakers and vases. On the right a bay-window and window-seat. The windows are wide open, showing window-boxes filled with scarlet geraniums and marguerites, and a quiet street with detached houses. At the back, on the right, is a door opening on the hall. To the left of this door are sliding-doors shutting off the Professor's study. In front of these sliding-doors is a long high backed sofa, completely covered in chintz, the flounce of which touches the floor. At the rising of the curtain these doors are closed. Behind them are curtains. Near the fireplace are an armchair and a small table. Against the wall, below the fireplace, is a cabinet. Between the sliding-doors and the door to the hall is another cabinet with door, which, when opened, shows shelves filled with ancient pottery. Above the bay-window is a bureau. Below it are a sofa and a small table.

As the curtain rises Mrs. Futvoye is seen seated in chair by the fireplace, trying to do some embroidery, though her thoughts are evidently elsewhere. From behind the sliding-doors proceed sounds as of some animal kicking and plunging.

Sylvia's voice is then heard crying: "Father, please don't!" [A succession of dull thuds as of battering hoofs.] "Oh, do take care!"

Mrs. Futvoye.

[Lays down her work, rises, goes to the sliding-doors, and knocks.] Anthony! Don't go on like that, for goodness' sake! You must try and control yourself! Just think, if the servants heard you! [Jessie, a neat parlour-maid in morning costume, pink print, cap, and apron, enters from hall; Mrs. Futvoye hurriedly leaves the sofa by the sliding-doors, goes back to her chair, and takes up her work with an elaborate assumption of perfect calm.] What is it, Jessie? I haven't rung.

Jessie.

I know, madam. But there's such a noise in the master's study I was afraid something had happened.

Mrs. Futvoye.

[Severely.] Then it was very foolish of you. What should have happened? If you heard anything, it probably came from next door.

[Sounds of stamping from within sliding-doors, and then a noise as if some piece of furniture had been overturned.

Jessie.

There it is again, madam! And it does seem to come from the study!

[Sounds as before, rather louder.

Mrs. Futvoye.

Oh, that? That's nothing, nothing! The Professor is merely shifting some of the furniture.

Jessie.

[Evidently devoured by curiosity.] Won't he find it too much for him, madam? Perhaps I might be able to help.

[She makes a movement towards the sliding-doors.

Mrs. Futvoye.

You're not to go in there! You know your master allows nobody to touch his things. I can't have him disturbed.

[More stamping and banging—then a crash of broken glass.

Jessie.

He seems to be disturbing of himself, madam—just had an accident with something. Hadn't I better go in and clear it up?

[She again makes a movement towards the sliding-doors.

Mrs. Futvoye.

Certainly not! Leave the room and attend to your work. [The front door bell rings.] Good gracious! the visitors' bell! Jessie, I'm not at home! Nobody is at home! Whoever it is, mind!

Jessie.

[Who has gone to the door leading to the hall and opened it, turns to Mrs. Futvoye.] I forgot to mention it, madam, but after that foreign gentleman called to see the master this morning, I found there's something wrong with the catch of the front door—leastways, I can't get it to shut, do what I will.

[Pringle comes in through the door which Jessie is holding open.

Mrs. Futvoye.

[Rises and makes a step forward.] Mr. Pringle! You can go, Jessie.

[Jessie goes out with an air of baffled curiosity.

Pringle.

[Shaking hands with Mrs. Futvoye.] Pray excuse my coming in unannounced—but it's rather urgent.

Mrs. Futvoye.

How do you do, Mr. Pringle? [Indicating the sofa below the window.] Do sit down.

Pringle.

I feel reassured already. I had a dreadful apprehension that I might come too late.

Mrs. Futvoye.

[With a pathetic attempt to maintain appearances.] Half past twelve is surely quite early enough. Not that I am anything but delighted to see you, at any time.

Pringle.

You are very kind. [He sits down.] But—to be quite frank—I called to see the Professor. Could I have a word or two with him at once?

Mrs. Futvoye.

[Who has taken a chair near the sofa.] I'm so sorry—but that's really impossible just now.

Pringle.

Indeed? I trust he is not unwell—after last night?

Mrs. Futvoye.

N—not unwell exactly. But—not quite his usual self.

[More noise from study, and Sylvia's voice heard exclaiming: "Papa! Papa!"

Pringle.

[Looking round.] He seems to be in his study,—and I thought I heard Miss Sylvia's voice.

Mrs. Futvoye.

Yes—yes—he—he's particularly busy this morning.

[Increased noise.

Pringle.

[Puzzled.] So it appears. But—[rising]—I wouldn't interrupt him for long, and it really is most important.

Mrs. Futvoye.

[Rising in agitation.] I do assure you he can see nobody at present.

[She seats herself, persuading him to sit down also.

Pringle.

But, Mrs. Futvoye,—if you knew what I have discovered——!

Mrs. Futvoye.

[Rising again.] Discovered!

Pringle.

About Ventimore. I want to put the Professor on his guard against receiving any—er—emissary from him.

Mrs. Futvoye.

[Slightly relieved.] Oh, he's not likely to do that—he has much more important matters to think about!

[The noise is renewed; stamping, plunging, overturned chairs.

Pringle.

Just so. Then—if I might speak to Miss Sylvia?

Mrs. Futvoye.

[Hastily.] She is very busy too, helping my husband. [Here the noise reaches its finale in a resounding crash and clatter of falling furniture and shivered glass; Mrs. Futvoye proceeds without appearing to have noticed it.] He—he sometimes makes use of her as—as his amanuensis.

[The sliding-doors are suddenly run back, and Sylvia appears. She does not see Pringle, who has risen and moved to the right, from which position he can see into the study. Mrs. Futvoye makes a movement towards her to check any disclosures.

Sylvia.

[In despair.] Oh, Mother! Mother! You must come to father! He's kicking worse than ever, and I can't manage him any longer!

Pringle.

[To himself, recoiling, after a glance through the sliding-doors, off.] My hat!

Mrs. Futvoye.

[Warningly, as Sylvia carefully closes sliding-doors, pushes the sofa aside, and comes down.] Sylvia! Don't you see Mr. Pringle?

Sylvia.

[Turning and starting.] Oh! What have I said?

Mrs. Futvoye.

Nothing, my dear. [Turning to Pringle.] I must ask you to excuse me, Mr. Pringle. My husband is a little irritable this morning. [Going up to sliding-doors.] A sharp attack of—of gout. In both legs, you know! [She slips in behind the long sofa, pushes back doors, draws the curtains behind them.] Anthony, you must not excite yourself like this.

[She goes into study, closing the sliding-doors after her. A slight pause. Sylvia pushes the sofa back against the sliding-doors and seats herself on it.

Pringle.

[Approaching the sofa, with sympathy.] I really had no idea your father was—was as bad as all this.

Sylvia.

[On her guard.] People do kick, Mr. Pringle, when they have gout—in both legs.

Pringle.

Do they? I should hardly have thought—particularly—[with meaning]—if they've gout in—all four.

Sylvia.

[Shrinking back.] "All four!" Then—you know!

Pringle.

Pardon me—but I couldn't help catching a glimpse just now—through these doors.

Sylvia.

A glimpse? What did you—suppose you saw?

Pringle.

I had an impression—of course I may be quite wrong!—that any one who didn't know your father might almost mistake him, at first sight, for—I am trying to put it as delicately as I can—for some kind of—er—quadruped.

[He sits on sofa beside her.

Sylvia.

You mean a mule! [She rises in tears, and crosses to the mantelpiece.] I think I could have borne it better if he'd only been a nice mule. B—but—[breaking down]—he isn't!

Pringle.

[Rising and going towards her.] You don't say so! [Sympathetically.] That, of course, must make it all the harder for you.

Sylvia.

[Tearfully.] His temper is simply fearful! Why, just now, when I said he must try to manage some oats or a carrot for lunch, he—he lashed out and sent his hoofs through the mummy-case!

Pringle.

Dear—dear! Perhaps if you could persuade him to see a vet——[Correcting himself.] I mean a doctor——

Sylvia.

[Crossing towards sofa on right.] It would be no use—he never will take medicine! And what are we to do with him? It's too dreadful to think that he may have to be sent to—to a Home of Rest for Horses!

[She sinks on sofa, and bursts into tears once more.

Pringle.

[Following her.] He never was what you might call a "horsey" man—let us hope he won't come to that! Have you any idea how he came to be—er—affected like this?

Sylvia.

[Resentfully, through her tears.] There's no affectation about it, Mr. Pringle—oh, you mean "afflicted"—we can't think. He wasn't as bright as usual at breakfast—I think he was rather worried because he couldn't find that seal Horace lent him last night——

Pringle.

But no amount of worry——! Pardon me, I interrupt you.

[He takes a chair by the sofa.

Sylvia.

Well; then Jessie came in to say that a foreign gentleman had called to see him on important business. Father told her to show him into the study, and went in presently to hear what he came about. We heard them arguing, and father's voice seemed to be getting angry, so mother went in to beg him not to excite himself. She found father alone, and—just as she opened the door—he—he changed into a mule before her eyes.

[She breaks down entirely.

Pringle.

Really? It—it must have upset her considerably.

Sylvia.

It did. But, luckily, mother never loses her head. She locked the study doors at once, and we shut these, and I don't think the servants suspect anything at present. But they're sure to find out before long.

Pringle.

Yes. I'm afraid it's bound to leak out.

Sylvia.

But how could this horrible thing have happened?

Pringle.

[Solemnly.] My dear Miss Sylvia, let me remind you that "there are more things in heaven and earth than are dreamed of in——"

Sylvia.

[Petulantly.] Oh, don't quote that now, Mr. Pringle! It is so stale!

Pringle.

[With wounded dignity.] It may be stale—but it's Shakespeare! And I can only conclude that—even in the twentieth century—magic is not the lost art I had always imagined it.

Sylvia.

[Turning to him with more interest.] Then you believe now that Horace did find a Jinnee in that brass bottle?

Pringle.

[Rising.] No, no. I don't go as far as that.

Sylvia.

How far do you go?

Pringle.

Well, I know that Ventimore is associated with an elderly Oriental who possesses extraordinary will-power. This very morning, in Ventimore's own office, they played a highly unprofessional and discreditable trick between them on your own godfather, Mr. Wackerbath.

Sylvia.

On godfather! No, no, I'm sure Horace had nothing to do with that!

Pringle.

I was there—and he evidently had a great deal to do with it. I thought at the time it was hypnotism—but it's clear enough now that this confederate of Ventimore's is a powerful and most unscrupulous magician.

Sylvia.

[Springing up indignantly, and crossing to fireplace.] I won't hear any more! You're trying to make me doubt Horace again—but you can't! you can't! I know he'd never send a magician to hurt father! [As Horace enters from the hall, looking pale and wild.] Ah! Horace, you needn't tell me! You at least have no share in what has happened!

Horace.

[Going to her and taking both her hands.] Darling! For Heaven's sake tell me what has happened?

Sylvia.

[Triumphantly.] You hear, Mr. Pringle? He doesn't even know! Now will you dare to repeat what you were saying—to his face?

Pringle.

If you insist. I've been saying, Ventimore, that I believe you to have inspired this abominable transformation of the Professor.

Horace.

It's true, then? He—he really is a mule?

Sylvia.

[Disengaging herself, with a sudden doubt.] Horace, tell me—did you send any one to father!

Horace.

[Sinking into chair by sofa.] Heaven forgive me! I did.

Sylvia.

[Recoiling from him with aversion.] To transform him into a mule?

[She goes to a chair below fireplace, and seats herself in despair.

Horace.

[Rising and going towards her.] No, no! I wanted old Fakrash to convince him that he really had been in the bottle—but not like this! I thought I could trust him to do that! [Bitterly.] But I might have known!

Pringle.

So you still stick to that story about the Jinnee?

Horace.

Surely even you must believe it now?

Pringle.

I—I admit that it doesn't seem so incredible as it did. But, if true, there's all the less excuse for you. Because you can make this Jinnee, or whatever he is, do anything you tell him. You can't deny that—I've seen you do it, you know!

Sylvia.

Ah!

Horace.

I can manage him right enough when he's there—it's when I haven't got my eye on him that he makes all these mistakes.

Sylvia.

But why should he change poor father into a one-eyed mule? It's so utterly unreasonable!

Horace.

I'm afraid the Professor alarmed him by threatening to send for a constable. However, darling—and this is what I'm here to tell you—it won't last long. I'll take care that your father will soon be restored.

Sylvia.

[Rising, overjoyed.] You will? Oh, I must tell them! [Rushing to the sliding-doors and slightly opening them.] Mother, mother! I've news—good news!

Mrs. Futvoye.

[Looking cautiously through the opening.] What is it, Sylvia? [Sees Horace with displeasure.] Mr. Ventimore! You here! [Stamping heard from study. Mrs. Futvoye turns and speaks over her shoulder.] Keep back, Anthony! Keep back! Remember—you're not fit to be seen, as you are!

Sylvia.

[Happily.] It doesn't matter, mother. They both know. And Horace is going to make father all right again.

Mrs. Futvoye.

Oh, in that case——

[She pushes the sofa aside and comes through, leaving the sliding-doors open, and pulling the curtains back, but replacing the sofa.

Horace.

Mrs. Futvoye, I've something to say which I think will cheer the Professor up a bit.

Mrs. Futvoye.

Unless you can say how and when my husband may expect to see an end of all this——

Horace.

I shall make old Fakrash see to that.

Mrs. Futvoye.

Make old Fakrash see to it?

Horace.

The Jinnee I let out of that brass bottle. I told you all about him last night. You didn't believe me then.

Pringle.

None of us did. But I'm afraid, Mrs. Futvoye, we've got to believe now.

Mrs. Futvoye.

[To Horace.] Then—are you responsible for this?

Horace.

Indirectly. Only indirectly. I couldn't prevent Fakrash making an ass of himself.

Mrs. Futvoye.

You might have prevented his making a mule of my husband!

[Another plunge and crash of glass from behind.

Horace.

I wasn't consulted! But I will say this for old Fakrash—nobody's readier to repair a blunder when once it's pointed out to him. He'll do anything for me.

Mrs. Futvoye.

Then send for him and insist on his repairing what he's done here.

Sylvia.

[Eagerly, down on right.] Yes, yes. Send for him, Horace, send for him!

Horace.

[Heavily.] I'm afraid it wouldn't be any use.

Pringle.

Nonsense! You could make him come if you chose!

Horace.

I tell you I can't. I don't even know where he is—or if he hasn't gone off to Arabia again——

Mrs. Futvoye.

Off to Arabia! [Going towards him.] And when—when is he likely to be back?

Horace.

[Suddenly.] Oh! [He collapses into the chair above the fireplace.] I—I've only just remembered. He told me he was going to settle down there!

[General consternation.

Mrs. Futvoye.

And is my husband to remain a mule for the rest of his life?

[Furious plunging heard from study.

Horace.

[In a choked voice.] Don't ask me, Mrs. Futvoye—don't ask me!

Pringle.

[Coming towards Horace.] I thought, Ventimore, you came to cheer the Professor up?

Sylvia.

Horace, if you don't summon that odious Jinnee this instant, I shall hate you! I'm beginning to, as it is!

Horace.

[Rising and coming towards her.] My darling, I'd do any mortal thing I could—but I'm helpless! [At this instant Fakrash, in Oriental robe and turban, and a long green cloak, suddenly emerges from the cabinet between the sliding-doors and the door to the hall, and stands scowling and evidently trying to repress both rage and fear. Horace sees him first.] No, I'm not! Hooray! we're saved! He's turned up, after all! [The others retreat towards the fireplace in alarm.] Leave him to me. I know how to manage him. [He approaches Fakrash.] So here you are! If you aren't ashamed of yourself, you jolly well ought to be! A pretty mess you've landed us in this time! Just you get us out of it again!

Fakrash.

[Waving him aside.] No greeting to thee! I have come upon my own affairs.

Horace.

You'll attend to mine first. Undo this infamous spell of yours—do you hear?

Fakrash.

[Sullenly.] I will grant nothing more at thy request.

Horace.

I don't think you quite understand. I don't request—I command. On the head and on the eye!

Fakrash.

Thou art wasting breath. No longer am I under obligation to thee, O thou perfidious one!

Horace.

[Anxiously.] Why—what's come to you? [Coaxingly.] I say! Fakrash—old chappie. Don't play the goat now! You can't mean to leave me on the mat like this!

Fakrash.

[Glaring at him.] Canst thou not perceive how hateful thou hast become to me?

Horace.

I do notice a coolness. But why? You were chummy enough not half an hour ago!

Fakrash.

[Going from him towards right.] I had not then discovered thy treachery.

Horace.

You're barking up the wrong tree, as usual, you know. Come—tell me what it's all about?

Fakrash.

Not now. I will deal with thee hereafter, misbegotten cur that thou art!

[He stalks towards window.

Mrs. Futvoye.

[From below fireplace, to Horace.] You don't seem to be managing him very well so far.

Pringle.

[Coming down to Horace.] You gave us to understand that he would do anything for you.

Horace.

So he will, generally—but not just now. [Crossing to Mrs. Futvoye and Sylvia, while Fakrash remains apart, with his back to the others.] He's suddenly turned nasty—I've no idea why. But I shall bring him round—in time.

Mrs. Futvoye.

It's my husband who has to be brought round—and there's no time to be lost!

Horace.

I know—but if I press Fakrash in his present mood, I shall only make matters worse.

Pringle.

Well, if you can't—or won't—get him to do something, one of us must try! Perhaps if Miss Sylvia could bring herself to appeal to his better feelings——?

Sylvia.

[Shrinking back.] People who come out of bottles can't have better feelings! I couldn't—really, I couldn't.

Pringle.

You'd rather not? [Sylvia shudders.] Then I must see what I can do.

Mrs. Futvoye.

How good of you!

Horace.

[Drawing Pringle back as he is going towards Fakrash.] I wouldn't, Pringle! He's in a vile temper. And, unless you're anxious to become a domestic animal of some sort——

Sylvia.

Pray don't run such a risk, dear Mr. Pringle!

Pringle.

I shall be very careful, and I trust that, with ordinary tact——[He makes a step towards Fakrash.] Ahem! [Fakrash turns suddenly round with a feline snarl; all retreat to left; Pringle pulls himself together and tries again.] My—my dear sir, may I ask your attention for a few moments?

Fakrash.

[Striding towards him.] Who art thou?—a friend of yonder serpent's?

Horace.

[Indignantly.] Oh, I say! "Serpent," you know! "Serpent" is a bit——

[Fakrash ignores him.

Pringle.

No, no, I repudiate him. I represent this unfortunate family—they repudiate him too.

Mrs. Futvoye and Sylvia.

[Together.] Yes, yes, indeed—indeed we do!

[Horace sinks speechlessly on chair by sofa on right.

Fakrash.

[To Pringle.] I will hearken unto thee, for indeed thou seemest a person of abundant intelligence and excellent conduct.

Pringle.

You're very kind—I hope I am. Hem! [Going nearer Fakrash.] I am sure, sir, that, if you had realised the serious embarrassment you have caused the members of this household by transforming its head into a one-eyed mule, you would never have allowed your—your sense of humour to carry you so far.

Fakrash.

For mine own safety was it accomplished—for the sage threatened to deliver me into custody.

Horace.

[Starting up and coming towards Fakrash.] He never meant it! And, anyhow, you're safe enough!

Fakrash.

[Turning on him fiercely.] Hold thy lying tongue!

Pringle.

Ventimore, I must beg you not to interfere.

Horace.

Damn it all, Pringle, he's my Jinnee—not yours!

[He attempts to join Mrs. Futvoye and Sylvia, who turn their backs on him, after which he returns to his former place, crushed.

Pringle.

[To Fakrash.] Evidently, sir, there has been some slight misunderstanding on both sides. But I feel confident that, if you will only consent to see this unfortunate gentleman, the matter can very soon be amicably arranged.

Fakrash.

I am here for this very purpose. Let this learned man appear before me.

Pringle.

I won't keep you waiting long. [He goes up to the sliding-doors and calls.] Professor! If you will kindly step this way, Mr. Fakrash would be glad to see you.

[A pause. The Mule comes slowly on from the left side of the sliding doors.

Horace.

[Overwhelmed.] Great Heavens above!

Pringle.

[Trying to be polite and at his ease.] Er—how do you do, Professor? Sorry to see you looking so—so unlike yourself. [The Mule shows irritation; Pringle retreats nervously; then, in an undertone to Mrs. Futvoye.] He—he can't jump that sofa, can he?

Mrs. Futvoye.

[In an undertone, to him.] Of course not—that's why it's there!

Pringle.

[To Fakrash.] A distinguished archæologist, sir, a corresponding member of every learned society in Europe—reduced to these extremities! [To The Mule, which seems to feel its position acutely.] Professor, as Ventimore has refused to interfere, I have taken on myself to assure this—this venerable Jane——

Horace.

[In an undertone to Pringle.] Jinnee! Call him "Jinnee"!

Pringle.

[To Horace.] I prefer to leave such familiarities to you, Ventimore——[To Mule.]—this venerable personage, Professor, that if you have inadvertently offended him, you are ready to make any reasonable apology. That is so?

[The Mule bows its head.

Fakrash.

Ask if he be willing to surrender the stopper of the bottle wherein I was enclosed.

[Mule shakes head.

Pringle.

Now, Professor, if you consent to a request which I must say seems to me a very moderate and proper one, will you—er—signify the same in the usual manner by raising—er—your right ear?

[The Mule's left ear goes up sharply.

Fakrash.

The left ear! He refuseth!

Pringle.

No, no, he meant the right ear—he hasn't got complete muscular control as yet. I really think we should get on better if you gave him back his power of speech.

Fakrash.

It may be so. [He approaches The Mule and addresses it.] O thou of remarkable attainments, whom I have caused to assume the shape of this mule, speak, I command thee, and say if thou wilt restore my stopper.

The Mule.

[Laying back its ears and showing its teeth.] I'll see you damned first!

[General sensation.

Mrs. Futvoye.

[Going towards The Mule in distress.] Oh! he wouldn't be so obstinate if he wasn't a mule!

Fakrash.

[To The Mule.] Thou art trifling with my safety and thine own! Reveal unto me the spot in which thou hast hidden the stopper and delay not—for it will be no difficult undertaking to transform these women of thine into mules like thyself.

[Horror of Mrs. Futvoye and Sylvia, and despair and rage of Horace, who rises and rushes towards Fakrash.

The Mule.

You can do it for all I care——!

Mrs. Futvoye.

Oh, Anthony!

The Mule.

We shall at least be a more united family than we are now!

Mrs. Futvoye.

[Frantically.] Anthony! Don't provoke him! Think of others!

Fakrash.

[With some anxiety.] Hearken! I am disposed to show thee indulgence. Obey,—and I will restore thee to what thou wert.

The Mule.

Why couldn't you say so before? I'll accept those terms, as there's no alternative. Only—[with his head on one side reflectively]—I can't for the life of me recollect what I did with that seal. Tut-tut!

Mrs. Futvoye.

Oh, Anthony! Think! Think!

[General suspense and excitement.

The Mule.

[Irritably.] I am thinking, Sophia! [After further reflection.] Ah! I remember now! I put it inside one of the vases on the mantelpiece, for safety.

[Horace looks aimlessly under the table and sofa; Mrs. Futvoye, Sylvia, and Pringle rush to the fireplace and search the vases.

Mrs. Futvoye and Sylvia.

[Turning vases upside down.] Which? Which? No. It's not there! It's not here.

Pringle.

[As he finds the metal cap in the last vase.] I've got it! [Going to Fakrash, and presenting it.] Allow me, sir.

[Fakrash snatches it eagerly. Pringle goes up to The Mule and reassures it, Mrs. Futvoye accompanying him.

Fakrash.

[Gloating over the cap.] It is indeed my stopper! Now shall I be secure from disturbance!

Horace.

[Going to Fakrash, seizing his arm, and drawing him to the right; then, in an undertone.] Pitch into me afterwards if you like—but listen now. You must keep your side of the bargain!

Fakrash.

[Coldly.] What I have promised I perform.

Horace.

[Relieved.] Ah, I knew you were a good old sort—at bottom. And—I say—do make them understand that I've had nothing to do with all this.

Fakrash.

[Grimly.] Have no uneasiness—for thou shalt receive justice. [Horace retires to sofa on right, expecting to be rehabilitated.] Hear, O company, my words! I repent of my conduct in obeying the orders of yonder wretch—[pointing to Horace, who gasps in stupefaction]—who is seeking even now to deter me from showing kindness.

Horace.

Liar! Liar!

Fakrash.

Being desirous of escaping marriage with this damsel—[with a step towards Sylvia]—he commanded me to transform her father as ye see. And I, whom he had delivered from a bottle of brass, was compelled by gratitude to fulfil all his desires.

Horace.

[Going up to Fakrash furiously.] You infernal old scoundrel! [Fakrash smiles malignantly and stalks off to the right; Horace crosses to Sylvia.] You don't believe him, Sylvia? You can't!

Sylvia.

Don't speak to me! Don't come near me!

[Mrs. Futvoye and Pringle express disgust and indignation.

Horace.

You're devilish hard on me, all of you. [He staggers to the sofa in front of sliding-doors and falls back, hitting his head against The Mule's nose; The Mule makes a grab at him; he rises in confusion.] I—I beg your pardon, sir!

[He retreats to the left of the sofa.

Sylvia.

[Down on left, to Fakrash.] But you won't obey him any longer, will you? You are going to restore poor father?

Fakrash.

[On the right.] Let him first swear that he and all his household will preserve secrecy concerning this affair.

The Mule.

[Angrily.] Damn it, sir, we're not likely to chatter about it!

Pringle.

[Approaching Fakrash, reassuringly.] It will never be allowed to go beyond the family.

Fakrash.

[To Pringle.] O eloquent and comely-faced one, I accept thy undertaking, for thou art indeed a worthy and honourable person. [As Pringle, highly flattered, returns to The Mule, Fakrash beckons Mrs. Futvoye.] In order that I may restore thy husband, bring me hither a cup of fair water.

Mrs. Futvoye.

There's some in the dining-room. [Going towards door to hall.] At least, it's filtered, if that will do!

The Mule.

Don't ask foolish questions, Sophia—do as you're told!

Mrs. Futvoye.

[With dignity.] I think you forget yourself, Anthony!

[Pringle opens the door for her, and she goes out.

Sylvia.

[Going to Pringle, and taking his hand.] Dear, dear Mr. Pringle! Where should we be without you?

Pringle.

[Modestly.] Don't mention it, Miss Sylvia! That is—no trouble, I assure you!

[They come down together to the left, talking in dumb show.

Horace.

[Going to Fakrash on the right.] You—you pig-headed old muddler—[pointing to Sylvia and Pringle]—look at that! You've done for me this time.

Fakrash.

[Darkly.] Nay—not yet.

[Mrs. Futvoye enters from the hall, carrying a glass goblet full of water.

Mrs. Futvoye.

[To Fakrash.] I've brought it in this, but if you prefer a breakfast-cup——

The Mule.

[Impatiently.] What the devil does it matter? Let him get on with it!

Fakrash.

[As he meets Mrs. Futvoye and takes the goblet from her.] This will serve. [He goes up to The Mule and sprinkles some drops of water on its head.] Quit this form and return unto the form in which thou wert!

[The Mule fades into the Professor, who appears gasping and in an extremely bad temper; Pringle shifts the sofa to let him pass; Fakrash retires to near the window.

Sylvia.

[Rushing to the Professor.] Father!

Mrs. Futvoye.

[Coming to his other side.] Now, Anthony, after all you have been through, you'd better sit down for a little.

Sylvia.

[As she and Mrs. Futvoye bring him down to the chair left of sofa on right.] It is lovely to have you back, father dear!

Pringle.

[Joining them.] You're looking better already, sir!

Professor Futvoye.

[Sinking into the chair by sofa.] Tut-tut! There, there—nothing to make all this fuss about! If one of you had only had the sense to try cold water, I should have come round long before this!

Sylvia.

But, father!—you forget that, but for Mr. Pringle——

Professor Futvoye.

No, my dear, I do not. I owe much—very much—to Pringle's good offices—as I shall remember, my dear Pringle, as I shall remember. But I attribute my restoration in some measure to the fact that—from first to last—I was able to preserve perfect calm and self-control.

Pringle.

[With an involuntary glance at the study, in which every article of furniture is smashed.] Quite so! And now I want you—all three—to celebrate your recovery by dining with me this evening at the Savoy. You promised you would last night, Professor. Not in the restaurant—I'll engage a private room.

Professor Futvoye.

No, no—not to-night, my boy. I don't feel up to going out just yet.

Mrs. Futvoye.

Nonsense, Anthony! You can dine out anywhere now, you know—and it will do you good. Thank you, Mr. Pringle, we shall be delighted. Sha'n't we, Sylvia?

Sylvia.

I think I would rather stay at home this evening, mother.

[Pringle tries to persuade her in by-play.

Professor Futvoye.

[Rising.] We'll come, Pringle, we'll come. [To Fakrash, who is still standing by the window.] Now then, sir, you've got all you came for—what are you waiting for?

Fakrash.

To receive thy thanks.

Professor Futvoye.

What? For exposing me to all this humiliation! You'll get no thanks from me, sir—and the sooner you and your accomplice relieve this house of your presence the better!

Fakrash.

[Moving to right behind the sofa.] Let the rat, while he is still between the leopard's paws, observe rigidly all the laws of politeness! Take heed—or thou mayst become more hideous even than a mule!

[General sensation.

Professor Futvoye.

Eh? I spoke hastily—but I meant nothing offensive! I—I'm very much obliged to you. And now don't let us detain you—either of you—from your other engagements.

Horace.

[Coming forward.] I'm going, sir—but I must say one last word to Sylvia——!

Fakrash.

[To Sylvia.] Hearken not to this deceiver, O damsel,—for he will never wed thee!

Sylvia.

[Indignantly.] I'll never wed him!

Fakrash.

Thou wilt not—for he is betrothed to a darker bride.

Horace.

What!

Sylvia.

Ah! [To Horace, coldly.] The—the lady I met last night? I wish you every happiness. [Turning to Pringle.] On second thoughts, Mr. Pringle, I will come to dinner to-night.

[Pringle expresses his gratification.

Horace.

[Going nearer Sylvia.] Sylvia! It may be for the last time——!

Fakrash.

It is! Come! [He extends his right hand towards Horace, who is irresistibly drawn backwards to him.] For I will tarry no longer.

[He seizes his arm.

Horace.

[Making an ineffectual resistance.] Let me go, Fakrash! Where are you taking me to?

Fakrash.

[Seizes him round the waist.] To meet—[he soars up with Horace through the open window on the right, and the remainder of the sentence is continued outside in mid-air]—thy bride!

[The others go to window and gaze after them, pointing upwards.

Pringle.

[With solemn disapproval.] Disgraceful! They've flown right over the chimney-pots!

THE CURTAIN FALLS.

END OF THE THIRD ACT.

THE FOURTH ACT

SCENE I

Horace's rooms, as in the opening of the play.

The time is immediately after the close of the Third Act.

As the curtain rises Mrs. Rapkin is arranging various articles on the table. Rapkin enters from the door leading to landing, carrying a pair of boots on trees, which he takes into Horace's bedroom by the door down on the right, and then returns.

Rapkin.

[Uneasily, to Mrs. Rapkin.] Marire, did Mr. Ventimore say anythink this morning—regarding last night?

Mrs. Rapkin.

Ah, you may well ask! After sneakin' off first thing like you did, and leavin' me to make your excuses!

Rapkin.

You'd some to make on your own, Marire. [Sitting on right of table.] If his friends got any dinner, it was no thanks to you!

Mrs. Rapkin.

I'd never have gone if I 'adn't fancied the 'ouse was changed into Arabian 'alls and full o' grinnin' niggers!

Rapkin.

Fancied! Why, I see 'em same as you did, didn't I?

Mrs. Rapkin.

You! You'd ha' seen anythink in the condition you was in! And, any'ow, the 'ouse was just as usual when we come in.

Rapkin.

It was—and that on'y made it all the rummier! For you can't deny as there was somethink queer goin' on 'ere.

Mrs. Rapkin.

[Severely.] There was you, William! And you'll go on from bad to worse if you don't give up nippin'!

[She goes up to bookcase on the left.

Rapkin.

Oh, come orf it, Marire! You tole me yourself you see a percession of camels stop at our door long before I got 'ome!

Mrs. Rapkin.

And I did—if it was my last words. Camuels and furrin' parties as brought in packages off of them. Luckily, they was all gone afore the neighbours 'ad time to take notice. [Coming down to table.] And the best thing you and me can do is to let bygones be bygones, and 'old our tongues about it.

Rapkin.

All very fine—but 'ow do we know Mr. Ventimore mayn't be up to more of these 'ere games?

Mrs. Rapkin.

Mr. Ventimore! I did blame him—at first. But I'm sure now as 'e 'ad nothink to do with it. Poor dear young gentleman, we've never known 'im beyave otherwise than as a gentleman, and——[There is a sound outside of rushing wind, as Fakrash swoops down with Horace and both alight on the balcony; Mrs. Rapkin turns, screams, and sinks into a chair on the right of the fireplace.] Bless us and save us! Oh, Mr. Ventimore! [Seeing Fakrash.] And who's that?

Horace.

[Disengaging himself from Fakrash, and stepping in.] That will do, Mrs. Rapkin. Can't I bring a—a friend in with me without your making all this fuss about it?

Mrs. Rapkin.

[Rising, with dignity.] When you and your friends come flyin' in at first-floor windows like pidgins, Mr. Ventimore, you must expect some notice to be took. [Rapkin makes a movement to the left as though fascinated by Fakrash, who stands impassively by the window.] It's giving my 'ouse a bad name, and, as I've always kep' these apartments respectable 'itherto, you'll be good enough to find others where they're less partickler, for put up with it I won't!

Horace.

All right, all right! You can go now—[touching Rapkin, who seems spellbound with fear of Fakrash]—both of you. I've some business to settle with this—gentleman.

Mrs. Rapkin.

[At door.] I'm going.

Rapkin.

[As he follows, still keeping his eyes on Fakrash.] 'E's done it, Marire—sold 'isself, 'e 'as! Ah! [As he goes out with Mrs. Rapkin.] I wouldn't be in his shoes for somethink!

[The moment they have gone Horace rushes to the door, opens it to make sure that they are not listening outside, then locks it, and comes down to Fakrash in a white rage.

Horace.

Now then, you—you unspeakable old swine! What do you mean by bringing me here like this?

Fakrash.

[Crossing to the right.] Verily I was tempted to drop thee in mid-air, forgetting my purpose.

Horace.

To introduce me to that precious bride of yours, eh? I've told you already I'll have nothing to do with her.

Fakrash.

Thou canst not escape this bride—[he suddenly produces a huge scimitar and brandishes it]—for her name is—Death!

Horace.

Death! I say, you don't mean that! [As Fakrash advances on him with a sweep of the scimitar, which Horace ducks to avoid.] Yes, you do! [Backing below window.] By Gad! you're dangerous! Well, just tell me this—what on earth have I done to deserve death?

Fakrash.

I have brought thee hither—not to parley with thee, but to strike off thy head in the very place of thy perjuries.

Horace.

[Trying to keep cool.] I see. You seem to have forgotten that this is the very place where I let you out of that bottle.

Fakrash.

[Wrathfully.] Far better were it hadst thou suffered me to remain therein!

Horace.

I quite agree with you there. [As Fakrash makes another cut at him with the scimitar.] Now, before you begin this execution, you'd better listen to me. You've got hold of some quite imaginary grievance, and I can tell you you'll look uncommonly foolish if you find after you've cut off my head that there's nothing in it—[correcting himself, annoyed]—in the grievance, I mean!

Fakrash.

O thou of plausible tongue, know that I have discovered thy treachery and deceit! Didst thou not assure me that I was free to wander where I would, since there was no longer any that had authority over the Jinn!

Horace.

I don't know of anybody that has. [Half to himself.] Wish to Heaven I did!

Fakrash.

[With raised scimitar.] Thou hast lied—for there is such a potentate! Since I visited thee this morn I have traversed many lands—and in all have I seen the signs of his dominion and his wrath against us of the Jinn!

Horace.

[Blankly.] I've no idea what you're driving at.

Fakrash.

Again thou liest! [As he is about to raise scimitar again Horace keeps Fakrash's right arm down.] From this very spot whereon we stand thou canst behold such signs. [Pointing with left hand through the open windows.] Tell me, what are yonder strongholds of blackened brick?

Horace.

[Mystified.] Those? Oh, factories—works of sorts.

Fakrash.

[Pointing with scimitar.] And yonder strange and gigantic cylinders red as blood?

Horace.

[Pushing Fakrash's hand away.] Gasometers.

Fakrash.

Call them what thou wilt—they are prison-houses! All, all dungeons wherein my wretched brethren labour in torment till the Day of Doom! [Pacing towards the right.] And every city throughout the world is filled with such abominations! Therefore—[turning on him again]—before I slay thee, I demand that thou tell me the name of the potentate by whom these punishments are imposed.

Horace.

[Whose expression during the above speech shows that a way out is beginning to suggest itself; to himself.] If I can—if only I can! [As Fakrash again waves the scimitar.] All right! I'll try to tell you. [He seats himself on the edge of the table.] The—er—potentate has several names, but his most popular title is Progress.

Fakrash.

[Salaaming.] On whom be peace!

Horace.

By all means! Well, Progress has subdued the—er—unruly forces of Nature, and compelled them to labour for humanity.

Fakrash.

Then why didst thou conceal from me that I, too, am in danger of being seized and condemned to toil?

Horace.

Why? Because I thought you were such a respectable, harmless old foozle that you'd never do anything to deserve it. [Watching him.] But, of course, you will if you cut my head off. You'll have a much worse time than ever you had in the bottle!

Fakrash.

I know it. For no other reason have I recovered my stopper but to return into my bottle once more.

Horace.

[Relieved.] I think you're wise. [Getting down from the table.] And I tell you what—if you'll only make it worth my while I'll seal you up myself.

Fakrash.

O thou of imperfect understanding! Ere I re-enter my bottle thy head will already have been smitten from thy shoulders. [Pointing scimitar across table at Horace.] How, then, couldst thou——?

Horace.

[Wincing.] You needn't go on—I quite see your point. Only—if I don't seal you up, who will?

Fakrash.

[Confidently.] I shall summon my Efreets to enclose me within the bottle and transport it to the Sea of El-Karkar, where I shall be undisturbed.

Horace.

[Slightly dashed for the moment.] Oh! is that the idea? [Catching at a straw.] But Efreets, eh? [Watching him keenly.] Are you quite sure you can trust 'em? You know what Efreets are! [With triumph, as Fakrash plucks at his beard uneasily.] Ah! I thought you did!

Fakrash.

Thinkest thou that they might betray me?

Horace.

They'd love it! And as soon as they got you safely corked up, what's to prevent them from handing you over to Progress? Progress won't put up with your little ways—you can't go about beheading architects in this country without paying for your fun. I expect you'd catch it devilish hot!

Fakrash.

[Falling on his knees in sudden terror.] Repentance, O Progress! I will not return to the like conduct ever! [He rises trembling.] Willingly will I depart from the world as it now is—for it hath ceased to be a pleasure-garden and become a place of desolation and horror!

Horace.

[Calmly.] Quite so; and I can help you to return from it. I'm not an Efreet, and if I undertake to bottle you up and drop you into a deep part of our river here, you can depend on me to do it.

Fakrash.

Undertake this, and in return I will grant thee thy life.

Horace.

[Disguising his satisfaction.] Not good enough! You must offer better terms than that! What have you done to deserve any help from me?

Fakrash.

Have I not loaded thee with kindnesses?

Horace.

Kindnesses! Till I met you I was happy and hopeful—now, I'm miserable and desperate!

Fakrash.

Is not life itself a sufficient boon?

Horace.

What? When you've parted me for ever from the girl I love! Life is no boon to me now. If you don't put an end to me I shall do it myself—by jumping over that balcony and breaking my neck!... I've a good mind to do it now.

[He makes a sudden movement towards the balcony as though to carry out his threat.

Fakrash.

[Detaining him.] Hold! I entreat thee! Do not abandon me thus, and all that I have done I will undo!

[As he speaks he throws away the scimitar, which, to Horace's amazement, vanishes.

Horace.

[Going to the right with his back to the audience.] That's more like business! But—can you undo the mischief you've done?

Fakrash.

With the greatest ease that can be! [He stalks towards the window, extends his right arm, and mutters some cryptic sentence, then turns complacently to Horace.] I have obliterated from the minds of thy betrothed and her parents all memory of myself and the brass bottle, and of every incident connected therewith.

Horace.

By Jove! That's rather a neat way out—[with sudden doubt]—if you've really done all that!

Fakrash.

May I be thy ransom if it be not accomplished!

Horace.

Well,—I must take your word for it. But there's Mr. and Mrs. Wackerbath,—can you make them forget everything connected with you—except that I'm to build them a house?

Fakrash.

[Going to the window and repeating the incantation, then returning to the centre of the room.] All else hath utterly passed from their recollection.

Horace.

Splendid! Do the thing well while you're about it—better throw in their coachman—oh, and the couple you saw here just now,—the Rapkins.

Fakrash.

[Repeats the incantation, facing the door.] It is done. They remember naught of that they have seen. And now ask no more of me, but perform thy part and bring hither my bottle.

Horace.

[Going to door down on the right.] Right! I'll go and get it out of my bedroom.

[He goes out.

Fakrash.

[Pacing up and down in suspense and terror.] Haste! Haste! For until I am in my bottle once more every instant is an eternity!

Horace.

[Returning with the bottle, which he sets down on the floor in front of the mantelpiece.] Here's your bottle! Got the stopper?

Fakrash.

[After some fumbling in his robes, finds the metal cap and gives it to Horace.] It is here. Now swear to me by the beard of Progress that thou wilt drop me into deep waters, even as thou hast promised!

Horace.

I swear it—by the beard of Progress—on whom be peace!... You step in, sir, and leave the rest to me.

Fakrash.

[As he raises his arms and moves towards the fireplace.] To escape into a bottle is pleasant!

Horace.

Delightful!

Fakrash.

[Who is now behind the bottle, with his arms extended in supplication and his back to the audience.] Towbah yah nebbi ullah Anna lah amill Kathalik ibadan! Wullah hi!

[With the last words he disappears through the neck of the bottle.

Horace.

[Standing by the bottle with the cap.] Tucked yourself in comfortably? Say when.

[There is a knock at the door leading to landing.

Fakrash's Voice.

[From interior of bottle.] I am betrayed! The constables of Progress are without! Let me forth that I may slay them and secure safety!

Horace.

[Promptly clapping on the cap and screwing it tightly.] You're safer where you are, old cocky! Good-bye! [Wipes his forehead.] Phew! Near thing that! [The knock is repeated.] All right! Wait a bit! I'm busy!

[He takes the bottle into his bedroom.

Rapkin's Voice.

[Outside door.] All right, sir! [Horace returns, goes to door at back, and unlocks it; to Rapkin, who is seen with a telegram.] What is it?

Rapkin.

[Entering.] Reply telegram, sir. [Handing it to Horace.] Boy's waiting.

Horace.

[Reading the telegram.] "Can you dine with wife and self, Savoy Hotel, 8.15 to-night? Quite small party. Could discuss plans new house. Ask for 'Pinafore' Room.—Wackerbath." Good! Wackerbath's all right, anyhow! [He pulls a chair to the table and sits down to fill up the reply form. As he does so his face suddenly clouds.] The Savoy, though! Pringle's dining there to-night.... Good Lord! I forgot all about Pringle! I wonder if Fakrash has made him forget? If he didn't, by George! there'll be a pretty kettle of fish!

Rapkin.

[Thinking he is being addressed.] Beg pardon, sir?

Horace.

Nothing—I wasn't speaking to you. [Finishes writing the form and hands it to Rapkin.] Can you read it?

Rapkin.

[Reading.] "Delighted. Savoy, 8.15 to-night.—Ventimore." Excuse me, sir, but when is it you're expecting friends to dinner 'ere?

Horace.

[At a loss for the moment.] Er—when? I—I'm not sure. [As he crosses to his bedroom.] Oh, just tell Mrs. Rapkin I should like to see her.

[He goes into bedroom.

Rapkin.

[Looking round, as Mrs. Rapkin enters from landing.] Mr. Ventimore was just asking for you, Marire.

Mrs. Rapkin.

[Surprised.] Was he? I didn't know he'd come in.

[She crosses to the bookcase, places a newspaper on the shelf on left of fireplace, then goes to the windows and closes them.

Rapkin.

Nor yet me—but he 'ave.

[He goes out, leaving door open.

Horace.

[Coming from bedroom, carrying a bulky and apparently heavy kit-bag.] I only wanted to tell you that I sha'n't be in to dinner to-night, Mrs. Rapkin.

[He sets the bag down on the table.

Mrs. Rapkin.

Goin' out of town, sir?

Horace.

No. Why? [Mrs. Rapkin indicates the bag.] Oh, this kit-bag? I'm lending it—to a friend of mine. Just going to see him off—[taking up the bag again and going to the door]—for a long holiday. I shall come in to dress. [To himself.] Fool I was to forget Pringle!

[As Horace goes out the stage is in darkness for an interval of a minute or two, after which the curtain rises on the last scene.

SCENE II

The "Pinafore" private room at the Savoy Hotel.

At the back is a wide arch, beyond which is a glazed balcony, with a view over the tops of the Embankment trees of the river and the Surrey bank, with the Shot Towers, &c., and the ends of Waterloo Bridge on the extreme left, and of Charing Cross Railway Bridge on the extreme right.

At the rising of the curtain this view is seen in a warm sunset glow.

Above the arch there is a door on the right, leading to the corridor and restaurant; another on the left, by which the waiters come in and go out.

Below the arch, down on the right, is a fireplace; above the fireplace, at right angles to it, a couch, and behind the couch a long flower-stand filled with flowers and palms.

Up the stage, centre, is a round table, laid for six persons, and elaborately decorated with pink Gloire de France roses, under rose-shaded lamp. Six chairs are placed round it, and a seventh chair is in the glazed balcony.

Below the arch, on the left, is another door, and down on left, at a slight angle, a sofa, with occasional tables and chairs. Against the wall on left is a glazed cabinet.

The furniture and decorations are copied from the original room in the Savoy Hotel.

As the curtain rises the Second Waiter is placing the napkins under the supervision of the First Waiter. Waltz music is heard from the restaurant on the right.

Pringle's Voice.

[Outside door above arch, to unseen attendant.] "Entrance from the Embankment as well," eh? Well, why didn't you tell me that? My friends have probably come in that way while I was waiting at the other end! This is the "Pinafore" Room, isn't it? Very well, then—I expect I shall find them in here. [He enters, and looks round the room.] No. They don't seem to have arrived yet.

First Waiter.

[By the table.] Not yet. They vill be here soon.

[The Second Waiter goes out.

Pringle.

Eh? Well, I hope so, I'm sure. They're behind their time as it is. [Inspecting table.] H'm! Not bad. But you needn't have had all those roses—half a dozen would have been quite sufficient. And—hang it all! You've laid for six people!

First Waiter.

Pardon, m'sieu—we receive orders to lay for six person.

Pringle.

Nonsense! Your orders were to lay for four. A "petty party carry"—if you know what that means.

First Waiter.

Parfaitement—but I think perhaps there is some mistake. This is the "Pinafore" Room.

Pringle.

I know that—and the manager told me this morning on the telephone that he's reserved the "Pinafore" Room for me. I'm only expecting three guests, though; so just clear away those two extra places, and look sharp about it.

[The Second Waiter returns.

First Waiter.

But excuse—the manager he say to me——

Pringle.

Confound you, do you suppose I don't know how many people I've asked? Have the table altered at once, or I shall send for the manager.

First Waiter.

[With a shrug.] Bien, m'sieu! You tell me there is a mistake—that is enoff—I alter it.

[He gives orders in an undertone to the Second Waiter, who removes two of the chairs to the balcony, and takes off the corresponding plates, glasses, &c.

Pringle.

[As he comes down to the left.] I sha'n't pay for more than four—mind that! [To himself, as he sits on the couch down left.] It's going to cost me quite enough without that, I can see! [The Westminster Clock-tower is heard striking the quarter; Pringle takes out his watch.] Eight-fifteen! And I asked them for eight sharp. Very singular—the Professor's generally so punctual! [He rises eagerly as the door on right above arch opens.] Ah, here they are! [Horace enters and comes down; Pringle draws himself up stiffly.] What, you, Ventimore! I scarcely expected to see you here to-night.

[The two Waiters go out; the waltz music stops.

Horace.

[Coming down to couch by fireplace.] Didn't you? I rather thought I might run across you, somehow.

Pringle.

[Austerely.] Considering that, when I last saw you, you were flying over the chimney-pots with an Oriental enchanter you had released from a brass bottle——

Horace.

[Seating himself on sofa by fireplace.] Ah! So you haven't forgotten!

Pringle.

It's hardly a thing one would be likely to forget in a hurry. You were being conducted to meet your bride, I think—are you beginning your honeymoon in this hotel?

Horace.

If you want to know, I'm here because I'm dining with the Wackerbaths.

Pringle.

What!—the client I met in your office this morning? Then he must have an uncommonly short memory, that's all! But, whether you're dining with him or not, that's no reason why you should have forced your way in here! I suppose you're hoping that, if you can only see Miss Futvoye——

Horace.

You're wrong, Pringle, quite wrong. I don't in the least expect to see Miss Futvoye here to-night. And I very much doubt if you will, either.

Pringle.

Do you? You wouldn't if you'd heard her parting words to me this afternoon. I said to her: "You won't forget?" Her answer was: "As if I could—after all you've done for us!"

Horace.

It—it's just possible that all of them may have forgotten an engagement which was made under—rather peculiar circumstances.

Pringle.

That's just why they're not likely to forget it. [Going to fireplace, and standing with his back to it.] They may be here at any moment!

Horace.

They may—but, if I were you, I shouldn't count on them.

Pringle.

I do count on them—and I consider your intrusion here in the worst possible taste. I think you might have the decency to go!

Horace.

[Rising.] I tell you I'm here because this is the room which Wackerbath asked me to come to.

Pringle.

It won't do, you know! If it was, he'd be here to receive you—which he isn't.

[As he speaks Mr. Wackerbath bustles in from the door below the arch on the left. Horace goes forward to meet him, Pringle remaining by the fireplace in wrathful astonishment.

Mr. Wackerbath.

[Shaking hands effusively with Horace.] My dear Mr. Ventimore, I really don't know how to apologise, neither the wife nor myself down to receive you! I do hope you haven't been waiting long?

Horace.

Only just come, I assure you.

Mr. Wackerbath.

We have a private room, you see—the wife prefers it to the—ah—publicity of the restaurant. [The First and Second Waiters enter from the door on the left above the arch.] If you'll excuse me for a moment, I'll just see how they've arranged the table. [He bustles up to the table.] Why, hullo! What's this? Only four places! I ordered dinner for six!

First Waiter.

I regret—but it is not my fault. I lay for six, and a gentleman assure me I am wrong, it is for four person only.

Mr. Wackerbath.

Don't talk about it—put it right at once. I want a chair in here—and another here.

[He remains by the table, while the Waiters replace chairs and bring back plates, glasses, &c.

Pringle.

[To Horace.] Ventimore! [Horace crosses to fireplace.] Will you kindly explain to your host that that's my dinner-table he's taking these liberties with?

Horace.

I know nothing about it. You had better settle that with him yourself.

Pringle.

I intend to—presently.

[He stands, nursing his grievance, as Mr. Wackerbath comes down to Horace.

Mr. Wackerbath.

[To Horace.] Those fellows seem to have mistaken their orders. Lucky I noticed it in time! [Mrs. Wackerbath enters from the door below arch.] Ah, here is my wife! Eliza, my dear—[presenting Horace]—our friend, Mr. Ventimore.

Mrs. Wackerbath.

[To Horace, cordially, but with a nervous, fluttered manner.] Oh, how do you do? I am so pleased to meet you! I've been hearing so much about you from my husband. [She goes to sofa on the left, and sits.] It will be so delightful to have a home at last that is really fit to live in!

[Pringle, hearing this, makes a contemptuous ejaculation to himself.

Mr. Wackerbath.

[To Horace.] I ought to tell you this is quite an impromptu little affair. The wife only came up this morning for a day or two in town, and asked some old friends of ours to dinner. So I wired to you on the off-chance of your being free to come and meet them.

Mrs. Wackerbath.

So kind of you to come on such short notice!

Horace.

I was delighted.

Mrs. Wackerbath.

[Suddenly realising Pringle's presence; to Mr. Wackerbath.] But, Samuel, aren't you forgetting to introduce your other guest?

Horace.

[To himself foreseeing trouble.] Good Lord!

[He goes up round the table to the glazed balcony.

Mr. Wackerbath.

[Surprised, to Mrs. Wackerbath.] My other——? I was not aware——[He turns and sees Pringle, and advances to him.] You must excuse me, sir, but I didn't see you before. I—ah—haven't the pleasure of knowing your name—at present.

Pringle.

[Coming forward.] My name is Pringle. Yours—[meaningly]—is quite well known to me, Mr. Wackerbath.

Mr. Wackerbath.

[Gratified, but not surprised.] Ha! Very good of you to say so. And I needn't tell you that any friend of Mr. Ventimore's——

Pringle.

[Tartly.] I am not here in that capacity, sir. I am here because I also am expecting friends to dine with me. And I was certainly given to understand that this room had been reserved for my own party.

Mrs. Wackerbath.

[In some distress.] Oh, dear! I am so sorry. I'm afraid I'm to blame. I asked the manager for this room—he told me it was engaged, but he would arrange for you to have the "Patience" Room instead.

Pringle.

I can only assure you that this is the first I've heard of it, or else——

Mrs. Wackerbath.

[Rising.] I quite thought it would be explained to you, and I do so hope the change hasn't put you to any great inconvenience?

Pringle.

[Sourly.] I'm afraid, Mrs. Wackerbath, it has put my guests to considerable inconvenience, as they have presumably been shown into the "Patience" Room, and been waiting there for nearly half an hour—if they haven't already left! So—[making a movement towards the arch]—if you will kindly permit me——

Horace.

[Coming down, and intercepting him; in an under>tone.] You won't find them there, Pringle. They haven't come. They won't come now, I assure you.

Professor's Voice.

[On left, outside door above arch.] This must be the room, Sophia—I observe "Pinafore" on the door.

Pringle.

[In a triumphant undertone to Horace, who is completely staggered.] There! Who's right now? I knew they wouldn't forget!

[He advances to the end of the sofa by fireplace to receive the Futvoyes, while Horace effaces himself so far as possible in the corner behind the flower-stand.

Horace.

[To himself in despair.] That old fool of a Fakrash! He's muffed it again!

[The Futvoyes enter; Mrs. Futvoye first, then Sylvia, and the Professor bringing up the rear.

Pringle.

[Cheerily, to Mrs. Futvoye.] Aha!

[His welcome dies away as they all pass on without seeming to notice any one but Mr. and Mrs. Wackerbath, who advance from the left to receive them. Pringle retreats slightly, and looks on in speechless indignation.

Mr. Wackerbath.

My dear Mrs. Futvoye, delighted to see you—delighted! [As Mrs. Futvoye greets Mrs. Wackerbath, to Sylvia.] And this smart young woman is my little god-daughter, eh? How d'ye do, my dear? [To Professor.] And how is our excellent Professor?

[They converse in by-play; Mrs. Wackerbath takes Mrs. Futvoye to sofa on left; Sylvia goes up towards arch to a place from which she can see neither Horace nor Pringle.

Mrs. Wackerbath.

[To Mrs. Futvoye, as they seat themselves.] Dearest

Sophia! We meet so seldom now!

Mrs. Futvoye.

We do indeed, Eliza!

[They talk in undertones.

Pringle.

[By fireplace, to himself, with the deepest disgust.] First my room, and then my guests!

Mr. Wackerbath.

[Turning to Mrs. Futvoye, as the Professor joins Sylvia.] I want to introduce a friend of ours—very rising young fellow——[He looks round for Horace, and discovers him by the flower stand.] Ah, there he is—Mr. Ventimore. [Horace pulls himself together and comes forward, not in the least knowing what reception to expect.] Mr. Ventimore, Mrs. Anthony Futvoye.

[Horace bows in considerable anxiety.

Mrs. Futvoye.

Why, my dear Mr. Wackerbath, we know one another quite well already! [To Horace, laughing.] Don't we, Horace?

[Horace takes her hand with obvious relief.

Sylvia.

[Coming down smiling, between Mr. Wackerbath and Horace.] How are you, Horace?

[Horace shakes hands warmly with her.

Professor Futvoye.

[Approaching as Mr. Wackerbath turns to his wife and Mrs. Futvoye, to Horace not over cordially, but without asperity.] How are you, Ventimore? Curious we should meet like this! We were talking about you on our way here—that little dinner of yours, you know.

Horace.

[With reviving anxiety.] That—little dinner, Professor?

Sylvia.

Yes, Horace, we couldn't remember which night it is we're dining with you—is it to-morrow, or the night after?

Horace.

[Relieved again.] Oh, it's to-morrow—to-morrow!

[Pringle has heard all this with a contempt and disgust that are indicated by his expression.

Sylvia.

Then mother was right! I'd fearful misgivings that it was for last night, and that somehow we'd forgotten all about it. Wouldn't that have been too dreadful of us?

Horace.

Oh, I—I don't know. I mean—I could have forgiven even that.

Professor Futvoye.

Ah, now I think of it—[interposing between Sylvia and Horace, and drawing him apart, while Sylvia goes up towards the table]—did you find time to attend that sale for me yesterday?

Horace.

[Blankly.] Oh, yes. I attended it.

Professor Futvoye.

We called at your rooms yesterday afternoon, but you weren't in, so we didn't wait for you. Now tell me—[anxiously]—did you get any of those lots for me, or didn't you?

Horace.

Well, no. I had the most rotten luck.

Professor Futvoye.

[With relief.] It's just as well you didn't—just as well. I doubt now whether I could afford the money. I find I shall be put to considerable expense—for repairs to my study.

[He turns to Mr. Wackerbath, who is on his right. Sylvia comes down, and Pringle advances to greet her, but, finding she evidently sees no one but Horace, he goes up towards the balcony fuming with rage.

Sylvia.

[To Horace.] Come and sit down somewhere, and tell me everything you've been doing.

[Horace takes her to the sofa by the fireplace, where they sit down and talk in dumb show, while Pringle is now hanging about undecidedly near the flower-stand, waiting his opportunity for addressing Sylvia, and furiously jealous at finding her still too absorbed to notice him; Mrs. Futvoye and Mrs. Wackerbath are talking confidentially on the sofa on the left side of the room, and the Professor and Mr. Wackerbath are standing in the centre.

Mr. Wackerbath.

So you and my young friend Ventimore are already acquainted, eh, Professor?

Professor Futvoye.

Why, yes. In fact, he's supposed to be engaged to Sylvia. But, between ourselves, I should feel more satisfied if there was any prospect of his getting work.

Mr. Wackerbath.

My dear Futvoye, you needn't be uneasy about that! Why, this house he's building for me will find him work enough. He's an able young chap, and I shouldn't be surprised if he gave me a perfect palace!

Pringle.

[Who is near enough to hear this, comes down.] What, another palace, Mr. Wackerbath?

Mr. Wackerbath.

[In some astonishment.] Eh? Why, bless my soul, sir, I thought you'd gone to the "Patience" Room long ago!

Pringle.

[Drily.] I found it wasn't necessary. How are you, Professor? [With the air of a host.] Delighted to see you.

Professor Futvoye.

[Shaking hands perfunctorily.] Oh, how are you, my boy, how are you? [Turning his shoulder on Pringle, and continuing to Mr. Wackerbath, as they go up together towards the table, ignoring Pringle.] Wackerbath, about this house of yours?—do I understand that Ventimore is——?

[They talk in dumb show, and during the next few speeches the First Waiter enters, and Mr. Wackerbath gives him an order, after which the Waiter goes out and returns with two cocktails. The Professor sits by the table and Mr. Wackerbath stands as they drink. Pringle meanwhile has returned to the corner of the flower-stand and is no longer able to control his temper.

Pringle.

[To Sylvia, with elaborate sarcasm, as he offers his hand, which she does not see at first.] Good evening, Miss Sylvia, it's really about time that I reminded you of my humble existence.

Sylvia.

[With slightly raised eyebrows, as she shakes hands.] Oh, how do you do, Mr. Pringle? I didn't see you come in.

[Horace sits by in silence, feeling powerless to stop Pringle at present.

Pringle.

[Unpleasantly.] No, you were so much engaged. [In a tone of injury.] And I must say I little expected when I last saw you at Cottesmore Gardens—scarcely seven hours ago——!

Sylvia.

[Smiling, but surprised.] Seven hours! It is more like seven weeks!

Pringle.

[Beaming fatuously.] Charming of you to put it in that way! I was almost beginning to fear that you had forgotten—[with meaning]—our last meeting.

Sylvia.

[Innocently.] In Vincent Square yesterday afternoon? Of course not. I meant since you had been to see us. And that's ages ago!

Pringle.

[Blankly.] Ages ago!

Sylvia.

[Carelessly.] Oh, you said you'd been away, or working hard, or something, didn't you? I forgive you. And so you are dining with Mr. and Mrs. Wackerbath, too?

Pringle.

[Stiffly.] With Mr. and Mrs.——! Pardon me, but I am under the impression that I am to have the honour of entertaining you.

Sylvia.

[Rising; Horace rising as she does.] Entertaining us! Why, what could have made you think that?

Pringle.

[In a low voice.] And you can throw me over like this! After all I've done for you? Oh, Sylvia!

Sylvia.

[Coldly.] I don't understand you a bit this evening, Mr. Pringle. But there may have been some mistake. I will go and ask mother about it.

[She crosses to behind the sofa on which Mrs. Futvoye is seated, and talks to her in dumb show, Mrs. Futvoye appearing surprised by what she hears. Meanwhile.

Pringle.

[In a savage undertone to Horace.] This is your work! I see how it is—you've made 'em all knuckle down, somehow!

Horace.

[Earnestly, in an undertone to him.] It isn't that, my dear fellow. They've forgotten—utterly forgotten everything. And so will you if you're a wise man.

Pringle.

They may pretend to forget if they like! But I'm hanged if I do!

Mrs. Futvoye.

[Who has risen, leaving Sylvia to talk to Mrs. Wackerbath, now advances to Pringle.] What is this Sylvia tells me, Mr. Pringle? Surely you haven't been expecting us to dine with you to-night?

Pringle.

I not only have been, I am, my dear lady.

Mrs. Futvoye.

Then my husband must have——[Turning to the Professor, who is by the table talking to Mr. Wackerbath.] Anthony! [The Professor comes down.] Have you accepted an invitation from Mr. Pringle for to-night without telling me? How could you be so forgetful?

Professor Futvoye.

My memory has not begun to fail yet, Sophia. [To Pringle.] My dear Pringle, I can only say that I received no such invitation. We had no engagement for this evening till Mrs. Wackerbath kindly rang my wife up this afternoon.

[He takes a chair on the left by Mrs. Wackerbath, and talks to her.

Mrs. Futvoye.

Your invitation must have been lost in the post, Mr. Pringle.

Pringle.

Hardly, as it happened to be given—and accepted—by word of mouth, Mrs. Futvoye. However, since you seem to have found a subsequent engagement more attractive, I have, of course, no option but to release you.

Mrs. Futvoye.

Release us! But, my dear Mr. Pringle, when we've assured you——

Pringle.

[Interrupting her with chilly magnanimity.] Pray say no more. I quite understand the situation—quite.

[Mrs. Futvoye rejoins Sylvia, while Mr. Wackerbath, who has gradually drawn nearer, now comes forward genially.

Mr. Wackerbath.

[To Pringle.] I think, sir, we can find a simple way out of this little difficulty. If you will waive the point of my being—ah—personally unknown to you, and give my wife and myself the pleasure of joining our little party—[the others suppress their dismay]—we shall all be happy.

Pringle.

Well, Mr. Wackerbath, if you think it will contribute to the general gaiety, I—I don't mind if I do join your party.

Mr. Wackerbath.

[Astonished, and with a touch of hauteur.] H'm! That's very obliging of you! [Looking round.] Where are those waiter-fellows?

[He goes up beyond the arch and beckons; the First and Second Waiters come in, and he explains in dumb show that he wants another cover laid. One waiter rearranges the chairs, the other brings plate and glasses. Mr. Wackerbath then seems to find that the table is too near the balcony, and orders it to be moved down, which is done under his instructions.

Sylvia.

[As Mr. Wackerbath goes up to find the waiters, to her mother, in an undertone.] Mother, what is the matter with Mr. Pringle? He seems quite—quite odd.

Mrs. Futvoye.

I can't make him out at all, my dear. He seems to be offended with us—and for no reason that I can see.

Sylvia.

Nor I.

[They continue the conversation in dumb show, while the Professor, on a chair, is talking to Mrs. Wackerbath on the sofa on the left.

Pringle.

[In an undertone to Horace, as they stand by the fireplace on the right.] I suppose you know why I've accepted that fellow's hospitality?

Horace.

Not in the least—but I hope you don't mean to abuse it.

Pringle.

I mean to show up the lot of you! I'm going to be the skeleton at your feast.

Horace.

"An agreeable rattle," eh?

Pringle.

It's too sickening! All of 'em grovelling and cringing to you because they're in a blue funk of that old Fakrash! You've managed to get him under control again!

Horace.

[With much earnestness.] Now, my dear fellow—I'll explain everything when we're alone. But, for Heaven's sake, take my advice and keep quiet here!

Pringle.

[Roughly.] I'm not afraid of you, or your Jinnee either—he rather took to me! And if the Futvoyes choose to drop me like this, I'm not going to take it lying down—I can make them look pretty foolish!

Horace.

You'll be the only one to look foolish—upon my honour, you will!

Pringle.

We'll see about that! You can't shut my mouth!

Mr. Wackerbath.

[The Waiters having gone out, now comes down and addresses Mrs. Futvoye.] They tell me we shall have to wait a few minutes longer—but they'll be as quick as they can.

Mrs. Wackerbath.

Oh, Samuel, the Professor has just been telling me about such an extraordinary affair that happened this morning—in his own study! Have you heard?

[Horace starts; Pringle prepares to assume the offensive.

Mr. Wackerbath.

Not a word—not a word. What was it, Futvoye? Nothing, I hope, of—ah—an unpleasant nature!

Pringle.

[Striking in before the Professor can reply.] "Unpleasant"? Oh, dear no! [Coming forward to centre.] Quite an ordinary occurrence! Ha-ha!

[General surprise.

Mrs. Futvoye.

[With annoyance.] I don't know why Mr. Pringle should choose to answer for my husband. [To Mr. Wackerbath.] We considered it most unpleasant. In fact, we can only be thankful it was no worse!

Pringle.

But are you thankful? I haven't noticed any signs of it, so far!

Horace.

[In his ear.] Shut up, can't you?

Mrs. Futvoye.

Really, Mr. Pringle! [To Mr. Wackerbath.] I was about to say—when Mr. Pringle interrupted me—that my husband found, on going into his study after lunch this afternoon, that it was completely wrecked.

Mr. Wackerbath.

Wrecked? You don't say so!

Mrs. Futvoye.

Everything—bookcases, all his ancient glass and pottery——

Professor Futvoye.

A valuable mummy!

Mrs. Futvoye.

Absolutely smashed to atoms!

Mr. Wackerbath.

Dear me! How unfortunate! [To the Professor.] And have you any clue to the—ah—culprit?

Pringle.

[With a wild sardonic laugh.] Ho-ho! He's no idea who the—ah—culprit is. Have you, Professor?

[Renewed astonishment.

Professor Futvoye.

[Glaring at Pringle.] I can only surmise. My theory is that burglars must have broken in during the night, and that the scoundrels, disgusted at finding nothing of any value to them, revenged themselves by doing this irreparable damage.

Pringle.

Bravo, Professor! Does you credit, that theory of yours! Most ingenious! Must have been burglars, of course! With gout in all their four legs—eh, Mrs. Futvoye?

[Mrs. Futvoye regards him with puzzled displeasure.

Horace.

[In Pringle's ear.] Will you hold your confounded tongue!

Mrs. Wackerbath.

[To the Professor.] The wretches! But what a mercy that you weren't disturbed!

Pringle.

Oh, the Professor wasn't disturbed—not he! "Preserved perfect calm and self-control from first to last"—didn't you, Professor?

Professor Futvoye.

[Acidly.] As I was sound asleep during the whole business, sir, I presume I did.

Pringle.

Ha-ha! Sound asleep, eh? But you must have had a touch of nightmare when I saw you.

Professor Futvoye.

When you——! [Rising and coming towards him.] How and when could you possibly have seen me, Pringle?

Pringle.

Oh, in your study. When you were lashing out at everything—with your hind legs.

[General sensation; Mrs. Wackerbath and Mrs. Futvoye both rise, and, with Sylvia, come somewhat nearer Pringle.

Professor Futvoye.

With my hind legs!... D'you know, my dear Pringle, you're talking rather wildly?

Pringle.

It won't do, Professor, it won't do! I was there, remember. And lucky for you I was—or you'd be a wall-eyed mule at this very moment. [Exasperated by the Futvoyes' apparent astonishment.] Oh, it may suit you to forget it now—but you were all three—especially Sylvia—grateful enough to me then!

[Increased sensation.

Mrs. Futvoye.

Grateful to you? May I ask what for?

Pringle.

I suppose you won't deny that I was the only one who could tackle Ventimore's old Jinnee?

Mrs. Futvoye.

[In a tone of hopeless bewilderment.] Horace! Does he mean that pleasant elderly landlady of yours?

Pringle.

As if you didn't know, Mrs. Futvoye! I mean the old demon, or whatever he may be, that Ventimore let out of that brass bottle.

All the Others (except Horace).

[Together.] Brass bottle! What brass bottle? What is he talking about?

Pringle.

I'm talking about the bottle he bought for you at that auction yesterday, Professor. You can surely remember that?

Professor Futvoye.

I certainly did ask him to attend a sale. [Approaching Horace.] But I understood you to say just now, Ventimore, that you bought nothing for me?

Horace.

That is so, Professor. As I told you, I was—unlucky.

Mr. Wackerbath.

[Regarding Pringle with dignified displeasure.] You seem to me, sir, to be endeavouring to be—ah—facetious.

Pringle.

[Turning on him.] No more facetious, Mr. Wackerbath, than you were when I saw you this morning in Ventimore's office.

Mr. Wackerbath.

I didn't go to Mr. Ventimore's office. I entirely forgot the appointment—an unusual thing for me.

Pringle.

Oh, no. You did an even more unusual thing. You were there—running about on all fours, and yelping like a dog!

Mr. Wackerbath.

[Hardly believing his own ears.] Running about on all fours! Yelping like a dog! Me? Me!

Pringle.

Yes, you. The Jinnee made you do it, if you remember, because you declined to live in that palace he built for you in a single night. And you didn't seem to like the idea of having to cross Westminster Bridge on all fours!

Mr. Wackerbath.

[With dignity.] I'm afraid, sir, that when you accepted my invitation just now, you overlooked the fact that you had been dining already.

Pringle.

I haven't dined since last night—in that Arabian hall of Ventimore's, with black slaves to wait, and dancing-girls. Professor, don't pretend you've forgotten those dancing-girls!

[Everybody speechless with indignation and surprise, except the Professor, who comes towards him with concern.

Professor Futvoye.

[Soothingly, to Pringle.] There, there—you mustn't get excited about it. [He turns, and takes Mr. Wackerbath aside.] It's not what you think. Poor fellow! His only excess is overwork. [Turning to Pringle again.] Now, now, Pringle, my dear fellow, you're not—not quite yourself, you know—not quite yourself! Take my advice and go quietly home, and ask your doctor to come and have a look at you.

Pringle.

[Staggered.] So—so you're trying to make out now that—that I'm mad, are you?

Professor Futvoye.

Mad? No, no—only a little out of sorts. You've been working rather too hard, you know, that's all! All you want is a thorough rest.

Mr. Wackerbath.

Yes, yes. A sea-voyage, now. Trip round the world. Set you up in no time!

Mrs. Futvoye.

[Approaching Pringle.] Do go round the world, Mr. Pringle. You'll come back cured of all these fancies!

Pringle.

[Reeling back a step or two.] Fancies!... Ventimore! [Horace goes to him, while the others form a group on the left and discuss Pringle's case with pitying concern.] I've been a fool—I see that now. They're not pretending—they really have forgotten!

Horace.

Completely. Fakrash hasn't foozled that—for a wonder! I ought to have included you; but—well, one can't think of everything—I forgot. I can only say I'm sorry.

Pringle.

But they all think I'm mad! [He sinks on the sofa by fireplace.] You know I'm not that! [With sudden doubt.] Am I?

Horace.

[Patting him on the shoulder.] Not a bit, my dear fellow,—you're as sane as I am.

Pringle.

[With relief.] I knew I was! But tell 'em so—tell 'em it's all true!

Horace.

I can't. They'd only think I was mad, too.

Pringle.

[In despair.] But you must get me out of this somehow,—or I shall be ruined! Who'd employ a mad architect?

Horace.

[Reflecting.] I'll get you out of it, if I can. But I shall have to stretch the truth a bit,—so mind you back up everything I say.

Pringle.

I will—I will! I'll say anything, do anything!

Horace.

Then here goes! [He turns to the others, and comes towards centre.] Oh, er—Mrs. Wackerbath—[the others break off their conversation and listen to him]—I've found out what's the matter with Mr. Pringle,—and I know you'll all be glad to hear that it's nothing serious. [Murmur of sympathetic relief from the others.] It seems he's been spending the afternoon with his dentist, and—[turning to Pringle]—was it two or three back teeth you had out, Pringle?

Pringle.

[Sullenly.] One. Only one.

Horace.

[To the others.] Only one. But under an anæsthetic. [To Pringle, as before.] Nitrous oxide, Pringle, or ether?

Pringle.

I can't say—I didn't inquire.

Horace.

[To the others.] Naturally—he wouldn't inquire. But—well, you know what ef—I mean, anæsthetics are!

All (except Pringle).

To be sure! Yes, yes. Of course!

Horace.

They give you the queerest dreams. And, just before, as it happens, Mr. Pringle had been reading "The Arabian Nights." [To Pringle.] You did say "The Arabian Nights," didn't you?

Pringle.

"The Arabian Nights"—yes. I read it regularly.

Horace.

[To the others, airily.] Which probably accounts for his dreams. And, in some exceptional cases, the Efreets—I mean, the effects—don't go off altogether for hours after the operation. Mr. Pringle thinks he can't have been thoroughly awake——

Pringle.

[Rising.] But I am now—I am now!

Horace.

Oh, he is now—quite serious and sensible, and generally himself again.

[A general murmur of polite satisfaction.

Mr. Wackerbath.

[Advancing towards Pringle.] I'm sure I'm very pleased to hear it, Mr. Pringle! Especially as it permits us to hope that we may still have the—ah—pleasure of your company.

[The others echo this sentiment in a somewhat half-hearted manner.

Pringle.

You're extremely kind—but I think perhaps I shall be better at home.

Mrs. Futvoye.

[In a motherly tone.] I'm sure you will, dear Mr. Pringle. What you ought to do is to go to bed and get a good night's sleep.

Mr. Wackerbath.

[Obviously relieved.] Ah, well, I won't insist—I won't insist. Perhaps you will give us some other evening?

Pringle.

[With extreme stiffness.] I'm obliged to you—but I dine out very seldom. Good-night. [He crosses to Mrs. Futvoye and shakes hands with her, and bows to Mr. and Mrs. Wackerbath, after which Mr. Wackerbath takes Mrs. Futvoye up to the glazed balcony to see the river, which by this time is in bright moonlight, the Professor, after having said good-night to Pringle, following with Mrs. Wackerbath. Pringle then turns to Sylvia, who is standing on the extreme left.] Good-night, Miss Sylvia. May I offer my congratulations? I can only hope that you may be as happy—as happy as—as possible.

[Faint waltz music is heard from the restaurant.

Sylvia.

[Quietly.] Thanks so much, Mr. Pringle, I think I shall. [Giving him her hand.] Good-night.

[She goes up and joins the group in the glazed balcony.

Pringle.

Good-night. [He turns to Horace.] One moment, Ventimore!

Horace.

Oh, I'm coming to the door with you, old fellow.

[He is about to go up with him, when Pringle detains him.

Pringle.

I only wanted to ask you this. [Lowering his voice.] Where is that Jinnee of yours now?

Horace.

[Standing by the sofa by fireplace.] Well,—do you see that patch of silver on the water just above the bridge—[pointing to the left]—where they're all looking?

Pringle.

Yes, I see that. What about it?

Horace.

Only that, somewhere under that patch, old Fakrash is lying, snugly curled up inside his bottle.

Pringle.

[Incredulously.] What!

Horace.

I happen to know, because I dropped it there myself this afternoon inside a kit-bag.

Pringle.

Well, I must say I'm glad you've got rid of him. And—er—you can rely on me to keep quiet about it for the future.

Horace.

[Drily.] My dear chap, I feel sure I can.

Pringle.

[Going up to the door on right above the arch.] Good-night. [Disconsolately.] I shall go and get something to eat at an "A.B.C."

Horace.

[Going up with him.] Good-night, old fellow. It's rough on you, but I did my best!

Pringle.

[Turning on him with resentment.] You needn't have told 'em I'd had three teeth out! Good-night.

[He goes out, Horace closing the door after him. Waltz music from restaurant on right. After he has gone, Mr. Wackerbath and the others turn from the river as the Second Waiter enters and places a slice of melon on each plate.

Mr. Wackerbath.

Oh, ready, eh? [The First Waiter enters and intimates that dinner is served.] Then shall we sit down, Mrs. Futvoye? [He goes to the chair at the top of the table with his back to the balcony, and places Mrs. Futvoye on his right.] Professor—[as Mrs. Wackerbath takes the chair at the bottom of the table, facing the river]—on my wife's left, please. Sylvia, my dear, next to me. [Sylvia takes the chair on Mr. Wackerbath's left; Horace still standing.] And you, Mr. Ventimore——[Observing that there are two places.] Stay, there's something wrong. Oh, of course! [To the First Waiter.] Take away that chair, it won't be wanted now—the other gentleman has gone.

First Waiter.

Gone! De gentleman vat give so moch trouble? He vill not come back?

Mr. Wackerbath.

Come back? [To Horace.] You don't think your friend is likely to do that, eh, Mr. Ventimore?

Sylvia.

Oh, I hope not!

[The others assent fervently.

Horace.

[Pausing in the act of taking the sixth chair.] It's all right. My friend—[with a glance at the bridge on the left]—the gentleman who gave so much trouble, is—[with a slow smile of deep satisfaction]—not in the least likely to come back!

[He sits down by Sylvia as another and a louder burst of waltz music is heard from the restaurant and the curtain falls.

THE END.

Printed by
BALLANTYNE & COMPANY LTD
AT THE BALLANTYNE PRESS
Tavistock Street Covent Garden
London

*** END OF THE PROJECT GUTENBERG EBOOK THE BRASS BOTTLE: A FARCICAL FANTASTIC PLAY IN FOUR ACTS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.