The Project Gutenberg eBook of What's He Doing in There?

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: What's He Doing in There?

Author: Fritz Leiber

Illustrator: Bowman

Release date: July 24, 2009 [eBook #29504]

Language: English

Credits: Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK WHAT'S HE DOING IN THERE? ***

WHAT'S HE DOING IN THERE?

By FRITZ LEIBER

He went where no Martian ever went before—but would he come out—or had he gone for good?

Illustrated By BOWMAN

The Professor was congratulating Earth's first visitor from another planet on his wisdom in getting in touch with a cultural anthropologist before contacting any other scientists (or governments, God forbid!), and in learning English from radio and TV before landing from his orbit-parked rocket, when the Martian stood up and said hesitantly, "Excuse me, please, but where is it?"

That baffled the Professor and the Martian seemed to grow anxious—at least his long mouth curved upward, and he had earlier explained that it curling downward was his smile—and he repeated, "Please, where is it?"

He was surprisingly humanoid in most respects, but his complexion was textured so like the rich dark armchair he'd just been occupying that the Professor's pin-striped gray suit, which he had eagerly consented to wear, seemed an arbitrary interruption between him and the chair—a sort of Mother Hubbard dress on a phantom conjured from its leather.

The Professor's Wife, always a perceptive hostess, came to her husband's rescue by saying with equal rapidity, "Top of the stairs, end of the hall, last door."

The Martian's mouth curled happily downward and he said, "Thank you very much," and was off.

Comprehension burst on the Professor. He caught up with his guest at the foot of the stairs.

"Here, I'll show you the way," he said.

"No, I can find it myself, thank you," the Martian assured him.

Something rather final in the Martian's tone made the Professor desist, and after watching his visitor sway up the stairs with an almost hypnotic softly jogging movement, he rejoined his wife in the study, saying wonderingly, "Who'd have thought it, by George! Function taboos as strict as our own!"

"I'm glad some of your professional visitors maintain 'em," his wife said darkly.

"But this one's from Mars, darling, and to find out he's—well, similar in an aspect of his life is as thrilling as the discovery that water is burned hydrogen. When I think of the day not far distant when I'll put his entries in the cross-cultural index ..."

He was still rhapsodizing when the Professor's Little Son raced in.

"Pop, the Martian's gone to the bathroom!"

"Hush, dear. Manners."

"Now it's perfectly natural, darling, that the boy should notice and be excited. Yes, Son, the Martian's not so very different from us."

"Oh, certainly," the Professor's Wife said with a trace of bitterness. "I don't imagine his turquoise complexion will cause any comment at all when you bring him to a faculty reception. They'll just figure he's had a hard night—and that he got that baby-elephant nose sniffing around for assistant professorships."

"Really, darling! He probably thinks of our noses as disagreeably amputated and paralyzed."

"Well, anyway, Pop, he's in the bathroom. I followed him when he squiggled upstairs."

"Now, Son, you shouldn't have done that. He's on a strange planet and it might make him nervous if he thought he was being spied on. We must show him every courtesy. By George, I can't wait to discuss these things with Ackerly-Ramsbottom! When I think of how much more this encounter has to give the anthropologist than even the physicist or astronomer ..."

He was still going strong on his second rhapsody when he was interrupted by another high-speed entrance. It was the Professor's Coltish Daughter.

"Mom, Pop, the Martian's—"

"Hush, dear. We know."

The Professor's Coltish Daughter regained her adolescent poise, which was considerable. "Well, he's still in there," she said. "I just tried the door and it was locked."

"I'm glad it was!" the Professor said while his wife added, "Yes, you can't be sure what—" and caught herself. "Really, dear, that was very bad manners."

"I thought he'd come downstairs long ago," her daughter explained. "He's been in there an awfully long time. It must have been a half hour ago that I saw him gyre and gimbal upstairs in that real gone way he has, with Nosy here following him." The Professor's Coltish Daughter was currently soaking up both jive and Alice.

When the Professor checked his wristwatch, his expression grew troubled. "By George, he is taking his time! Though, of course, we don't know how much time Martians ... I wonder."

"I listened for a while, Pop," his son volunteered. "He was running the water a lot."

"Running the water, eh? We know Mars is a water-starved planet. I suppose that in the presence of unlimited water, he might be seized by a kind of madness and ... But he seemed so well adjusted."

Then his wife spoke, voicing all their thoughts. Her outlook on life gave her a naturally sepulchral voice.

"What's he doing in there?"

Twenty minutes and at least as many fantastic suggestions later, the Professor glanced again at his watch and nerved himself for action. Motioning his family aside, he mounted the stairs and tiptoed down the hall.

He paused only once to shake his head and mutter under his breath, "By George, I wish I had Fenchurch or von Gottschalk here. They're a shade better than I am on intercultural contracts, especially taboo-breakings and affronts ..."

His family followed him at a short distance.

The Professor stopped in front of the bathroom door. Everything was quiet as death.

He listened for a minute and then rapped measuredly, steadying his hand by clutching its wrist with the other. There was a faint splashing, but no other sound.

Another minute passed. The Professor rapped again. Now there was no response at all. He very gingerly tried the knob. The door was still locked.

When they had retreated to the stairs, it was the Professor's Wife who once more voiced their thoughts. This time her voice carried overtones of supernatural horror.

"What's he doing in there?"

"He may be dead or dying," the Professor's Coltish Daughter suggested briskly. "Maybe we ought to call the Fire Department, like they did for old Mrs. Frisbee."

The Professor winced. "I'm afraid you haven't visualized the complications, dear," he said gently. "No one but ourselves knows that the Martian is on Earth, or has even the slightest inkling that interplanetary travel has been achieved. Whatever we do, it will have to be on our own. But to break in on a creature engaged in—well, we don't know what primal private activity—is against all anthropological practice. Still—"

"Dying's a primal activity," his daughter said crisply.

"So's ritual bathing before mass murder," his wife added.

"Please! Still, as I was about to say, we do have the moral duty to succor him if, as you all too reasonably suggest, he has been incapacitated by a germ or virus or, more likely, by some simple environmental factor such as Earth's greater gravity."

"Tell you what, Pop—I can look in the bathroom window and see what he's doing. All I have to do is crawl out my bedroom window and along the gutter a little ways. It's safe as houses."

The Professor's question beginning with, "Son, how do you know—" died unuttered and he refused to notice the words his daughter was voicing silently at her brother. He glanced at his wife's sardonically composed face, thought once more of the Fire Department and of other and larger and even more jealous—or would it be skeptical?—government agencies, and clutched at the straw offered him.

Ten minutes later, he was quite unnecessarily assisting his son back through the bedroom window.

"Gee, Pop, I couldn't see a sign of him. That's why I took so long. Hey, Pop, don't look so scared. He's in there, sure enough. It's just that the bathtub's under the window and you have to get real close up to see into it."

"The Martian's taking a bath?"

"Yep. Got it full up and just the end of his little old schnozzle sticking out. Your suit, Pop, was hanging on the door."

The one word the Professor's Wife spoke was like a death knell.

"Drowned!"

"No, Ma, I don't think so. His schnozzle was opening and closing regular like."

"Maybe he's a shape-changer," the Professor's Coltish Daughter said in a burst of evil fantasy. "Maybe he softens in water and thins out after a while until he's like an eel and then he'll go exploring through the sewer pipes. Wouldn't it be funny if he went under the street and knocked on the stopper from underneath and crawled into the bathtub with President Rexford, or Mrs. President Rexford, or maybe right into the middle of one of Janey Rexford's Oh-I'm-so-sexy bubble baths?"

"Please!" The Professor put his hand to his eyebrows and kept it there, cuddling the elbow in his other hand.

"Well, have you thought of something?" the Professor's Wife asked him after a bit. "What are you going to do?"

The Professor dropped his hand and blinked his eyes hard and took a deep breath.

"Telegraph Fenchurch and Ackerly-Ramsbottom and then break in," he said in a resigned voice, into which, nevertheless, a note of hope seemed also to have come. "First, however, I'm going to wait until morning."

And he sat down cross-legged in the hall a few yards from the bathroom door and folded his arms.

So the long vigil commenced.

The Professor's family shared it and he offered no objection. Other and sterner men, he told himself, might claim to be able successfully to order their children to go to bed when there was a Martian locked in the bathroom, but he would like to see them faced with the situation.

Finally dawn began to seep from the bedrooms. When the bulb in the hall had grown quite dim, the Professor unfolded his arms.

Just then, there was a loud splashing in the bathroom. The Professor's family looked toward the door. The splashing stopped and they heard the Martian moving around. Then the door opened and the Martian appeared in the Professor's gray pin-stripe suit. His mouth curled sharply downward in a broad alien smile as he saw the Professor.

"Good morning!" the Martian said happily. "I never slept better in my life, even in my own little wet bed back on Mars."

He looked around more closely and his mouth straightened. "But where did you all sleep?" he asked. "Don't tell me you stayed dry all night! You didn't give up your only bed to me?"

His mouth curled upward in misery. "Oh, dear," he said, "I'm afraid I've made a mistake somehow. Yet I don't understand how. Before I studied you, I didn't know what your sleeping habits would be, but that question was answered for me—in fact, it looked so reassuringly homelike—when I saw those brief TV scenes of your females ready for sleep in their little tubs. Of course, on Mars, only the fortunate can always be sure of sleeping wet, but here, with your abundance of water, I thought there would be wet beds for all."

He paused. "It's true I had some doubts last night, wondering if I'd used the right words and all, but then when you rapped 'Good night' to me, I splashed the sentiment back at you and went to sleep in a wink. But I'm afraid that somewhere I've blundered and—"

"No, no, dear chap," the Professor managed to say. He had been waving his hand in a gentle circle for some time in token that he wanted to interrupt. "Everything is quite all right. It's true we stayed up all night, but please consider that as a watch—an honor guard, by George!—which we kept to indicate our esteem."

—FRITZ LEIBER

Transcriber's Note:

This etext was produced from Galaxy Science Fiction December 1957. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

*** END OF THE PROJECT GUTENBERG EBOOK WHAT'S HE DOING IN THERE? ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back