The Project Gutenberg eBook of There Will Be School Tomorrow

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: There Will Be School Tomorrow

Author: V. E. Thiessen

Release date: July 5, 2009 [eBook #29317]

Language: English

Credits: Produced by Greg Weeks, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THERE WILL BE SCHOOL TOMORROW ***

You will possibly shudder, but you will certainly remember for a long time, this story of what happens when Tomorrow's gently implacable teachers are faced with a problem for which there seems to be only one solution....

there
will
be
school
tomorrow

by ... V. E. Thiessen

There is a quiet horror to this story from Tomorrow....

Evening had begun to fall. In the cities the clamor softened along the streets, and the women made small, comfortable, rattling noises in the kitchens. Out in the country the cicadas started their singing, and the cool smell began to rise out of the earth. But everywhere, in the cities and in the country, the children were late from school.

There were a few calls, but the robotic telephone devices at the schools gave back the standard answer: "The schools are closed for the day. If you will leave a message it will be recorded for tomorrow."

The telephones between houses began to ring. "Is Johnny home from school yet?"

"No. Is Jane?"

"Not yet. I wonder what can be keeping them?"

"Something new, I guess. Oh, well, the roboteachers know best. They will be home soon."

"Yes, of course. It's foolish to worry."

The children did not come.

After a time a few cars were driven to the schools. They were met by the robots. The worried parents were escorted inside. But the children did not come home.

And then, just as alarm was beginning to stir all over the land, the robots came walking, all of the robots from the grade schools, and the high schools, and the colleges. All of the school system walking, with the roboteachers saying, "Let us go into the house where you can sit down." All over the streets of the cities and the walks in the country the robots were entering houses.

"What's happened to my children?"

"If you will go inside and sit down—"

"What's happened to my children? Tell me now!"

"If you will go inside and sit down—"

Steel and electrons and wires and robotic brains were inflexible. How can you force steel to speak? All over the land the people went inside and sat nervously waiting an explanation.

There was no one out on the streets. From inside the houses came the sound of surprise and agony. After a time there was silence. The robots came out of the houses and went walking back to the schools. In the cities and in the country there was the strange and sudden silence of tragedy.

The children did not come home.

The morning before the robots walked, Johnny Malone, the Mayor's son, bounced out of bed with a burst of energy. Skinning out of his pajamas and into a pair of trousers, he hurried, barefooted, into his mother's bedroom. She was sleeping soundly, and he touched one shoulder hesitantly.

"Mother!"

The sleeping figure stirred. His mother's face, still faintly shiny with hormone cream, turned toward him. She opened her eyes. Her voice was irritated.

"What is it, Johnny?"

"Today's the day, mommy. Remember?"

"The day?" Eyebrows raised.

"The new school opens. Now we'll have roboteachers like everyone else. Will you fix my breakfast, mother?"

"Amelia will fix you something."

"Aw, mother. Amelia's just a robot. This is a special day. And I want my daddy to help me with my arithmetic before I go. I don't want the roboteacher to think I'm dumb."

His mother frowned in deepening irritation. "Now, there's no reason why Amelia can't get your breakfast like she always does. And I doubt if it would be wise to wake your father. You know he likes to sleep in the morning. Now, you go on out of here and let me sleep."

Johnny Malone turned away, fighting himself for a moment, for he knew he was too big to cry. He walked more slowly now and entered his father's room. He had to shake his father to awaken him.

"Daddy! Wake up, daddy!"

"What in the devil? Oh, Johnny." His father's eyes were sleepily bleak. "What in thunder do you want?"

"Today's the first day of roboteachers. I can't work my arithmetic. Will you help me before I go to school?"

His father stared at him in amazement. "Just what in the devil do you think roboteachers are for? They're supposed to teach you. If you knew arithmetic we wouldn't need roboteachers."

"But the roboteachers may be angry if I don't have my lesson."

Johnny Malone's father turned on one elbow. "Listen, son," he said. "If those roboteachers give you any trouble you just tell them you're the Mayor's son. See. Now get the devil out of here. What's her name—that servorobot—Amelia will get your breakfast and get you off to school. Now suppose you beat it out of here and let me go back to sleep."

"Yes, Sir." Eyes smarting, Johnny Malone went down the stairs to the kitchen. It wasn't that his parents were different. All the kids were fed and sent to school by robots. It was just that—well today seemed sort of special. Downstairs Amelia, the roboservant, placed hot cereal on the table before him. After he had forced a few bites past the tightness in his throat, Amelia checked the temperature and his clothing and let him out the door. The newest school was only a few blocks from his home, and Johnny could walk to school.

The newest school stood on the edge of this large, middlewestern city. Off to the back of the school were the towers of the town, great monolithic skyscrapers of pre-stressed concrete and plastic. To the front of the school the plains stretched out to meet a cloudy horizon.

A helio car swung down in front of the school. Two men and a woman got out.

"This is it, Senator." Doctor Wilson, the speaker, was with the government bureau of schools. He lifted his arm and gestured, a lean, tweed-suited man.

The second man, addressed as Senator, was bulkier, grey suited and pompous. He turned to the woman with professional deference.

"This is the last one, my dear. This is what Doctor Wilson calls the greatest milestone in man's education."

"With the establishing of this school the last human teacher is gone. Gone are all the human weaknesses, the temper fits of teachers, their ignorance and prejudices. The roboteachers are without flaw."

The woman lifted a lorgnette to her eyes. "Haow interesting. But after all, we've had roboteachers for years, haven't we—or have we—?" She made a vague gesture toward the school, and looked at the brown-suited man.

"Yes, of course. Years ago your women's clubs fought against roboteachers. That was before they were proven."

"I seem to recall something of that. Oh well, it doesn't matter." The lorgnette gestured idly.

"Shall we go in?" the lean man urged.

The woman hesitated. Senator said tactfully, "After all, Doctor Wilson would like you to see his project."

The brown-suited man nodded. His face took on a sharp intensity. "We're making a great mistake. No one is interested in educating the children any more. They leave it to the robots. And they neglect the children's training at home."

The woman turned toward him with surprise in her eyes. "But really, aren't the robots the best teachers?"

"Of course they are. But confound it, we ought to be interested in what they teach and how they teach. What's happened to the old PTA? What's happened to parental discipline, what's happened to—"

He stopped suddenly and smiled, a rueful tired smile. "I suppose I'm a fanatic on this. Come on inside."

They passed through an antiseptic corridor built from dull green plastic. The brown-suited man pressed a button outside one of the classrooms. A door slid noiselessly into the hall. A robot stood before them, gesturing gently. They followed the robot into the classroom. At the head of the classroom another robot was lecturing. There were drawings on a sort of plastic blackboard. There were wire models on the desk in front of the robot. They listened for a moment, and for a moment it seemed that the woman could be intrigued in spite of herself.

"Mathematics," Doctor Wilson murmured in her ear. "Euclidean Geometry and Aristotelean reasoning. We start them young on these old schools of thought, then use Aristotle and Euclid as a point of departure for our intermediate classes in mathematics and logic."

"REAHLLY!" The lorgnette studied Doctor Wilson. "You mean there are several kinds of geometry?"

Doctor Wilson nodded. A dull flush crept into his cheeks. The Senator caught his eyes and winked. The woman moved toward the door. At the door the robot bowed.

The lorgnette waved in appreciation. "It's reahlly been most charming!"

Wilson said desperately, "If your women's clubs would just visit our schools and see this work we are carrying on ..."

"Reahlly, I'm sure the robots are doing a marvelous job. After all, that's what they were built for."

Wilson called, "Socrates! Come here!" The robot approached from his position outside the classroom door.

"Why were you built, Socrates? Tell the lady why you were built."

A metal throat cleared, a metal voice said resonantly, "We were made to serve the children. The children are the heart of a society. As the children are raised, so will the future be assured. I will do everything for the children's good, this is my prime law. All other laws are secondary to the children's good."

"Thank you, Socrates. You may go."

Metal footsteps retreated. The lorgnette waved again. "Very impressive. Very efficient. And now, Senator, if we can go. We are to have tea at the women's club. Varden is reviewing his newest musical comedy."

The Senator said firmly, "Thank you, Doctor Wilson."

His smile was faintly apologetic. It seemed to say that the women's clubs had many votes, but that Wilson should understand, Wilson's own vote would be appreciated too. Wilson watched the two re-enter the helicopter and rise into the morning sunshine. He kicked the dirt with his shoe and turned to find Socrates behind him. The metallic voice spoke.

"You are tired. I suggest you go home and rest."

"I'm not tired. Why can they be so blind, so uninterested in the children?"

"It is our job to teach the children. You are tired. I suggest you go home and rest."

How can you argue with metal? What can you add to a perfect mechanism, designed for its job, and integrated with a hundred other perfect mechanisms? What can you do when a thousand schools are so perfect they have a life of their own, with no need for human guidance, and, most significant, no failures from human weakness?

Wilson stared soberly at this school, at the colossus he had helped to create. He had the feeling that it was wrong somehow, that if people would only think about it they could find that something was wrong.

"You are tired."

He nodded at Socrates. "Yes, I am tired. I will go home."

Once, on the way home, he stared back toward the school with strange unease.

Inside the school there was the ringing of a bell. The children trooped into the large play area that was enclosed in the heart of the great building. Here and there they began to form in clusters. At the centers of the clusters were the newest students, the ones that had moved here, the ones that had been in the robot schools before.

"Is it true that the roboteachers will actually spank you?"

"It's true, all right."

"You're kidding. It's only a story, like Santa Claus or Johnny Appleseed. The human teachers never spanked us here."

"The robots will spank you if you get out of line."

"My father says no robot can lay a hand on a human."

"These robots are different."

The bell began to ring again. Recess was over. The children moved toward the classroom. All the children except one—Johnny Malone, husky Johnny Malone, twelve years old—the Mayor's son. Johnny Malone kicked at the dirt. A robot proctor approached. The metallic voice sounded.

"The ringing of the bell means that classes are resumed. You will take your place, please."

"I won't go inside."

"You will take your place, please."

"I won't. You can't make me take my place. My father is the Mayor."

The metal voice carried no feeling. "If you do not take your place you will be punished."

"You can't lay a hand on me. No robot can."

The robot moved forward. Two metal hands held Johnny Malone. Johnny Malone kicked the robot's legs. It hurt his toes. "We were made to teach the children. We can do what is necessary to teach the children. I will do everything for the children's good. It is my prime law. All other laws are secondary to the children's good."

The metal arms moved. The human body bent across metal knees. A metal hand raised and fell, flat, very flat so that it would sting and the blood would come rushing, and yet there would be no bruising, no damage to the human flesh. Johnny Malone cried out in surprise. Johnny Malone wept. Johnny Malone squirmed. The metal ignored all of these. Johnny Malone was placed on his feet. He swarmed against the robot, striking it with small fists, bruising them against the solid smoothness of the robot's thighs.

"You will take your place, please."

Tears were useless. Rage was useless. Metal cannot feel. Johnny Malone, the Mayor's son, was intelligent. He took his place in the classroom.

One of the more advanced literature classes was reciting. The roboteacher said metallically,

"The weird sisters, hand in hand,
Posters of the sea and land,
Thus do go about, about:
Thrice to thine, and thrice to mine,
And thrice again, to make up nine.
Peace! the charm's wound up."

Hands shot into the air. The metallic voice said, "Tom?"

"That's from Shakespeare's Macbeth."

"And what is its meaning?"

"The weird sisters are making a charm in the beginning of the play. They have heard the drum that announces Macbeth's coming."

"That is correct."

A new hand shot into the air. "Question, teacher. May I ask a question?"

"You may always ask a question."

"Are witches real? Do you robots know of witches? And do you know of people? Can a roboteacher understand Shakespeare?"

The thin metal voice responded. "Witches are real and unreal. Witches are a part of the reality of the mind, and the human mind is real. We roboteachers are the repository of the human mind. We hold all the wisdom and the knowledge and the aspirations of the human race. We hold these for you, the children, in trust. Your good is our highest law. Do you understand?"

The children nodded. The metallic voice went on. "Let us return to Macbeth for our concluding quotation. The weather, fortune, many things are implied in Macbeth's opening speech. He says, 'So foul and fair a day I have not seen.' The paradox is both human and appropriate. One day you will understand this even more. Repeat the quotation after me, please, and try to understand it."

The childish voices lifted. "So foul and fair a day I have not seen."

The roboteacher stood up. "And there's the closing bell. Do not hurry away, for you are to remain here tonight. There will be a school party, a sleep-together party. We will all sleep here in the school building."

"You mean we can't go home?"

The face of the littlest girl screwed up. "I want to go home."

"You may go home tomorrow. There will be a holiday tomorrow. A party tonight and a holiday tomorrow for every school on earth."

The tears were halted for a moment. The voice was querulous. "But I want to go home now."

Johnny Malone, the Mayor's son, put one hand on the littlest girl. "Don't cry, Mary. The robots don't care if you cry or not. You can't hurt them or cry them out of anything. We'll all go home in the morning."

The robots began to bring cots and to place them in the schoolroom, row on row. The children were led out into the play quadrangle to play. One of the robots taught them a new game, and after that took them to supper served in the school's cafeteria. No other robot was left in the building, but it did not matter, because the doors were locked so that the children could not go home.

The other robots had begun to walk out into the town, and as they walked the robots walked from other schools, in other towns. All over the country, all over the towns, the robots walked to tell the people that the children would not be home from school, and do what had to be done.

In the schools, the roboteachers told stories until the children fell asleep.

Morning came. The robots were up with the sun. The children were up with the robots. There was breakfast and more stories, and now the children clustered about the robots, holding onto their arms, where they could cling, tagging and frisking along behind the robots as they went down into the town. The sun was warm, and it was early, early, and very bright from the morning sun in the streets.

They went into the Mayor's house. Johnny called, "Mom! Dad! I'm home."

The house was silent. The robot that tended the house came gliding in answer. "Would you like breakfast, Master Malone?"

"I've had breakfast. I want my folks. Hey! Mom, Dad!"

He went into the bedroom. It was clean and empty and scrubbed.

"Where's my mother and father?"

The metal voice of the robot beside Johnny said, "I am going to live with you. You will learn as much at home as you do at school."

"Where's my mother?"

"I'm your mother."

"Where's my father?"

"I'm your father."

Johnny Malone swung. "You mean my mother and father are gone?" Tears gathered in his eyes.

Gently, gently, the metal hand pulled him against the metal body. "Your folks have gone away, Johnny. Everyone's folks have gone away. We will stay with you."

Johnny Malone ran his glance around the room.

"I might have known they were gone. The place is so clean."

All the houses were clean. The servant robots had cleaned all night. The roboteachers had checked each house before the children were brought home. The children must not be alarmed. There must be no bits of blood to frighten them.

The robot's voice said gently, "Today will be a holiday to become accustomed to the changes. There will be school tomorrow."

Transcriber's Note: This etext was produced from Fantastic Universe November 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

*** END OF THE PROJECT GUTENBERG EBOOK THERE WILL BE SCHOOL TOMORROW ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.