The Project Gutenberg eBook of Alice in Blunderland: An Iridescent Dream

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Alice in Blunderland: An Iridescent Dream

Author: John Kendrick Bangs

Illustrator: Albert Levering

Release date: February 14, 2009 [eBook #28069]
Most recently updated: January 4, 2021

Language: English

Credits: Produced by Annie McGuire

*** START OF THE PROJECT GUTENBERG EBOOK ALICE IN BLUNDERLAND: AN IRIDESCENT DREAM ***

ALICE IN BLUNDERLAND

BY THE SAME AUTHOR

| A House-boat on the Styx
| Coffee and Repartee
| Mollie and the Unwiseman
| Worsted Man; A Musical Play for Amateurs
| The Enchanted Typewriter
| Ghosts I Have Met
| Mrs. Raffles
| Olympian Nights
| R. Holmes & Co.
| And Many Other Short Stories

Alice in

Blunderland

An Iridescent Dream

By

JOHN KENDRICK BANGS

Illustrated by

ALBERT LEVERING

New York

Doubleday, Page & Company

1907

Copyright, 1906, by the

Municipal Ownership Publishing Bureau

Copyright, 1907, by

Doubleday, Page & Company

Published, September, 1907

CONTENTS

CHAPTER |  | PAGE
I. | Off to Blunderland | 3
II. | The Immovable Trolley | 19
III. | The Aromatic Gas Plant | 37
IV. | The City-owned Police | 56
V. | The Municipaphone | 73
VI. | The Department of Public Verse | 92
VII. | Ownership of Children | 108

ILLUSTRATIONS

| PAGE
The Cheshire Cat | 5
The March Hare | 6
"'Listen here'" | 7
The municipal chewery | 11
The municipal toothery | 13
"Handing her a card" | 17
"'Put that fellow off'" | 20
"Requested the Hatter to crack a filbert for him" | 24
"'Banged into the car ahead'" | 27
The Chief Engineer | 30
"'It came to me like a flash'" | 31
"'Studying the economic theories of Dr. Wack'" | 45
"The White Knight interfered" | 48
"'In the matter of perfume it was fine'" | 50
"'Nobody could be gas-fixturated'" | 51
"Wrote on the side of a convenient gas tank" | 57
"'I'm the soundest sleeper in town'" | 59
"'Tea is served on every corner'" | 64
"'We respond immediately to the call'" | 67
"Made off with the agility of an antelope" | 69
"'You can talk all you please'" | 73
"'Fined five dollars'" | 84
"'The dictionary we are compiling'" | 85
"Alice transfixed at the phone" | 86
"'The biggest jackass from Dan to Beersheba'" | 87
"'Larger measure than was the custom'" | 94
"Greeted by the Commissioner, the Haberdasher" | 99
"'It runs this way, your honour'" | 100
"'Our thinking department'" | 102
"'When they think nobody's looking'" | 116
"'If you get into trouble, use this'" | 119
"Seizing her by the arm" | 122
"'Why—have I—I really fallen?'" | 124

CHAPTER I

OFF TO BLUNDERLAND

IT was one of those dull, drab, depressing days when somehow or other it seemed as if there wasn't anything anywhere for anybody to do. It was raining outdoors, so that Alice could not amuse herself in the garden, or call upon her friend Little Lord Fauntleroy up the street; and downstairs her mother was giving a Bridge Party for the benefit of the M. O. Hot Tamale Company, which had lately fallen upon evil days. Alice's mother was a very charitably disposed person, and while she loathed gambling in all its forms, was nevertheless willing for the sake of a good cause to forego her principles on alternate Thursdays, but she was very particular that her little daughter should be kept aloof from contaminating influences, so that Alice found herself locked in the nursery and, as I have already intimated, with nothing to do. She had read all her books—The House of Mirth, the novels of Hall Caine and Marie Corelli—the operation for appendicitis upon her dollie, while very successful indeed, had left poor Flaxilocks without a scrap of sawdust in her veins, and therefore unable to play; and worst of all, her pet kitten, under the new city law making all felines public property, had grown into a regular cat and appeared only at mealtimes, and then in so disreputable a condition that he was not thought to be fit company for a child of seven.

"Oh dear!" cried Alice impatiently, as she sat rocking in her chair, listening to the pattering of the rain upon the roof of the veranda. "I do wish there was something to do, or somebody to do, or somewhere to go. The Gov'ment ought to provide covered playgrounds for children on wet days. It wouldn't cost much, to put a glass cover on the Park!"

"A very good, idea! I'll make a note of that," said a squeaky little voice at her side.

THE CHESHIRE CAT THE CHESHIRE CAT

Alice sprang to her feet in surprise. She had supposed she was alone, and for a moment she was frightened, but a glance around reassured her, for strange to say, seated on the radiator warming his toes was her old friend the Hatter, the queer old chap she had met in her marvellous trip through Wonderland, and with him was the March Hare, the Cheshire Cat, and the White Knight from Looking Glass Land.

"Why—you dear old things!" she cried. "You here?"

"I don't know about these others, but I'm here," returned the Hatter. "The others seem to be here, but I respectfully decline to take my solemn daffydavy on the subject, because my doctor says I'm all the time seeing things that ain't. Besides I don't believe in swearing."

THE MARCH HARE THE MARCH HARE

"We're here all right," put in the March Hare. "I know because we ain't anywhere else, and when you ain't anywhere else you can make up your mind that you're here."

"Well, I'm awfully glad to see you," said Alice. "I've been so lonesome——"

"We know that," said the White Knight. "We've been studying your case lately and we thought we'd come down and see what we could do for you. The fact is the Hatter here has founded a model city, where everything goes just right, and we came to ask you to pay us a call."

"A city?" cried Alice.

"Yep," said the March Hare. "It's called Blunderland and between you and me I don't believe anybody but the Hatter could have invented one like it. His geegantic brain conceived the whole thing, and I tell you it's a corker."

"LISTEN HERE" "LISTEN HERE"

"Where is it?" asked Alice.

"That's telling," said the Hatter. "I haven't had it copyrighted yet, and until I do I ain't going to tell where it is. You can't be too careful about property these days with copperations lurkin' around everywhere to grab everything in sight."

"What's a copperation?" asked Alice.

"What? Never heard of a Copperation?" demanded the Hatter. "Mercy! Ever hear of the Mumps, or the Measles, or the Whooping Cough?"

"Yes—but I never knew they were called Copperations," said Alice.

"Well, they ain't, but they're no worse—so they ought to be," said the Hatter. "Listen here. I'll tell you what a copperation is."

And putting his hat in front of his mouth like a telephone the Hatter recited the following poem through it:

THE COPPERATION

A copperation is a beast
With forty leven paws
That doesn't ever pay the least
Attention to the laws.

It grabs whatever comes in sight
From hansom cabs to socks
And with a grin of mad delight
It turns 'em into stocks

And then it takes a rubber hose
Connected with the sea
And pumps em full of H₂Os
Of various degree

And when they're swollen up so stout
You'd think they'd surely bust
They souse 'em once again and out
They come at last a Trust

And when the Trust is ready for
One last and final whack
They let the public in the door
To buy the water back.

"See?" said the Hatter as he finished.

"No," said Alice. "It sounded very pretty through your hat, but I don't understand it. Why should people buy water when they can get it for nothing in the ocean?"

"You're like all the rest," groaned the Hatter. "Nobody seems to understand but me, and somehow or other I can't make it clear to other people."

"You might if you didn't talk through your hat," grinned the Cheshire Cat.

"Then I'd have to stop being a public character," said the Hatter. "I'm not going to sacrifice my career just because you're too ignorant to see what I'm driving at. I don't mind telling you though, Alice, that outside of poetry a Copperation is a Creature devised by Selfish Interests to secure the Free Coinage of the Atlantic Ocean."

"Little drops of water,
Plenty of hot air,
Make a Copperation
A pretty fat affair,"

warbled the March Hare.

"O well," said Alice, "what about it? Suppose there is such an animal around. What are we going to do about it?"

"We're going to gerraple with it," said the Hatter, with a valiant shake of his hat. "We're going to grab it by its throat, and shake it down, and shackle it so that in forty years it will become as tame as a fly or any other highly domesticated animal."

"But how?" asked Alice. "You aren't going to do this yourself, are you? Single handed and alone?"

THE MUNICIPAL CHEWERY THE MUNICIPAL CHEWERY

"Yes," said the Hatter. "The March Hare and the White Knight and I. We've started a city to do it with. We've sprinkled our streets with Rough on Copperations until there isn't one left in the place. Everything in town belongs to the People—street cars, gutters, pavements, theatres, electric light, cabs, manicures, dogs, cats, canary birds, hotels, barber shops, candy stores, hats, umbrellas, bakeries, cakeries, steakeries, shops,—you can't think of a thing that the city don't own. No more private ownership of anything from a toothbrush to a yacht, and the result is we are all happy."

"It sounds fine," said Alice. "Though I think I should rather own my own toothbrush."

"You naturally would under the old system," assented the Hatter. "Under a system of private ownership owning your own teeth you'd prefer to own your own toothbrush, but our Council has just passed a law making teeth public property. You see we found that some people had teeth and other people hadn't, which is hardly a fair condition under a Republican form of Government. It gave one class of citizens a distinct advantage over other people and the Declaration of Independence demands absolute equality for all. One man owning his own teeth could eat all the hickory nuts he wanted just because he had teeth to crack 'em with, while another man not having teeth had either to swallow em whole, which ruined his digestion, or go without, which wasn't fair.

"I see," said Alice.

THE MUNICIPAL TOOTHERY THE MUNICIPAL TOOTHERY

"So it occurred to Mr. Alderman March Hare here," continued the Hatter, "that we should legislate in the matter, and at our last session we passed a law providing for the Municipal Ownership of Teeth, so that now when a toothless wanderer wants a hickory nut cracked he has a perfectly legal right to stop anybody in the street who has teeth and make him crack the nut for him. Of course we've had a little trouble enforcing the law—alleged private rights are always difficult to get around. Long-continued possession has seemed so to convince people that they have inherent rights to the things they have enjoyed, that they put up a fight and appeal to the Constitution and all that, and even when you mention the fact, as I did in a case that came up the other day (when a man refused to bite on another chap's cigar for him), that the Constitution doesn't mention teeth anywhere in all its classes, they are not easy to convince. This fellow insisted that his teeth were private property, and no city law should make them public property. He's going to take it to the Supreme Court. Meanwhile his teeth are in the custody of the sheriff.

"And what has become of the man?" asked Alice.

"He's in the custody of the sheriff too," said the Hatter. "We couldn't arrange it any other way except by pulling his teeth, and he didn't want that."

"I can't blame him," said Alice reflectively. "I should hate to have my teeth taken away from me."

"O there's no obfuscation about it," said the Hatter.

"Confuscation," corrected the March Hare. "I wish you would get that word right. It's too important to fool with."

"Thank you," replied the Hatter. "My mind is on higher things than mere words. However, as I was saying, there is no cobfuscation about it. We don't take a man's teeth away from him without compensation. We pay him what the teeth are worth and place them at the service of the whole community.

"Where do you get the money to pay him?" asked Alice.

"HANDING HER A CARD" "HANDING HER A CARD"

"We give him a Municipal Bond," explained the Hatter. "It's a ten per cent. bond costing two cents to print. When he cracks a hickory nut for the public, the man he cracks it for pays him a cent. He rings this up on a cash register he carries pinned to his vest, and at the end of every week turns in the cash to the City Treasury. That money is used to pay the interest on the bonds. The scheme has the additional advantage that it makes a man's teeth negotiable property in the sense that whereas under the old system he couldn't very well sell his teeth, under the new system he can sell the bond if he gets hard up. Moreover, the City Government having acquired control has to pay all his dentist's bills, supply tooth powder and so on, which results in a great saving to the individual. It hardly costs the city anything, except for the Tooth Inspector, who is paid $1,200 a year, but we can handle that easily enough, provided the people will use the Public Teeth in sufficiently large numbers to bring in dividends. Anyhow, we have gone in for it, and I see no reason why it should not work as well as any other Municipal Ownership scheme."

"I should love to go and see your city," said Alice, who, though not quite convinced as to the desirability of the Municipal Ownership of Teeth, was nevertheless very much interested.

"Very well," said the Hatter. "We can go at once, for I see the train is already standing in the Station."

"The Station?" cried Alice. "What Station?"

But before the Hatter could answer, Alice, glancing through the window, caught sight of a very beautiful train standing before the veranda, and in a moment she found herself stepping on board with her friends, while a soft-spoken guard at the door was handing her an engraved card upon a silver salver "Respectfully Inviting Miss Alice to Step Lively There."

CHAPTER II

THE IMMOVABLE TROLLEY

"What an extraordinary car," said Alice, as she stepped into the brilliantly lighted vehicle. "It doesn't seem to have any end to it," she added as she passed down the aisle, looking for the front platform.

"It hasn't," said the Hatter. "It just runs on forever."

"Doesn't it stop anywhere?" cried Alice in amazement.

"It stops everywhere," said the Hatter. "What I mean is it hasn't any ends at all. It's just one big circular car that runs all around the city and joins itself where it began in the beginning. We call it the M. O. Express, M. O. standing for Municipal Ownership——"

"And Money Owed," laughed a Weasel that sat on the other side of the car.

"PUT THAT FELLOW OFF" "PUT THAT FELLOW OFF"

"Put that fellow off," said the March Hare indignantly. "Conductor—out with him."

The Conductor immediately threw the Weasel out of the window, as ordered, and the Hatter resumed.

"We call it the express because it is so fast," he continued.

"You'd hardly think it was going at all," observed Alice, as she noticed the entire lack of motion in the car.

"It isn't," said the Hatter. "It's built on a solid foundation and doesn't move an inch, and yet at the same time it runs all around the city. It was my idea," he added proudly.

"But you said it was fast," protested Alice.

"And so it is, my child," said the Hatter kindly. "It's as fast as though it was glued down with mucilage. There's several ways of being fast, you know. Did you ever hear of the Ballade of the Nancy P. D. Q.?"

"No," said Alice.

"It's a Sea Song in B flat," said the Hatter. "I will sing it for you."

And placing his hat before his lips to give a greater mellowness to his voice, the Hatter sang:

THE BALLADE OF THE NANCY P. D. Q.

O the good ship Nancy P. D. Q.
From up in Boston, Mass.,
Went sailing o'er the bounding blue
Cargoed with apple sass.

She sailed around Ogunkit Bay
Down past the Banks of Quogue,
And on a brilliant summer's day,
Just off the coast of Mandelay,
She landed in a fog.

So brace the topsails close, my lads,
And stow your grog, my crew,
For the waves are steep and the fog is deep
Round the Nancy P. D. Q.

As in the fog she groped around—
The night was black as soot—
She ran against Long Island Sound,
Out where the codfish toot.
And when the moon rose o'er the scene
So smiling, sweet and bland,
She poked her nose so sharp and keen—
'Twas freshly painted olive green—
Deep in a bar of sand.

So splice the garboard strakes, my lads,
And reef the starboard screw—
For it sticks like tar, that sandy bar,
To the Nancy P. D. Q.

O the Skipper swore with a "Yeave-ho-ho!"
And the crew replied "Hi-hi!"
And then, with a cheerful "Heave-ho-yo,"
They pumped the bowsprit dry.
"Three cheers!" the Mate cried with a sneeze
"Hurrah for this old boat!
She sails two knots before the breeze,
But on the bar, by Jingo, she's
The fastest thing afloat!"

So up with the gallant flag, my lads,
With a hip-hip-hip-hooroo,
For the liner fast is now outclassed
By the Nancy P. D. Q.

Alice scratched her chin in perplexity, but the Hatter never stopped.

"I got an idea from that ballad," he rattled on. "If you want trains fast you've got to build 'em fast."

"Yes, but if they don't go—how does anybody get anywhere?" asked Alice.

"They can get off and walk," said the Hatter. "And it's a great deal less dangerous getting off a train that doesn't move than off one that does."

"I can see that," said. Alice. "That weasel, for instance, would have been badly hurt if he had been thrown through the window of a moving car."

"That's it exactly," said the Hatter. "As Alderman March Hare puts it, we M. O. people are after the comfort and safety of the people first, last and all the time. Everything else is a tertiary consideration merely."

"What's tertiary?" asked Alice.

"Third," said the Hatter. "To come in third. It's a combination of turtle and dromedary."

"REQUESTED THE HATTER TO CRACK A FILBERT FOR HIM" "REQUESTED THE HATTER TO CRACK A FILBERT FOR HIM"

Just at this moment a man walking through the car stopped and requested the Hatter to crack a filbert for him, which the Hatter cheerfully did. The passer-by thanked him and paid him a cent, which the Hatter immediately rang up on a small cash register on his vest, as required by the laws of Blunderland.

"That's the way the Municipal Ownership of Teeth works," said the Hatter as the man passed on, and then he resumed. "This street railway business, however, was a much harder proposition than the Municipal Ownership of Teeth. When we took the railways over of course we had to run 'em on the old system until we'd learned the business. The first thing we did was to get educated men for Motormen and Conductors—polite fellows, you know, who'd stop a car when you asked 'em to, and when they started wouldn't do it with such a jerk that in nine cases out of ten it was only the back door that kept the car from being yanked clean from under your feet, letting you land in the street behind."

"I know," said Alice. "Like a game of snap the whip."

"Exactly," said the Hatter. "Under the old method of starting a car you never knew, when you were going home nights, whether you'd land in the bosom of your family or in a basket of eggs somebody was bringing home from market. So we advertised for polite motormen and conductors, and we got a great lot of them, mostly retired druggists, floor-walkers, poets and fellows like that, with a few ex-politicians thrown in to give tone to the service, and we put them on, but they didn't know anything about motoring, unfortunately. Somehow or other good manners and expert motoring didn't seem to go together, and in consequence we had a fearful lot of collisions at first. I don't think there was a whole back platform in the outfit at the end of the week, no matter which way the car was going."

"Must have been awful," said Alice.

"BANGED INTO THE CAR AHEAD" "BANGED INTO THE CAR AHEAD"

"It was," said the Hatter, "and the public began to complain. One man who got his nose pinched between two cars sued us for damages and we had to return his fare. Finally one day one of the old bobtail cars got running away, and the first we knew it banged into the car ahead and went right through it, coming out in front still going like mad after the next car, and we knew something had to be done."

"Mercy!" cried Alice. "I should think the passengers in the first car would have sued you for that."

"They would have," said the Hatter, "if they could have scraped enough of themselves together again to appear in court."

"It was a hard problem," said the March Hare.

"The hardest ever," asserted the Hatter. "But the White Knight there gave me a clue to the solution—he's our Copperation Council—and I put it up to him for an opinion, and after thinking it over for two months he reported. The only way to prevent collisions, said he, is to cut the ends off the cars. That was it, wasn't it, Judge?" he added, turning to the White Knight.

"Yes," said the Knight, "only I put it in poetry. My precise words were

"The only way that I can find
To stop this car colliding stunt
Is cutting off the end behind
And likewise that in front."

"Splendid!" cried Alice, clapping her hands in glee. "That's fine."

"Thank you," said the White Knight. "You see, Miss Alice, I made a personal study of collisions. The Mayor here ordered a fresh one every day for me to investigate, and I noticed that whenever two cars bunked into each other it was always at the ends and never in the middle. The conclusion was inevitable. The ends being the venerable spot, abolish them.

"A very careful and conscientious public servant," whispered the March Hare aside to Alice. "When we have Municipal Ownership of the Federal Government we're going to put him on the Supreme Court Bench. He means vulnerable when he says venerable, but you mustn't mind that. When we have Municipal Ownership of the English Language we'll make the words mean what we want 'em to."

"THE CHIEF ENGINEER" "THE CHIEF ENGINEER"

"Then of course the question arose as to how we could do this," said the Hatter. "I got the Chief Engineer of our Department of Public Works to make some experiments, and would you believe it, when we cut the ends on the cars, there were still other ends left? No matter how far we clipped 'em, it was the same. It's a curious scientific fact that you can't cut off the end of anything and leave it endless. We tried it with a lot of things—cars, lengths of hose, coils of wire, rope—everything we could think of—always with the same result. Ends were endless, but nothing else was. As a matter of fact they multiplied on us. One car that had two ends when we began was cut in the middle, and then was found to have four ends instead of two."

"That's so, isn't it!" cried Alice.

"IT CAME TO ME LIKE A FLASH" "IT CAME TO ME LIKE A FLASH"

"It unquestionably is," said the Hatter, "and we were at our wits' ends until one night it came to me like a flash. I had gone to bed on a Park Bench, according to my custom of using nothing that is not owned by the city, for I am very serious about this thing, when just as I was dozing on the whole scheme unfolded itself. Build a circular car, of course. One big enough to go all around the city. That would solve so many problems. With only one car, there'd be no car ahead, which always irritates people who miss it and then have to take it later. With only one car, there could be no collisions. With only one car we could get along with only one motorman and one conductor at a time, thus giving the others time to go to dancing school and learn good manners. With only one car, and that a permanent fixture, nobody could miss it. If it didn't move we could economise on motive power, and even bounce the motorman without injury to the service, if he should happen to be impudent to the Board of Aldermen; nobody would be run over by it; nobody would be injured getting on and off; it wouldn't make any difference if the motorman didn't see the passenger who wanted to get aboard. Being circular there'd always be room enough to go around, and there'd be no front or back platform for the people to stand on or get thrown off of going round the curves. The expenses of keeping up the roadbed would be nothing, because, being motionless, the car wouldn't jolt even if it ran over a thank-you-marm a mile high, and best of all, a circular car has no ends to collide with other ends, which makes it absolutely safe. I never heard of a car colliding with itself, did you?"

"No, I never did," replied Alice.

"Nor I neither," said the March Hare. "I don't think it ever happened, and therefore I reason that it ain't going to happen."

"And how do the people like it?" asked Alice.

"O, they're getting to like it," replied the Hatter. "At first they didn't want to ride on the thing at all. They said what you did, that they didn't seem to be getting anywhere, and they hated to walk home, but after awhile we proved to them that walking was a very healthful exercise, and on rainy nights they found the covered car a good deal of a convenience, especially when under the old system of private ownership of umbrellas they had left their bumbershoots at home. Once or twice they lost their tempers and sassed the conductor, but he put them in jail for lazy majesty—a German disease that we have imported for the purpose. As an officer of the Government the conductor has a right to arrest anybody who sasses him as guilty of sedition, and a night or two in jail takes the fun out of that."

"Have you had any elections since you established it?" asked Alice, whose father had once run for Mayor, and who therefore knew something about politics.

"No," said the Hatter with an easy laugh. "But we will have one in the spring. We shall be reëlected all right."

"How do you know?" asked Alice. "If the people don't like Municipal Ownership——"

"O, but they do," said the March Hare. "You see, Miss Alice, we have employed a safe majority of the voters in the various Departments of our M. O. system, their terms expiring coincidentally with our own—so if they vote against us they vote against themselves. It really makes Municipal Ownership self-perpetrating."

"He means perpetuating," whispered the March Hare.

"Ah," said Alice. "I see."

Just then a heavy gong like a huge fire alarm sounded and all the passengers sprang to their feet and made for the doors.

"What's that?" cried Alice, timidly, as she rose up hurriedly with all the rest.

"Don't be alarmed. It's only the signal that our time is up," said the Hatter. "We must get out now and make room for others who may wish to use the cars. Nobody can monopolise anything under our system. I will now take you to see our Gas and Hot Air Plant. It is one of the seven wonders of the world."

And the little party descended into the street.

CHAPTER III

THE AROMATIC GAS PLANT

After the little party had descended from the marvellous trolley, concerning which the March Hare observed, most properly, that under private ownership nothing so safe and sane would ever have been thought of, they walked along a beautiful highway, bordered with rosebushes, oleanders and geraniums, until they came to a lovely little park at the entrance to which was a huge sign announcing that within was

THE BLUNDERLAND GAS PLANT.

To tell the truth Alice had not cared particularly to visit the Gas Works, because she had once been driven through what was known at home as the Gas-House district on her way to the ferry, and her recollections of it were not altogether pleasant. As she recalled it it was in a rather squalid neighbourhood, and the odours emanating from it were not pleasing to what she called her "oil-factories." But here in Blunderland all was different. Instead of the huge ugly retorts rising up out of the ground, surrounded by a quality of air that one could not breathe with comfort, was as beautiful a garden as anyone could wish to wander through, and at its centre there stood a retort, but not one that looked like a great iron skull cap painted red. On the contrary the Municipally Owned retort had architecturally all the classic beauty of a Carnegie Library.

"We call it the Retort Courteous," said the Hatter pridefully as he gazed at the structure, and smiled happily as he noted Alice's very evident admiration for it. "You see, in urban affairs, as a mere matter of fitness, we believe in cultivating urbanity, my child, and in consequence everything we do is conceived in a spirit of courtesy. The gas-houses under private ownership have not been what you would call polite. They were almost invariably heavy, rude, staring structures that reared themselves offensively in the public eye, and our first effort was to subliminate——"

"Ee-liminate," whispered the March Hare.

"I beg your pardon, Mr. Hare," retorted the Hatter. "I did not mean ee-liminate, which means to suppress, but subliminate, which means to sublimify or make sublime. I guess I know my own language."

"Excuse me," said the March Hare meekly. "I haven't studied the M. O. Dictionary beyond the letter Q, Mr. Mayor, and I was not aware that the Common Council had as yet passed favourably upon subliminate, either," he added with some feeling.

"That is because it was not until yesterday that the Copperation Council decided that subliminate was a constitutional word," said the Hatter sharply. "In view of his report to me, which I wrote myself and therefore know the provisions of, he states that subliminate is a perfectly just and proper word involving no infringement upon the rights of others, and in no wise impairing the value of innocent vested interests, and is therefore legal. Therefore, I shall use it whether the Common Council approves it or not. If they resolve that it is not a good word, I shall veto the resolution. If you don't like it I'll send you your resignation."

"That being the case," said the March Hare, "I withdraw my objections."

"Which," observed the Hatter triumphantly, turning to Alice, "shows you, my dear young lady, the very great value of the Municipal Ownership idea as applied to the Board of Aldermen. As the White Knight put it in one of his poetical reports printed in Volume 347, of the Copperation Council's Opinions for October, 1906, page 926,

"A City may not own its Gas,
Its Barber Shops, or Cars
It may not raise Asparagrass,
Or run Official Bars;
It may not own a big Hotel
Or keep a Public Hen,
But it will always find it well
To own its Aldermen.

"When Aldermen were owned by private interests the public interests suffered, but in this town where the City Fathers belong to the City they have to do what the City tells them to, or get out."

"It sounds good," was all that Alice could think of to say.

"What I was trying to tell you when the Alderman interpolated—" the Hatter went on.

"There he goes again!" growled the March Hare.

"Was that the first thing we did when we took over the Gas Plant was to sublimify the externals of the works along lines of Architectural and Olfactoreal beauty both to the eye and to the nose, two organs of the human structure that private interests seldom pay much attention to. I asked myself two questions. First, is it necessary for a gas works to be ugly? Second, is it necessary for gas works to be so odourwhifferous that the smell of the Automobile is a dream of fragrant beauty alongside of it? To both these questions the answer was plain. Of course it ain't. Beauty can be applied to the lines of a gas-tank just as readily as to the lines of a hippopotamus, and as for the odours, they are due to the fact that gas as it is now made does not smell pleasantly, but there is no reason why it should not be so manufactured that people would be willing to use it on their handkerchiefs. I learned that Professor Burbank of California had developed a cactus plant that could be used for a sofa cushion—why, I asked myself, could he not develop a gas-plant that will put forth flowers the perfume of which should make that of the violet, and the rose, sink into inoculated desoupitude?"

"It hardly seems possible, does it?" said Alice.

"To a private mind it presents insuperable difficulties," said the Hatter, "but to a public mind like my own nothing is impossible. If a man can do a seemingly impossible thing with one plant there is no reason why he shouldn't do a seemingly impossible thing with another plant, so I immediately wrote to Professor Burbank offering him a hundred thousand dollars in Blunderland Deferred Debenture Gas Improvement Bonds a year to come here and see what he could do to transmogrify our gas-plant."

"Oh, I am so glad," cried Alice delightedly. "I should so love to meet Mr. Burbank and thank him for inventing the coreless apple——"

"You don't means the Corliss Engine, do you?" asked the White Knight.

"Well, I'm sorry," said the Hatter, "but Mr. Burbank wouldn't come unless we'd pay him real money, which, although we don't publish the fact broadcast, is not in strict accord with the highest principles of Municipal Ownership. We contend that when people work for the common weal they ought to be satisfied to receive their pay in the common wealth, and under the M. O. system the most common kind of wealth is represented by Bonds. Consequently we wrote again to Mr. Burbank, and expressed our regret that a man of his genius should care more for his own selfish interests than for the public weal, and as a sort of sarcasm on his meanness I enclosed five of our 2963 Guaranteed Extension four per cents to pay for the two-cent stamp he had put upon his letter."

"What are the 2963 Guaranteed Extension four per cents?" asked Alice.

"STUDYING THE ECONOMIC THEORIES OF DR. WACK." "STUDYING THE ECONOMIC THEORIES OF DR. WACK."

"They are sinking fund bonds payable in 2963, only we guarantee to extend the date of payment to 3963 in case the sinking fund has sunk so low we don't feel like paying them in 2963," explained the Hatter. "It's an ingenious financial idea that I got from studying the economic theories of Dr. Wack, Professor of Repudiation and Other Political Economies at the Wack Business College at Squantumville, Florida. It is the only economic theory I know of that absolutely prevents debt from becoming a burden. But that aside, when Mr. Burbank showed that he preferred fooling with such futile things as pineapples and hollyhocks, to the really uplifting work of providing the people with gas that was redolent of the spices of Araby, I resolved to do the thing myself."

"He is a man of real inventive genius," said the March Hare, anxious, apparently, to square himself with the Hatter again.

"Thank you, Alderman," said the Hatter. "It is a real pleasure to find myself strictly in accord with your views once more. But to resume, Miss Alice—as I say I resolved to tackle the problem myself."

"Fine," said Alice. "So you went in and studied how to make gas the old way and then——"

"Not at all," interrupted the Hatter. "Not at all. That would have been fatal. I found that everybody who knew how to make gas the old way said the thing was impossible. Hence, I reasoned, the man who will find it possible must be somebody who never knew anything about the old way of making gas, and nobody in the whole world knew less about it than I. Manifestly then I became the chosen instrument to work the reform, so I plunged in and you really can't imagine how easy it all turned out. I had no old prejudices in gas-making to overcome, no set, finicky ideas to serve as obstacles to progress, and inside of a week I had it. I filled the gas tanks half full of cologne, and then pumped hot air through them until they were chock full. I figured it out that cologne was nothing more than alcohol flavoured with axiomatic oils——"

"Aromatic," interrupted the March Hare, forgetting himself for the moment.

"THE WHITE KNIGHT INTERFERED" "THE WHITE KNIGHT INTERFERED"

The Hatter frowned heavily upon the Alderman, and there is no telling what would have happened had not the White Knight interfered to protect the offender.

"It's still an open question, Mr. Mayor," he observed, "if axiomatic applied to a scent is constitutional. If an odour should become axiomatic we could never get rid of it you see, and I think the Alderman has distinguished authority for his correction, which——"

"O very well," said the Hatter. "Let it go. I prefer axiomatic, but the private predilections of an official should not be permitted to influence his official actions. I intend always to operate within the limits of the law, so if the law says aromatic, aromatic be it. I figured that cologne was nothing more than alcohol flavoured with aromatic oils, and that inasmuch as both alcohol and oil burn readily, there was no reason why hot air passed through them should not burn also, and carry oil some of the aroma as well."

"It certainly was a very pretty idea," said Alice.

"All the M. O. ideas are pretty," said the March Hare. "It is only the question of reducing beauty to the basis of practical utility that confronts us."

"And how did it work?" asked Alice, very much interested.

"IN THE MATTER OF PERFUME IT WAS FINE" "IN THE MATTER OF PERFUME IT WAS FINE"

"Beautifully," said the Hatter. "Only it wouldn't burn—just why I haven't been able to find out. But in the matter of perfume it was fine. People who turned on their jets the first night soon found their houses smelling like bowers of roses, and a great many of them liked it so much that they turned on every jet in the house, and left them turned on all day, so that in the mere matter of consumption twice as much of my aromatic illuminating air was used in a week as the companies had charged for under the old system, and we used the same metres, too. In addition to this, as a mere life-saving device, my invention proved to have a wonderful value. In the first place nobody could blow it out and be found gas-fixturated the next morning——"

"NOBODY COULD BE GAS-FIXTURATED" "NOBODY COULD BE GAS-FIXTURATED"

"Good word that—so much more expressive than the old privately owned dictionary word asphyxiated," said the March Hare.

The Hatter nodded his appreciation of the March Hare's compliment, and admitted him once more to his good graces.

"And nobody could commit suicide with it the way they used to do with the old kind of gas, because, you see, it was, after all, only hot air, which is good for the lungs whichever way it's going, in or out. We use hot air all the time in our Administration and it is wonderful what results you can get from it," he went on. "But it wouldn't light. In fact when anybody tried to light it, such was the pressure, it blew out the match, which I regard, as an additional point in its favour. If we have gas that blows out matches the minute the match is applied to it, does not that reduce the chance of fire from the careless habit some people have of throwing lighted matches into the waste-basket?"

"It most certainly does," said the White Knight gravely, and in such tones of finality that Alice did not venture to dispute his assertion.

"We're all agreed upon that point," said the Hatter. "But there were complaints of course. Some people, mostly capitalists who were rich enough to have libraries of their own, complained that they couldn't read nights because the gas wouldn't light. I replied that if they wanted to read they could go to the Public Library, where there were oil lamps, and electric lights. Besides reading at night is bad for the eyes. Others objected that they couldn't see to go to bed. The answer to that was simple enough. People don't need to see to go to bed. They may need to see when they are dressing in the morning, but when they go to bed all they have to do is to take their clothes off and go, and I added that people who didn't know enough to do that had better have nurses. Finally some of the chief kickers got up a mass-meeting and protested that the new gas wasn't gas at all, and in view of that fact refused to pay their gas tax."

"Oho!" said Alice. "That was pretty serious I should think."

"It seemed so at first," said the Hatter, "but just then the beauty of the Municipal Ownership scheme stepped in. I called a special meeting of the Common Council and they settled the question once for all."

"Good!" cried Alice "How did they do it?"

"They passed a resolution," said the Hatter, "unanimously declaring the aromatic hot-air to be gas of the most excellent quality, and made it a misdemeanor for anybody to say that it wasn't. I signed the ordinance and from that minute on our gas was gas by law."

"Still," said Alice, "those people had already said it wasn't. Did they back down?"

"Most of 'em did," laughed the Hatter. "And the rest were fined $500 apiece and sent to jail for six months. You see we made the law sufficiently retroactive to grab the whole bunch. Since then there have been no complaints."

Whereupon the Hatter invited Alice to stroll through the gas-plant with him, which the little girl did, and declared it later to have been sweeter than a walk through a rose-garden, which causes me to believe that the Mayor's scheme was a pretty wonderful one after all, and quite worthy of a Hatter thrust by the vagaries of politics into the difficult business of gas making.

CHAPTER IV

THE CITY-OWNED POLICE

"WROTE ON THE SIDE OF A CONVENIENT GAS TANK" "WROTE ON THE SIDE OF A CONVENIENT GAS TANK"

After Alice and her companions had enjoyed the aromatic delights of the Blunderland Gas Plant the Hatter and his Cabinet went into executive session for a few hours to decide where they should go next. The interests of Blunderland were so varied that this was a somewhat difficult matter to settle, especially as Mr. Alderman March Hare, who was a great stickler for the rights of the honourable body to which he belonged, wished to have the question referred to a special meeting of the Common Council. The White Knight as Corporation Counsel, however, advised the Hatter that there was no warrant in law compelling him to accede to the March Hare's demand.

"The Municipal Ownership of Rubbernecks act has not yet been passed," he observed. "Consequently visitors to our City can be shown about in any way in which the party in charge chooses to choose."

"All right if you say so," said March Hare coldly. "Only I'd like to have that opinion in writing. Public officials nowadays are too prune to deny——"

"Prone, I guess you mean," laughed the Hatter gleefully.

"I prefer prune," said the March Hare, with dignity. "Public officials are too prune nowadays to deny what they say in private conversation to encourage me to take any chances."

"Certainly," returned the White Knight. "I'll write it out for you with pleasure." Whereupon, taking a piece of chalk from his pocket, he wrote with it on the side of a convenient gas tank the following opinion:

IN RE WHAT TO DO NEXT

Opinion 7,543,467,223. Liber 29. Gas Tank No. 6

You can go to the People's Shoe Shop,
Or down to the new Town Pump.
You can visit the Civic Glue Shop,
Or call on the Public Chump.

You can visit the Social Rooster,
Or sample Municipal Cheese—
In short you can do what you choose ter,
And go where you dee dash please.

(Signed) John Doe White Knight,
Copperation Counsel.

Meanwhile Alice had been turned over to the Chief of Police to be cared for, and was charmed to discover that that individual was none other than her old friend the Dormouse whom she had met in her trip through Wonderland at the Hatter's tea-party.

"How did you ever come to be Chief of Police?" she cried delightedly, as she recognised him.

"I'M THE SOUNDEST SLEEPER IN TOWN" "I'M THE SOUNDEST SLEEPER IN TOWN"

"I'm the soundest sleeper in town," he replied with a yawn, "so they made me head of the force. You see, young lady, the great trouble with the average policeman is that he's too wide-awake, and that leads to graft. When the Hatter's Municipal Police Commission looked into the question they found that the Cop who spent most of his time asleep spent less of his time clubbing people who wouldn't whack up with him on the profits of their business. Every ossifer who has been convicted of petty larceny in the past, the records show, has been a fellow who stayed awake most of the time, and no ossifer has ever yet been known to go in for graft or get a record for clubbing innocent highwaymen over the head while he was asleep either on a Park Bench, or in an alleyway. Consequently, says they, Mr. Dormouse who wakes up only on every fifth Thursday in February will make the best Police ossifer in the bunch, and being the best had ought to be chose chief. Hence accordingly, it became thus. Moreover I am a champion Tea Drinker."

"What's that got to do with it?" demanded Alice.

"Everything," said the Dormouse, rubbing his eyes sleepily. "Every blessed thing. Tea Drinking is one of our hardest duties under the new system providing for the Municipal Ownership of Everything in Sight Including the Cop on the Corner. You see when the City grabbed up the Bakeries, and the Trolleys, and the Grand Opera House, and the Condensed Milk Factory, and the Saw Mills, and the Breakfast Food Jungles, all envy, hatred and malice disappeared. Everybody loved his neighbour better than he did himself or his wife's family, and consequently hence there was therefore no crime, which left the Policeman out of a job. The only Burglars left in town were the regularly appointed official safecrackers representing the Municipal Ownership of Petty and Grand Larceny. The only gambling houses left were under the direct supervision of the Mayor acting ex-officio and the Chairman of the Aldermanic Committee on Faro and Roulette. The Game of Bunco became a duly authorised official diversion under control of the Tax Assessors, and the Town Toper, being elected by popular vote, could get as leery as he pleased by public consent. Life Insurance Agents became likewise Public Servants under the General Ordinance of 1905 starting the Civic Tontine Parlours where people were compelled to buy Life Insurance from the City itself at so much a yard."

"A yard?" cried Alice.

"Yep," yawned the Dormouse. "Policies were issued anywhere from three inches to a yard long, each inch representing a year. If you bought a mile of Life Insurance you were insured for as many years as there are inches in a mile. I never could stay awake long enough to figure out how much that is, but it's several years."

"But what did the Agents have to do?" asked Alice. "If people had to take it——"

"They went out and grabbed delinquents," said the Dormouse.

"I shouldn't think people would need life insurance for the benefit of their families if everybody has everything he wants in Blunderland," put in Alice.

"TEA IS SERVED ON EVERY CORNER" "TEA IS SERVED ON EVERY CORNER"

"They don't," said the Dormouse, rapping his head with his club to keep from dropping off to sleep. "It ain't for the benefit of their families—it's for the benefit of the City. A City like this can use benefits to great advantages most all the time. But you see the results of Municipalising all sorts of crime from straight burglary up to life insurance resulted in the Police having nothing to do. There wasn't anybody to arrest, or to quell, or to club, and so they turned us into a social organisation and that's where Tea Drinking comes in strong. Every afternoon at five o clock, tea is served on every corner in Blunderland by the Policeman on beat. They have become quite a public function, but they're a trifle hard on the police who don't care for tea, because we have to be very polite and take it with everybody who comes up, and be nice and chatty into the bargain. In addition to this we are required to go to dances and take care of the wall-flowers and make ourselves generally agreeable. It is one of the laws of Blunderland that all girls are born free and equal in the pursuit of life, liberty and german favours, and when any of the Terpsichorean Force finds a girl with red hair and snub nose with freckles on it decorating the wall and being neglected at a cotillion, it is his duty to plunge in and either dance with her himself, or put some Willieboy under arrest until he calls her out and gives her the time of her life. You can't imagine what wonderful results this Municipal Control of that social situation has done in the line of popularising plain girls."

"It sounds very interesting," Alice ventured. "I should think the girls would like it."

"They do," said the Dormouse. "The only objection to it comes from the Willieboys, but nobody cares much what they think because there aren't many of them that can think."

"And is that all you do?" asked Alice.

"Oh, no indeed," said the Dormouse. "We keep reserves for Bridge Parties at the Station all the time, so that if any taxpayer ever needs a fourth hand to make up a game all he has to do is to ring up headquarters and get an ossifer to come up and play. In addition to this we look after old ladies who want to go shopping and aren't strong enough to break through the rush line at the bargain counters. And then once in a while somebody's baby will wake up at three o'clock in the morning and demand the moon, and we go up and attend to it."

"What?" cried Alice in amazement. "You don't mean to say you give it the moon?"

"Not exactly," said the Dormouse. "We just promise to give it. That's one of the strong points about Municipal Ownership. It's the easiest system to make promises under you ever knew. You can promise anything, and later on if you don't make good you can promise something better, and so on. It works very well in a great many places."

"WE RESPOND IMMEDIATELY TO THE CALL" "WE RESPOND IMMEDIATELY TO THE CALL"

"But that isn't really what we go up to the house for. We go up to relieve the poor tired parents who have been working hard all day and are too weary to walk up and down the floor with the baby. We respond immediately to the call, grab up the baby and walk the floor with him until he is quiet again. Once last winter a chap with three pairs of twins six months, a year and a half, and three years old respectively, had to send for the patrol wagon. All six of 'em waked up and began to squall at once and we sent seven ossifers and a sergeant up to look after them. They had to parade around that house from 2 a. m. until seven-thirty before those babies quit yelling."

Just at this moment the Dormouse was interrupted in his story by a raggedly dressed old man on a pair of crutches who begged an alms of him.

"Only a dollar, sir," he asked piteously. "Only a dollar to relieve a terrible case of distress."

"Certainly, Simpkins," said the Dormouse kindly. "I—well I'll be jiggered—" he added, feeling through his pockets. "I must have left my money at home. Maybe this young lady can help you out. Miss Alice, permit me to introduce you to Simpkins. He's the most successful beggar in nineteen counties."

"Glad to meet you," said Alice, shaking hands with Simpkins.

"You couldn't spare a dollar, could you, Miss?" whined the Beggar. "It will relieve a terrible case of distress Ma'am.

"Why—yes," said Alice, suddenly remembering that she had a silver dollar in her pocket. "Here it is."

And she handed it to Simpkins who thanked her profusely.

"How's business?" asked the Dormouse.

"Fine," said Simpkins, executing a jig. "I've collected $800 since eleven o'clock this morning."

"MADE OFF WITH THE AGILITY OF AN ANTELOPE" "MADE OFF WITH THE AGILITY OF AN ANTELOPE"

Whereupon, forgetting his crutches, he made off up the street with the agility of an antelope. Alice gazed after him in wonder.

"I—I didn't suppose you had any beggars in Blunderland," said she.

"He's the only one," replied the Dormouse. "He's the official Beggar of the Town. He gets $25,000 in Tenth Deferred Reorganisation Certificates a year—which, if the Certificates pay ten cents on the dollar, as we hope, will turn out to be a good salary in the end."

"But why does he beg? Who gets the money?" asked Alice.

"The City," said the Dormouse. "Once in a while when the Printing Plant gets clogged up with large orders of Bonds for our various enterprises, the City has to get hold of a few dollars of real money, so they send Simpkins out for it. I believe he's out to-day trying to raise the interest on the Sixteenth Mortgage Extension Bonds on the Municipal Cigarette Plant purchased year before last. It's ten months overdue and the former owners have asked the Government to smoke up."

"Oh!" said Alice. "Is the Printing Plant clogged up?"

"Unmercifully," said the Dormouse. "Not to say teetotally. They're preparing their Christmas issues in Magazine form, and that means a terrible lot of extra work. I don't believe the way things look now that the City will be able to print the money for last January's payroll until somewhere around the next Fourth of July, and if that's the case poor old Simpkins will either have to work overtime or get a half-dozen Deputy Assistant Beggars to put the town in funds. I'm expecting to have the Police put on that job at any minute."

Alice was silent for a moment, and the Dormouse went on.

"What do you think of the Municipal Ownership of the Police idea?" he asked.

"It's fine," said Alice. "But I thought all Cities owned their police force."

"A great many people think that," laughed the Dormouse. "But it isn't so."

"It is in New York and Chicago—I heard my Papa say so once," said Alice.

Again the Dormouse laughed.

"Well," he said. "I don't want to cast any asparagus on your father's intelligence, but he's wrong. The Police may own New York and Chicago, but New York and Chicago don't own the police—not by a long shot."

"Who does, then?" demanded Alice.

"The Lord only knows," laughed the Dormouse. "Some people say John Doe, and other people say the Man Higher Up, but which it is, or who either of 'em may be, I haven't the slightest idea. Maybe they belong to the Copper Trust."

And then with a sly wink at the little maid the Dormouse turned over and went to sleep.

CHAPTER V

THE MUNICIPAPHONE

Armed with the Copperation Counsel's opinion authorising him to do whatever he pleased next, the Hatter decided that he would give Alice a demonstration of the workings of the Municipaphone.

"YOU CAN TALK ALL YOU PLEASE" "YOU CAN TALK ALL YOU PLEASE"

"Which," said he proudly, "I consider to be the most Democraticising thing I have ever invented. You can talk all you please about Universal Brotherhood, Unlimited Sisterhood, and the Infinity of Unclehood, but all of these movements put together haven't done as much to promote the equality of everybody as that Municipaphone idea of mine."

Alice thought the Cheshire Cat's grin expanded slightly as the Hatter spoke, but she was not sure, although he most assuredly did wink at her.

"I should admire to see it," she said. "What is it, just?"

"It is the result of the Municipal Ownership of the Telephone," returned the Hatter proudly. "We have taken over everything that works by electricity—electric lighting, the telegraph, the telephone——"

"Even the thunder and lightning," interrupted the White Knight. "And under our management everything runs so smoothly that even the lightning doesn't strike any more. That's a great thing in Municipal Ownership. There aren't any more strikes under it."

"What he says is true, my child," said the Hatter, "and in time we expect to get the thunder itself under control so that it will serve some useful purpose—I don't know yet exactly what, but I am having experiments made in storage batteries which will catch and hold the thunder with the idea of saving the noise it makes for fire-crackers, or Presidential salutes, or other things and occasions where the fracturing of silence seems desirable. Surely if we can take electricity and under suitable Municipal supervision make it serve as a substitute for a tallow dip, why shouldn't we extract the reverberance with which it is fraught to add to the general clangour of joyous occasions?"

"No reason at all," said Alice. "I wonder no one has ever thought of that before. Just think of all the magnificent noises that go to waste in a thunderstorm."

"You will discover in time, my dear child, that only under the Municipal Ownership of Brains such as we have here, can such great ideas be seized from the infinity of nothingness and turned into an irresistible propaganda," said the Hatter loftily.

"He's the biggest gander of the bunch," whispered the March Hare.

"But it isn't what we are going to do, but what we have done that we propose to show you," continued the Hatter, eyeing the March Hare coldly. "And as I have said, the Municipaphone is my crowning achievement. Just come here and I will show you."

The Hatter led Alice to a nearby lamp-post, and pointing to a little box fastened to the middle of the pillar explained to her that that was the Municipaphone.

"We have them in every room in every house in the City, on all the lamp-posts, hydrants, telegraph poles, in fact everywhere where there is a chance or room enough to hang one," the Hatter explained.

"It's just like a telephone, isn't it?" said Alice. "Only it looks like a hat instead of a funnel."

"Exactly," said the Hatter, "but we don't call it a telephone any more. The word telephone struck me as being a misnomer. You don't tell the 'phone anything when you talk into it. You tell the person at the other end of the line, and so, I changed its name to the Municipaphone, which shows that it's a 'phone that belongs to the City. Just to sort of moralise the thing I had the mouth-piece changed to look like a hat instead of a funnel, because funnels are apt to suggest alcoholic beverages and sometimes people who aren't at all thirsty are made so by the mere power of suggestion. The hat, however, has always commended itself to our greatest statesmen as a vehicle best suited for the transmission of ideas, and I therefore adopted it.

"It is very pretty," commented Alice. "Only I think a few ribbons would improve it a little."

"Possibly," said the Hatter. "We haven't had time yet to look after the millinery aspect of the situation, but we'll take that up at our next Cabinet meeting. I thank you for the suggestion. But you see how the thing works. This little book here has a list of the names of everybody in town with their Municipaphone numbers attached. The lowly as well as the highly, from the newsboy up to the Bridge Whist set, are all represented here, so that all are connected in one way or another with each other. There is no man, woman, or child so poor and humble of birth, that he or she cannot get into immediate relations with the haughty and proud. Everybody is on speaking terms with everybody else, and we have thereby reached socially a condition wherein all men though not related are nevertheless connected. You frequently hear a wash-lady remark that while she has not met Mrs. Van Varick Van Astorbilt or Mrs. Willieboy de Crudoil personally, they are nevertheless connections of hers if not by blood or marriage at least by wire, which is stronger than either. Some day instead of having Societies of the Cincinnati, and Sons and Daughters of the Revolution I hope to see associations of Brothers and Sisters of the Municipaphone which shall become a factor of overwhelming solidarity in all social and political affairs.

"It's a splendid scheme," said Alice.

"It is a tie of material strength which binds together our first and last families, increasing the pride of the latter, and diminishing that of the former until we have at last reached an average of self-satisfaction which knows no barriers of class distinction," said the Hatter. "But it wouldn't have worked if we hadn't formulated strict rules by which every household in town is governed. One of our rules is that the person called upon must answer immediately and truthfully any question which the person at the other end asks, and of course in perfectly polite language. For instance, suppose you try it yourself. Just ring up Number 83115, Bloomingdale, and ask for Mrs. S. Van Livingston Smythe. She's the biggest swell in town. Ask her anything that comes into your head, and you'll see how it works. Tell her you are Mrs. O'Flaherty, the Head Wash-Lady of the Municipal Laundry."

Alice took her place at the Municipaphone and called 83115 Bloomingdale, as instructed.

"Hello!" she said.

"Hush! Don't say that—say Ah there!" interrupted the Hatter. "Hello comes under the head of profanity, which is against the law."

"Excuse me," said Alice. "Ah there!" she added. "Give me 83115 Bloomingdale, please, Central."

"Name, please," said Central.

"Bridget O'Flaherty," replied Alice.

"Address?" asked Central.

"Tub 37, Municipal Laundry," said Alice.

"Occupation?" continued the other.

"Wringer," laughed Alice.

"All right, there you are," said Central, making the desired connection.

"Is this Mrs. S. Van Livingston Smythe?" asked Alice.

"Yes," said a sweet voice from the other end of the line. "What is it?"

"I am Bridget O'Flaherty," said Alice, "of the Municipal Laundry, and I wanted to ask was your grandfather ever a monkey?"

It was not a very polite question, but under the excitement of the moment Alice could think of nothing better to ask.

"I don't believe so, Mrs. O'Flaherty," came the sweet voice in answer. "I have looked over every branch of our family tree and there isn't a cocoanut on it. Why, are you looking for a missing grandfather of your own?"

"No," smiled Alice, "but I've read all the books in the public library and I thought he might have a tail to tell that I would find amusing."

"Well, I'm very sorry," said the sweet voice. "Grandfather died forty years ago, so I don't believe he can help you. I would advise you to go up to the Monkeyhouse and ask one of your own brothers. Good-bye."

"Good-bye," said Alice.

"Well?" asked the Hatter with a grin. "What do you think of it?"

"Why—it's perfectly wonderful," said Alice. "If that were to happen in New York or even in Brooklyn or Binghamton Mrs. S. Van Livingston Smythe would have been very indignant, not only over the question, but for the mere fact that the—er—wash-lady dared ring her up at all."

"Exactly," said the Hatter, with a bland smile of satisfaction. "This Municipaphone controlled by strict rules which people must obey is a great social leveller."

"But why did Central want my name and address?" asked Alice.

"Because Central has to keep a record of all that everybody says for the Inspector of Personal Communications," explained the Hatter. "Every word you and Mrs. Smythe spoke was recorded at the Central Office, and if either of you had used any expression stronger than Fudge, or O Tutt you would have been fined five dollars for each expression and repetition thereof. We expect to establish Civic Control of Public and Private Speech within the next year, and we have begun it with supervision of the Municipaphone."

"But," cried Alice, "If I had said something that required a fine, wouldn't Mrs. O'Flaherty, who is innocent, have had to pay?"

"FINED FIVE DOLLARS" "FINED FIVE DOLLARS"

"Yes," said the Hatter. "But in all cases where the public welfare is concerned, private interests must yield however great the hardship. That is one of the fundamental principles of Municipal Ownership. Mrs. O'Flaherty would have to suffer in order that the great principle involved in Polite Speech for all Classes might prevail. The strict enforcement of our anti-Gosh legislation has resulted almost in the complete elimination of profane speech in Blunderland—so much so in fact that in the new Dictionary we are compiling such words as Golramit, Dodgastit, and Goshallhemlocks are being left out altogether."

"THE DICTIONARY WE ARE COMPILING" "THE DICTIONARY WE ARE COMPILING"

"It is a great moral agency," said the White Knight. "It increases the self-respect of the submerged, curbs the pride of the rich, and holds in complete subjection those evil communications which corrupt good manners."

"And nothing but the result of Municipal Ownership," put in the March Hare enthusiastically, forgetting his grouch for a moment.

"It has other advantages, too," said the Hatter, "to which I feel I should call your attention. These phones being in every room in town with which anybody may be connected at any moment and thus overhear what other people are saying, gossip is gradually dying out, and people everywhere are more careful of what they say even in private, for nowadays the walls literally have ears. To give you an example, I will connect you at once with the home of the Duchess whom you met, if you remember, in your journey through Wonderland and you may judge for yourself of how useful this Municipaphone is to us in ascertaining the general trend of public opinion."

"ALICE TRANSFIXED AT THE PHONE" "ALICE TRANSFIXED AT THE PHONE"

The Hatter gave the order to Central and in a minute Alice stood transfixed at the phone listening intently. She recognised the voice of the Duchess immediately.

"THE BIGGEST JACKASS FROM DAN TO BEERSHEBA" "THE BIGGEST JACKASS FROM DAN TO BEERSHEBA"

"As for that old fool of a Hatter," she was saying, "he is the biggest jackass from Dan to Beersheba."

"Well?" said the Hatter. "Can you hear her?"

"Yes," giggled Alice. "Very plainly."

"What does she say?" asked the Hatter, simpering.

"Why," said Alice reddening, "she—she's talking about you."

"The dear Duchess," ejaculated the Hatter, with a foolish smirk. "I'm very much afraid—ahem—that the Duchess has her eye on me."

"She has," said Alice. "She is referring to you in the warmest tones—she thinks you're big—great—the very greatest from Dan to Beersheba."

"Ah me!" sighed the Hatter. "If I were only a younger man!"

"They'll make a match of it yet," said the White Knight in a soft whisper to Alice.

"Yes," sneered the March Hare, who had overheard, jealously, "and a fine old sulphur-headed lucifer of a match it will be too.

"Well, it's all very nice," said Alice, very anxious to change the subject. "But I can't say that I'm sure I'd like it. Why, you can't have any secrets from anybody."

"And why should you wish to, my dear child?" asked the Hatter, coming out of his dream of romance. "Why not so order your life that you have no need for secrecy?"

"Yes," said Alice. "I suppose that is better, but then, Mr. Hatter, isn't there to be any more private life?"

"Not under Municipal Ownership," said the Hatter. "Carried to its logical conclusion that with all other so-called private rights will be merged in the glorious culmination of a complete well rounded Municipal Life. It is toward that Grand Civic Eventuation that I and my associates in this noble movement are constantly striving."

"Are you going to have Municipal Control of Marriage?" asked Alice, slyly.

The Hatter blushed and smiled foolishly. "I—ah—am thinking about that," he said with a funny little laugh. "It would be a most excellent thing to do, for in my opinion a great many people nowadays get married too thoughtlessly. Just because they happen to love each other they go off and get married, but under Municipal Control it would be much more difficult for a man or a woman to take so serious a step. For instance, if I had my way the Common Council would have to be asked for permission for a man to marry. The question would come up in the form of a bill, which would immediately be referred to the Committee on Matrimony, who would discuss it very thoroughly before bringing it before the Council. If a majority of the Committee considered that the application should be granted, then the matter should be placed before the whole Council, by which it should be debated in open public sessions, the applicant having been invited to appear and under cross-examination by the District Attorney demonstrate his fitness to be married. All others knowing any reason why he should not be married should also have the opportunity to appear and state their reasons for opposing the granting of the application. I am inclined to believe that this would put a stop to these hasty marriages which have given rise to that beautiful proverb, Married in Camden, Repent at South Dakota."

"I should think it would," said Alice. "And when do you propose to start this plan along?"

"Well, you see," said the Hatter with a giggle, "before I take final steps in the matter I wish to have a few words with—er—well—you know who—I——"

"The Duchess," Alice ventured.

"Ah, you precocious child!" cried the Hatter, tapping Alice on the shoulder coyly. "You must not believe all you overhear the Duchess say about me. She is so prejudiced, and blind to my faults. I—I'm almost sorry I connected you with her over the Municipaphone."

CHAPTER VI

THE DEPARTMENT OF PUBLIC VERSE

"I think," said the Hatter, "that before we go any further we would better show Miss Alice our Municipal Poetry Factory. The whistle will blow very shortly and our Divine Afflatus Dynamo will shut down, so if she is to see that feature of our work now is the time to do it.

"Yes," said the March Hare, "although the office is in some confusion owing to your recent Municipal Order Number 20,367 making Alabazam rhyme with Mulligatawney, and extending the number of lines in the municipal quatrains from four to twenty-three. The employees are finding considerable difficulty in making twenty-three-line quatrains and at least half the force have gone home suffering from acute attacks of brainstormitis."

"LARGER MEASURE THAN WAS THE CUSTOM" "LARGER MEASURE THAN WAS THE CUSTOM"

"It'll do em good," laughed the Hatter. "A good brain storm may result in a few of them being struck. Come along, Miss Alice, and we'll show you our City Poets at work."

"I don't think I understand," said Alice. "What is a city poet?"

"He bears the same relation to Municipal Poetry that a White Wing bears to the Street Cleaning Department," explained the Hatter. "Two years ago the City took over all the Verse-making enterprises of Blunderland, appointed a Municipalaureat, otherwise a Commissioner of Public Verse, and started him along with a Department. He employs 16,743 poets who provide all the poetry that is consumed by our people. It has resulted in great good for everybody. Poetry is cheaper by eight cents a line than it used to be, and, as you may have guessed from what the March Hare has just said, we give larger measure than was the custom under the private ownership of Pegasus. Quatrains have been increased from four lines to twenty-three, and the old stingy fourteen-line sonnet has been enlarged to fifty-four lines. We have also passed an ordinance requiring that poems shall say what they mean, which is a vast improvement on the old private control method whereunder anybody was allowed to write rhymes which nobody could understand—like that thing of Miss Arethusa Spink's, for instance, called Aspiration. Remember that?"

"I don't think I ever heard it," said Alice.

"Well it went this way," said the Hatter, and striking a graceful attitude he recited the following lines called:

ASPIRATION

By Arethusa Spink

Down by the purple opalescent sea,
Flung like a ribbon limp athwart the sky,
A rose lay blooming on the restless lea,
While sundry birds came chattering sweetly by.
'Twas then my soul that all too long had slept,
Awoke from out its iridescent nap,

crept
Down where the pink-cheeked crocus blossoms
From out fair Nature's over-bounteous lap,
And cried aloud "Alas! What hath betode?
What dream is this that like the ambient brook
Forbids the mind to face the solemn goad
And know itself forsook!"

The Hatter paused.

"Well?" said Alice, slightly puzzled.

"That's all there was to it," said the Hatter. "It was printed in one of our Magazines and within forty-eight hours the ambulance from the Insane Asylum was called out 737 times by people who had gone crazy trying to find out what it meant. It capped the climax. I called a special meeting of the Common Council to take the matter up purely as a matter of public health, and before I went to bed that night they had passed and I had signed an Act giving the control of the Verse Industry to the City and taking it out of the hands of irresponsible, unlicensed independent poets.

"And a good job it was too," said the March Hare.

"And you chose one of the best poets in town for the Commissioner, I suppose?" suggested Alice.

"No we didn't," said the Hatter. "I didn't want any Moonshine in a City Department and no poet is a good business man. I picked out a very successful Haberdasher in the Sixth Ward for the delicate business of organising the Department, and he has done most excellent work. We found that just as a first class confectioner made a splendid manager of our gas plant, and a successful Hoki-Poki merchant had the required push to keep our trolley systems going, so the Haberdasher had the precise kind of genius to manage the poets. He won't stand any nonsense from them, and any poem that he can't understand is immediately thrown into the Civic Waste-Basket, taken to the Municipal Ferry and used for fuel to run the boats. I guess we burn nineteen tons of refuse verse a day, don't we, Alderman?"

"About that—on the average," said the March Hare. "Sometimes it gets as high as twenty tons and occasionally it falls off to sixteen—but using these rejected manuscripts in place of coal has reduced the loss on the Ferry about thirty-eight dollars a year in real money."

"How much is that in bonds?" asked Alice slyly.

"O—let's see," said the Hatter, his face getting very red, "well—I should say on a basis of 43-1/3% to one, thirty-eight dollars would, come to about $97,347.83 in third debenture ten per cent. certificates, exclusive of the cost of printing, advertising, and the number we give away as sample copies."

"Quite a saving," said Alice.

"Yes," said the Hatter. "We save all we can. Economy in real money is our watchword. We never spend a cent where a bond will serve the purpose."

"GREETED BY THE COMMISSIONER, THE HABERDASHER" "GREETED BY THE COMMISSIONER, THE HABERDASHER"

By this time Alice and her hosts had reached the building occupied by the Department of Public Verse, and upon entering its spacious doorway the party were greeted by the Commissioner, the Haberdasher, to whom Alice was promptly introduced. He reminded her very forcibly of her old acquaintance Bill the Lizard, but she was not sure enough on this point to recall their previous meeting when she had so tactlessly kicked him up through the chimney flue of the Wonderland Cottage.

"Well, Mr. Commissioner," said the Hatter, "how are you getting along?"

"Pretty well, Mr. Mayor," replied the Commissioner. "We've just finished the six line couplet for the new Chewing Gum Bonds."

"Good," said the Hatter. "How does it go?"

"Rather neatly I think," said the Commissioner, and he read the following:

We promise to pay
This bond some day
If of the stuff
We've got enough.
And if we haven't, pray don't despond,
For we'll pay it off with another bond.

"Fine," said the Hatter. "You strike a very lofty note in that. And how do the new Limericks work?"

"We've finished number 3907 of series XZV," said the Commissioner. "I'll send for Wiggins who wrote it and let him read it to you himself."

A pressure of an electric button brought the smiling Wiggins into the office.

"Wiggins, the Mayor would like to hear that new Limerick of yours," said the Commissioner.

"IT RUNS THIS WAY, YOUR HONOUR" "IT RUNS THIS WAY, YOUR HONOUR"

"Thanky sir," said Wiggins. "It runs this way, your honour.

"There was an old lady named Jane
Who sat on a fence at Schoharie.
A rooster came by
And crew like the deuce
But Jane never scared for a cent."

"That's great," said the Hatter. "Don't you think so, Miss Alice?"

"Why yes," said Alice, "but—does it rhyme?"

"Perfectly," replied the Hatter, "that is, under our system. When we organised this Department to facilitate business and avoid the waste of time looking for rhymes we legalised such rhymes as Schoharie and cent and by and deuce. By that act we found that where one man could only turn out 800 Limericks a day under the old system, any ablebodied-poet can write 3,000 in the same number of hours. That's very good, Wiggins," he added turning to the workman. "I shall recommend the Commissioner to promote you to an Inspectorship in the Sonnet works."

"Thanky sir," said the Poet, as he blushingly bowed himself out.

"OUR THINKING DEPARTMENT" "OUR THINKING DEPARTMENT"

"Here," said the Commissioner, opening a door leading into a long, darkened chamber, "here, young lady, is our Thinking Department."

Alice passed into the darkness and dimly made out a half a hundred long-haired individuals sitting in comfortable Morris chairs, their forefingers pressed hard against their brows and their eyes gazing fixedly out into space.

"These men and women think the thoughts which our municipal poetry is designed to express," the Commissioner continued. "A thought once seized by any one of them is written down upon a pad, and then taken into this next room where it is classified and assigned to the line cutters who turn out the first draft in the rough. Then when this is done it is sent to the rhyming room where the lines are made to end in rhymes, and finally it goes to the Polishing room where the poem is made ready for publication."

"It's a wonderful system," said the Hatter. "It not only improves the quality of our poetry, but in campaign times it is a great help, since we control absolutely all the campaign poetry. When I run for mayor next fall to succeed myself there won't be a single poem written on the other side."

"That ought to be a great help," said Alice.

"Yes," said the Hatter. "It will be. Every employee in this Department will not only vote for me but will work for me as well. Same way in the gas plant and the trolley—in fact in all the City Departments. It is only another evidence of the very great value of Municipal Ownership. It is uncertainty in political times that upsets business, but with the Municipality in control of all these Departments from Gas to Poetry there is no uncertainty about who will win, so that business is not unsettled by it."

"Wonderful," said Alice.

"By the way, Mr. Commissioner, you'd better start the Rhyming Bureau on the search for rhymes to Hatter at once," said, the Mayor. "We don't want to be caught unprepared at the last minute."

"The list is being compiled now," replied the Commissioner. "We already have, Matter, Batter, Tatter, Smatter Patter, Ratter, Spatter and Scatter."

"Fine!" chortled the Hatter.

"Don't forget Chatter," put in Alice.

"Thank you—I'll make a note of it," said the Commissioner.

"And Snatter," growled the March Hare gloomily, who evidently felt that somebody ought to be looking for rhymes to March Hare as well.

"What does snatter mean?" demanded the Hatter frowning.

"It's a corrupt form for snatcher," retorted the March Hare. "One who snatches everything he can lay his hands on, without regard to whether it's his by divine right or not. I guess they can use it in poems calling attention to your Civic Virtues."

"Except by unanimous vote of the Common Council over my veto Snatter stays out of the Municipal Vocabulary," returned the Hatter coldly. "Your own confession that it is corrupt is enough to condemn it with me."

"I wouldn't use batter either, Mr. Mayor," said the Commissioner. "Batter is dough and we haven't got any worth mentioning."

"It is also to whack, slam, bang, bust, smack," retorted the Hatter, "so your recommendation is not accepted. Seems to me I can almost hear the campaign clubs singing as they march:

"O the noble, noble Hatter,
Ain't he grand!
How his enemies do scatter
Thro the land!
How his foemen he doth batter
With their idle gloomy chatter
On this Muni—cipal Matter
Beats the band!"

"O Gee!" ejaculated the March Hare. "Do you call that poetry?"

"Sir, I call it truth," returned the Hatter, "and poetry is truth just as art is truth, and if you don't believe it all you've got to do is to try and run against me next fall on that issue. I'll beat you to a stand-still."

"Of course you will," sighed the March Hare. "But you wouldn't but for that last ordinance you jammed through while I was off on my vacation."

"What was that?" demanded the Hatter.

"Giving the Election Commission absolute control over the votes, and then appointing yourself Election Commissioner ex-officio," said the March Hare. "I don't believe that Municipal Control of the ballot is constitutional."

"Well, it will be constitutional," said the Hatter drily.

"When?" demanded the March Hare.

"When we secure Municipal Control of the Constitution," said the Hatter. "I'll make it Constitutional if I have to rewrite the whole blessed Constitution myself."

Whereupon the Hatter walked majestically forth into the street once more, and Alice and the March Hare together with the White Knight followed meekly in his train.

CHAPTER VII

OWNERSHIP OF CHILDREN

"What time is it?" asked the Hatter, suddenly turning to the White Knight.

"Six o'clock," replied the White Knight, looking at his watch.

"Mercy!" cried Alice. "I had no idea it was so late! I shall have to run along home—it's supper time."

The Hatter laughed.

"O, as for that," he said, "there's no hurry. Under our present system of Municipal Ownership of Everything, I can issue, as Mayor, a general order postponing the Municipal Supper Hour to seven or eight o clock. Still—if you'd prefer to go home——"

"I don't want to," said Alice courteously, "but I think I'd better. My mother would be worried not finding me in the nursery. You see, I left home without telling anybody where I was going."

Again the Hatter laughed.

"What foolishness!" he ejaculated. "That's the great trouble with the private ownership of children. It worries their poor mothers, keeps 'em from their daily Bridge parties, interferes with that freedom of action which is guaranteed to the individual by the contravention of the United States——"

"Constitution, I guess you mean," suggested Alice.

"It used to be the Constitution," returned the Hatter, "but now it's the Contravention. It has been contravened so often in the past few years that our Reformed Language Commission at Washington has named it accordingly."

"It simply bears out what you said in your message approving the Public Ownership of Children Act passed by the Common Council last November, which I wrote for you, and consequently consider a very able document," said the White Knight.

"The Public Ownership of Children?" cried Alice, with a look of alarm on her face.

"Yes," said the Hatter. "Just as the Nation has gone in for paternalism, we here in Blunderland have gone in for maternalism. The children here belong to the city——"

"But—" Alice began.

"Now, don't bother," said the Hatter kindly. "It works very well. It has reduced children to a state of scientific control which is as careful and as effective as that of the street cleaning department or the public parks, and it has emancipated the mothers as well as materially decreased the financial obligations of the fathers."

Alice's lip quivered slightly, and she began to feel a little bit afraid of the Hatter.

"I want to go home," she whimpered.

"Certainly—as you wish," said the Hatter. "We'll take you there at once. Come along."

Reassured by the Hatter's kindly manner Alice took her companion's outstretched hand and they walked along the highway together until they came to a handsome apartment house fronting upon a beautiful park, where the Hatter pressed an electric button at one side of the massive entrance. The response to the bell was immediate, and Alice was pleased to find that the person to answer was none other than the Duchess herself.

"Why, how-di-doo," said the Duchess affably. "Glad to see you again, Miss Alice."

"Thank you," said Alice. "It is very nice to be here. Do you live in this beautiful building?"

"Yes," said the Duchess. "You see, I've just been appointed Commissioner of Maternity. I'm what you might call the official mother of the town. Since that great Statesman, the Hatter"—here the Duchess winked graciously at the March Hare—"devised his crowning achievement in the Municipal Control of the Children and appointed me to be the Head of the Department, I have been stationed here."

"And a mighty good old mother she is!" ejaculated the Hatter with fervour.

"Palaverer!" said the Duchess coyly.

"Not at all," said the Hatter. "I speak not as a man, but as a Mayor, and what I say is to be construed as an official tribute to a faithful and deserving public servant."

"Servant, sir?" repeated the Duchess haughtily.

"In the American sense," said the Hatter with a low bow. "In the sense that the servant is as good as, if not better than the employer, Madam."

"That man's a perfect Dipsomaniac," said the March Hare.

"Diplomat, man—diplomat," corrected the White Knight. "A dipsomaniac is a very different thing from a Diplomat. Consuls may be dipsomaniacs, but a Diplomat is a man worthy of Ambassadorial honours.

"Oh—I see," said the March Hare. "Well—he's a Diplomat all right, all right."

"How are things going to-day, Duchess?" asked the Hatter. "Children happy?"

"They will be in time," said the Duchess. "So many of them have been brought up so far on the Ladies' Home Journal system that it is hard to introduce the new Blunderland method without friction."

"I was afraid of that," said the Hatter. "How does the compulsory soda-water regulation work?"

"Splendidly," said the Duchess. "Since I started in in January to make the children drink five glasses of Vanilla Cream soda every day as a matter of routine and duty, sixty per cent. of them have come to hate it. I think that by the end of the year we shall have stamped out the love of soda almost entirely. The same way with caramels and other candies in place of beef. We have caramels for breakfast, gum-drops for dinner and marshmallows for tea, regularly, and last night seventeen of the children presented a petition asking for beefsteak, mutton chops and boiled rice. I have a firm conviction that when the new law, requiring beef to be sold at candy stores, and compelling those in charge of the young to teach them that boiled rice and hominy are bad for the teeth, goes into effect, we shall find the children clamouring for wholesome food as eagerly as they do now for things that ruin their little tummies."

"It's a splendid system—and how are you meeting the matinee problem?" asked the March Hare.

"WHEN THEY THINK NOBODY'S LOOKING" "WHEN THEY THINK NOBODY'S LOOKING"

"Same way," said the Duchess. "Every Wednesday and Saturday afternoon we make 'em go to a matinee, rain or shine, whether they want to or not, and really it's pathetic to see how some of the little dears pine for a half-holiday with a hoople, and since I forbade the youngsters to even look at the back of a geography or a spelling book, it is most amusing to see how they sneak into the library and devour the contents of those two books when they think nobody's looking. I caught one of the boys reading an Arithmetic in bed last night, wholly neglecting his Jack Harkaway books that I had commanded him to read, and leaving his 'Bim, the Broncho Buster of Buffalo,' absolutely uncut.

"Fine!" chuckled the Hatter. "And now, my dear Duchess, will you oblige me by taking charge of Miss Alice? She has expressed a desire to go home and so I have brought her here."

"Certainly," said the Duchess. "I'll look after her."

"You'll excuse us, Alice," said the Hatter, politely. "We'd escort you further ourselves, but a question has come before the Municipal Ownership Caucus that we must settle before the meeting of the Common Council to-night. Certain of our members claim that they have a right to sell their votes for $500 apiece——"

"Mercy!" cried Alice. "Why, that is—that is terrible."

"It certainly is," said the March Hare ruefully. "It's more than terrible, it's rotten. Here I've been holding out for $1,250 for mine, and these duffers want to go in for a cut rate that will absolutely ruin the business."

"It's a very important matter," said the Hatter. "After all our striving to elevate the people we don't want them to make themselves too cheap. For my part I don't think they should let go of a vote on any question for less than $2,500."

"That's all right, Mr. Mayor," said the White Knight. "But you don't want to frighten capital, you know."

"Well, you and I disagree on that point," said the Mayor. "Capital isn't at all necessary to the success of our schemes. My watchword is Bonds, and as long as I have a printing press to print 'em, and a fountain pen to sign 'em I'm not going to be influenced one way or another by a feeling of subserviency to the capitalist class. Good night, Miss Alice. Glad to have met you and I hope you will have a pleasant time with the Duchess. Here," he added, taking a beautifully printed green and gold paper from his pocket, "here is a Blanket Mortgage 18% Deferred Debenture Bond on the Main Street Ferry of a par value of $100,000 payable in 3457, as a souvenir of your visit."

"A hundred thousand dollars," cried Alice. "For me?"

"No," corrected the Hatter. "A hundred thousand dollar bond. You don't get the money until 3457, and not then unless you present it in person to the City Treasurer."

With which munificent gift the Hatter respectfully bowed himself away and made on, followed by the March Hare.

"IF YOU GET INTO TROUBLE, USE THIS" "IF YOU GET INTO TROUBLE, USE THIS"

"Good-bye, Alice," said the White Knight sympathetically; and then thrusting a paper in her hand, he leaned forward and whispered into the little girl's ear, "If you get into trouble, use this."

"Thank you," said Alice. "What is it?"

"It's a temporary injunction issued by the Chief Justice restraining anybody from interfering with you," said the White Knight. "You may need it."

And the kindly old knight ran madly off up the street after the Mayor and the March Hare, and shortly disappeared around the corner.

"Now, my little dear," said the Duchess, "we'll take you home."

Seizing Alice by the hand the Duchess led the little traveller into the Municipal Nursery. Entering the elevator, they went up and up and up and up until Alice thought they would never stop. Finally on the 117th floor the elevator stopped. Alice and the Duchess alighted and entered a funny little flat, singularly enough labelled with Alice's own name.

"This is it," said the Duchess. "There is your bedroom, here is your parlour, and that is the bath-room. The apartment has running soda-water, hot and cold; you will find a refrigerator stocked with peanut brittle, molasses candy, and sugared fruits in the pantry. Your reading will consist of Lucy the Lace Vendor, or How the Laundress Became a Lady; the works of Marie Corelli; Factory Fanny, the Forger's Daughter, and any other unwholesome book you may want from the House of Correction Library. Playtime will begin at seven every morning and you will be compelled to dress and undress dolls until one, when your caramel will be given to you, after which you will skip the rope and read fairy stories until six. You must drink five glasses of soda-water every day and will not be allowed to go to bed before eleven o'clock at night. Hurry now, and get your hair mussed and your hands dirty for dinner. The first course of whipped cream and roasted chestnuts will be served promptly at six-thirty."

"But," cried Alice, "I don't want to stay here—I want to go home."

"You are home," said the Duchess. "This is the Municipal Home of the Children of Blunderland."

"But I want my father and mother," whimpered Alice.

"The City is your father, my child, and I am officially your mother," said the Duchess.

"You are not!" cried Alice. "You are trying to kidnap me!—I'll—I'll call the police."

"The police can't arrest a city, my dear child, and as for me, as the Commissioner of Maternity I am immune from arrest," laughed the Duchess.

"Well, I just won't stay, that's all," cried Alice, stamping her foot angrily. "I don't want a city for a father, and I shan't have an official mother in place of a real one."

"SEIZING HER BY THE ARM" "SEIZING HER BY THE ARM"

The child ran toward the door, but the Duchess was too quick for her, seizing her by the arm.

"Let me go!" shrieked Alice.

"Never," snapped the Duchess.

And then the little girl thought of the piece of paper the White Knight had given her.

"I guess that will make you change your mind," she said, handing the injunction to her captor.

The Duchess read it carefully; her face paled, and she too stamped her foot.

"I'll see about this," she roared angrily, and in a moment she had gone, slamming the door so hard behind her that the building fairly shook. A moment later Alice followed, and in a short time was bounding down the stairway as fast as her little legs would carry her toward freedom, when all of a sudden she tripped and began to fall—down, down, down—O, would she never stop! And then, bump! Her fall was over, and strange to relate the little maid found herself sitting on the floor back in her own nursery in her own real home, with her mother bending over her.

"WHY-HAVE I—I REALLY FALLEN?" "WHY-HAVE I—I REALLY FALLEN?"

"Dear me, Alice," said her mother. "I hope you haven't hurt yourself."

"No," said Alice. "Why—have I—I really fallen?"

"You most certainly have—off the sofa," laughed her mother. "Where have you been?" she added. "In Wonderland again?"

"No," said Alice. "In Blunderland—this time."

Which struck her father, when he heard the story of her adventures later, as a very apt and descriptive title for the M. O. Country.

*** END OF THE PROJECT GUTENBERG EBOOK ALICE IN BLUNDERLAND: AN IRIDESCENT DREAM ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.