The Project Gutenberg eBook of Surprising Stories about the Mouse and Her Sons, and the Funny Pigs.

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Surprising Stories about the Mouse and Her Sons, and the Funny Pigs.

Author: Unknown

Release date: May 13, 2008 [eBook #25458]

Language: English

Credits: Produced by Susan Skinner, Marilynda Fraser-Cunliffe and
the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was made using scans of
public domain works in the International Children's Digital
Library.)

*** START OF THE PROJECT GUTENBERG EBOOK SURPRISING STORIES ABOUT THE MOUSE AND HER SONS, AND THE FUNNY PIGS. ***

SURPRISING STORIES

ABOUT

THE MOUSE AND HER SONS,

AND

THE FUNNY PIGS.

WITH LAUGHABLE COLOURED ENGRAVINGS.

LONDON: DEAN & SON, 11, LUDGATE HILL, E. C.

THE

MOUSE

AND

HER SONS.

THE MOUSE AND HER SONS.

Once on a time there lived a Mouse,
Sole mistress of a spacious house,
And rich as mouse need be:
'Tis true her dwelling, underground,
Was neither long, nor square, nor round,
But suiting her degree.

No lofty ceilings there were seen,
No windows clear, or gardens green,
Or rooms with neat division.
But, in a corner, she could find
Of viands, sorted to her mind,
A notable provision.

Her neighbours round esteemed her well,
And often in her little cell,
Would spend a social hour;
Besides, she had a friendly heart,
And to the poor she would impart
Some of her little store.

Now, Madam Mouse two sons had got,
One named Streak,—the other, Spot;
She gave them education,
And also taught them to excel
In all such arts as fitted well
A Mouse's occupation.

Two prettier Mice were never seen,
So soft, so nimble, and so clean;
Their teeth were sharp, their eyes were bright;
And when through wood she saw them gnaw
As neatly, almost, as a saw,
The mother's eyes beamed with delight.

And oft, she said, "My sons, beware
The guileful Cat and baited snare,
To Mice a sure perdition!"
And showed how, caught within the trap
They would bewail their dire mishap,
With tears of sad condition.

And, in plain terms, she would describe
Those terrors of the mousing tribe,
In every form and feature;
And then she would pourtray the Cat
Sworn enemy of Mouse or Rat,
A most voracious creature.

Now, being grown both stout and strong,
They thought they had remained too long
In idleness at home;
And now their food they daily sought,
And of their mother little thought
While they abroad did roam.

One fatal hour, with spirits gay,
Far from their home they strolled away,
And reached a lone farm-house;
Abundance, there, was found to eat;
It had been long a known retreat
To many a wandering mouse.

But now the housewife saw, dismayed,
The waste so many mice had made,
And did a trap procure.
"And if I catch a mouse," said she,
"No mercy shall it find from me;
From mice my pantry I'll secure."

Agreeing once to sup at home,
A different way the brothers roam;
Each finds a different fate.
Soon nimble Spot the pantry found,
And views the eatables around,
With consequence elate.

And in the midst a trap there stood,
Made strong with wire and with wood,
And baited with fresh-toasted cheese.
"Dear me!" said the admiring mouse,
"What do I see?—a pretty house,
Constructed me to please.

"What silly things these mothers are,"
Said he, with a conceited air;
"What cause is there for fear?
This door is very high and wide,
Myself and twenty more beside,
Might safely enter here."

Then in he rushed, and seized the bait,
And soon the dainty morsel ate,
Then turned to go away.
But, ah! poor mouse, he finds the door,
Which he so freely passed before,
Compels him now to stay.

Now his kind mother's warnings rise,
And place before his weeping eyes,
Grim death in every shape.
Alas! poor prisoner Spot can see
No prospect left of liberty,
No chance of his escape.

Now turn we to the kitchen side,
And see what fortune can betide
Poor Streak, who there is gone;
Where by a blazing fire there sat
A glossy, well-fed tabby cat,
Half sleeping, and alone.

With veneration mixed with awe,
For the first time, a cat he saw
And thus expressed his mind:—
"Can this meek creature prove," said he,
"The cat—so oft described to me,—
Devourer of our kind."

And now, to have a nearer view,
Closer and closer still, he drew,
And hears her softly purring;
"Ah me!" he cries, "what dulcet note,
What music from that downy throat;
I'm sure she is not stirring."

The cat now turned her amber eyes,
And view'd poor Streak with glad surprise,
Then caught him with her claw;
Now o'er her head she whirls him round,
Then dashes him against the ground,
Or strikes him with her paw.

Now lets him run a little way,
Now claws him back in cruel play,
Or bites through his soft ear;
At length, exerting all his strength,
He made a leap of wond'rous length,
And got away quite clear.

"Why are my sons abroad so late?"
The mother said, foreboding fate,
And oft she sighed full sore;
Just then, she heard a mournful squeak,
And soon beheld poor wounded Streak,
Come crawling through the door.

With falt'ring voice, and accents slow,
He told his little tale of woe,
And of his hurts did tell.
"Oh! had I been advised by thee,
My dearest mother, then," said he,
"I had been safe and well.

"Not many moments can I live,
My loving mother, pardon give,
And let me die in peace."
Full many a tear the mother shed
Beside poor Mousey's dying bed,
And soon his voice did cease.

"Disastrous fate!" the Mouse did say,
"To lose both sons in one sad day,
Dear objects of my love."
But, hark! a well-known step is heard,
Each bristle of the Mouse's beard,
Began with hope to move.

And soon poor Spot's long nose she saw,
And then his little pointed paw,
Come gently on the floor.
"O, mother, mother," cried the Mouse,
"With joy I see our happy house;
My peaceful home, once more."

With transport she beholds her son,
Who, on recovering breath, begun
To tell his perils past;
And how he had, with tooth and claw,
Contrived from out the trap to gnaw,
And so escaped at last.

MORAL.

If you do not attend to your parents' advice,
You may come to sad fate, like the two little mice.

END OF

THE MOUSE AND HER SONS.

THE

LITTLE PIG'S RAMBLE

FROM HOME.

THE

LITTLE PIG'S RAMBLE

FROM HOME.

Once it happened, though when, is not easily said,
That a grunter, Jack Pig, took it into his head
To quit his good home,—his dear mother to leave,
Not thinking at all how for him she would grieve.
Said Jack, "Brother Bob for his pleasure has strayed;
I'll roam away, too, when I'm nicely arrayed:"
Next morn he set off in a hat and wig dressed;—
The same that the farmer's son wore as his best.

With snout aloft, he started out,
Then on the green he gazed about:
He whisked his tail with pure delight,
Saying—"I shall not lodge here to-night."
The geese came hissing at his heel,
But, 'midst their noise he heard a squeal;
And looking to see from whence it came,
He spied his mother down the lane.

"Her son," said he, "so tall, she'll never know,
Dressed smartly as I am, so like a beau."
His heart beat quickly as his ma' he passed,
But, bowing, "How d'ye do, good dame?" he asked;
Then biting from out the hedge a nice cane,
And putting his hat on, said "All's right again;
Now over the world I'll roam, as fast as I can:"
Then he flourished his cane, and onward he ran.

And trotting on briskly, Piggy soon came
To a field where some schoolboys were having a game;
Said he, "As I'm tired, I'll lie down to rest,
And perhaps if I do so, just here 'twill be best:
For I should not much like these poor boys to disturb,
As they possibly might be so very absurd
As to leave off their game, for respect towards me,
No occasion for which I can possibly see."

But, just then, a boy spied him, and giving a call,
Thus said to his comrades, "Come here, my lads, all."
Then they left off their play, and they chased the poor pig,
Until he had lost both his hat and his wig.
They left him, at last, overcome with fatigue;
"Though," said he, "it is not for myself that I grieve,
But to think of the manners of these country clowns!
Such conduct would never be met with in towns."

To get back his wig, he was greatly perplexed,
About which and his hat, he was equally vexed;
For the wind, when the boys were hardest in chase,
Blew them both in the river, its surface to grace;
And they seemed to mock Piggy, as there they did float;
"But I'll have you," said Jack, who pushed off in a boat;
When his finery reaching, the boat he upset,
"I can swim," cried the blade, "and I don't mind the wet."

But, beside his own hide, both his wig and his hat
Were wet and deranged; so, to remedy that,
"I'll enter this cottage; here's a fire," he said,
"I'll hang them to dry, while I lie in the bed."
When the dame returned home, as he slumbered so snug,
She soon spied the gentleman under the rug,
And basted him well with a stick like a log,
Turning him and his wardrobe out into a bog.

In the miry mess Piggy long struggled about,
Unable to rise; but at last he got out,
And crept to a field where fine cabbages grew:
"I'm hungry," said he, "I'll indulge in a few."
When, just as his snout had a nice plant uptorn,
A shot through his ear he had reason to mourn,
Discharged from the gun of a lad stationed there,
To take care of the crop, and all robbers to scare.

Wounded, weary, and hungry, poor Jack now felt sad,
And thought of the home, so safe he once had,
Where he'd plenty of food, and clean straw for his bed,
And at night, a roof of good thatch o'er his head.
He escaped from the field, though he scarcely knew how,
And scampered as fast as his strength would allow:
In the distance, a town, long and wide he could see;
"Ah! ah!" said Jack Swine, "that's the quarter for me."

Then Jack hurried on to the city so gay,
Where he walked through the streets in his comic array;
But think of his horror, oh! think of his dread,
When, hanging immediately over his head,
In the first butcher's shop that he chanced to discover,
Were the mortal remains of poor Bobby, his brother,
"'Tis sad," sighed our Jack, "such a difference should be
Between that unfortunate fellow and me."

But now I have hardly the heart to relate
To my dear little readers, the terrible fate
That awaited poor Jack. Scarce a moment had passed,
As he gazed on his brother, while tears trickled fast,
When he uttered a loud and a heart-rending wail,
For a butcher, in blue, had caught hold of his tail,
By which, and one ear, while Jack squeaked for his mother,
Away he was dragged, to be slain, like his brother.

The sun rose, next morning, and shed its first gleam,
On exact the same spot where his brother had been;
But there, in the same place, extended and dead,
Hung poor master Jacky, without any head.
The head, too, hung near,—but without its fine wig,
And was now to be seen as the head of a pig.
Many times has the butcher thought of his good luck,
But he'll never again capture such a gay buck.

If pigs will walk upright, and strut with fine canes,
Stalking in towns, 'stead of roaming in lanes,
Misfortunes they'll meet with, no doubt, such as Jack's,
Getting shots through their ears, and kicks on their backs.

Piggy left a good sty,
And went out, like a guy;
But think you, who chide him,
How many beside him,
By false pleasures are won,
Like the Prodigal Son.

And while smiling at Piggy, think, too, of the woes
That attend, more or less, every wanderer who goes,
Leaving behind him his true friends, to roam,
In search of those pleasures found only at home.

END OF

THE LITTLE PIG's RAMBLE

FROM HOME.

THE

LITTLE PIG'S TALE.

THE

LITTLE PIG'S TALE.

In a certain farm-yard, not a hundred miles off,
Some pigs were enjoying themselves at a trough;
They were having their dinner, or if 'twere too soon,
It might be their breakfast,—it scarcely was noon,
And, as pigs of fashion, their ears it might shock
To talk about dining before twelve o'clock.

Well,—let us suppose it was breakfast,—and they
With their delicate noses were grubbing away,
When up came their master, whose looks, to my thinking,
Betokened a love for good eating and drinking;
And 'tis not unlikely the pigs thought so too,
For they never so much as said "How do you do?"
But went on in silence to finish their feeding,
Which certainly was not a mark of good breeding;
But as they thus acted, I must tell the truth,
Though I'd rather my pigs had not been so uncouth.

However, the master looked on at his leisure,
And seemed to regard them with infinite pleasure,
And no ill intent,—'till he happened to see
One fat little lady pig, white as could be.
Then his mouth fairly watered, as he thought how nice,
With sage, onion, and apple sauce, would be a slice
Of that nice tempting piggy,—so, calling to Joe,
Who also was fond of roast pork, you must know,
Said, "Joe, you had better that little pig kill,
Before she gets bigger." Said Joe, "Sir, I will."

The pigs heard this order with great consternation,
And grunted, quite clearly, their disapprobation;
But master and man took no heed of their sorrow,
And Miss was to die the day after the morrow.
The rest, who were all in her fate interested,
Now offered such comfort as pity suggested:
"They won't hurt you much," simpered one tender swain,
"I've heard that this killing is scarce any pain;
Pray take some more wash, and this cabbage-stalk bite."
"No, thank you," said Piggy, "I've no appetite."

At night, when she laid herself down in her sty,
In vain she attempted to close her bright eye:
Not a wink could she get through the whole of the night,
And wept till she made herself look like a fright.
She turned first on one side, and then on the other,
And two or three times thought of waking her mother;
But this was not easy, for pigs are sound sleepers,
And not very willing to open their peepers.

At last morning dawned, and mamma pig awoke,
When thus poor Miss Piggy with much spirit spoke:
"Dear mother, it certainly is a great pity,
To kill me while I'm so young and so pretty;
But if they can have such bad taste as to do it,
I really don't see why I should submit to it.
No one in their senses, I think, would remain
When they know they are soon to be cruelly slain;
There are more sties than this in the world, I dare say,
So I think I had better at once run away."

"Alas! my dear child," said her mother, "I fear
You may as well make up your mind to stay here,
For 'tis likely the very first person you meet,
Would carry you off, and then kill you to eat.
Wherever you go, there is just the same danger;
You had better be killed by a friend, than a stranger.
To tell you the truth, I am sadly afraid,
It is for man's eating that we pigs are made.
The thought is not pleasant, yet, what we can't cure,
As the old proverb says, we must learn to endure."

Then a grave-looking pig, of respectable age,
Who was always considered remarkably sage,
Said, "Ladies, allow me to offer a word
Respecting the orders we yesterday heard.
It seems that Miss does not approve of the plan
Proposed by our master to Joseph, his man;
Though such we all come to, at one time or other:
Last week I thus lost my affectionate brother,
And next week, perhaps, I myself may be taken,
For this is the season for making of bacon;
However, as Miss Pig objects thus to be
Cut off in her prime,—and we all must agree
It is very unpleasant,—there can be no doubt of it,—
I've thought of a way by which she may get out of it:
Now, if she had not been so plump and good looking,
They would never have fancied her ready for cooking;
But if she'd get rid of these charms, I am thinking,
By living awhile without eating or drinking,
And hides herself up in the loft, 'mongst the hay,
They'll think that somebody has stole her away.
And when she comes back, she will be so much thinner,
Depend on't they'll no longer want her for dinner."

Mamma thought this scheme was uncommonly clever,
But her daughter indignantly answered, "No, never!
What! lose all my beauty? I'd much rather die for it;
If that's my last chance, I am sure I shan't try for it;
To be called thin and ugly,—I never could bear;—
The thought makes me nervous. I vow and declare.
I should be neglected, and not have a lover:
I'd rather be killed, half a dozen times over.
'Tis a comfort to know, since my life I'm not able
To save, I shall look very well on the table."

Poor Piggy was killed on the very next day,
And all who'd the pleasure of tasting her, say
That she was so nice, they should never forget her,
The Queen and Prince Consort could not have a better.

END OF

THE LITTLE PIG'S TALE.

*** END OF THE PROJECT GUTENBERG EBOOK SURPRISING STORIES ABOUT THE MOUSE AND HER SONS, AND THE FUNNY PIGS. ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.