The Project Gutenberg eBook of Jimmy Crow

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Jimmy Crow

Author: Edith Francis Foster

Release date: December 28, 2007 [eBook #24061]

Language: English

Credits: Produced by Jason Isbell, Mark C. Orton, Christine D. and
the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was made using scans of
public domain works in the International Children's Digital
Library.)

*** START OF THE PROJECT GUTENBERG EBOOK JIMMY CROW ***

Jimmy Crow

By

Edith Francis Foster

Published by
Dana Estes & Co.

UNIQUE AND INSTRUCTIVE BOOKS
FOR YOUNG CHILDREN

Charming tales told in rebus form for wee men and women

WHAT DID THE BLACK CAT DO? GUESS!
By MARGARET JOHNSON

WHERE WAS THE LITTLE WHITE DOG?
By MARGARET JOHNSON

JIMMY CROW
By EDITH FRANCIS FOSTER

Oblong quarto. Bound in cloth with separate cover design for each volume

DANA ESTES & COMPANY, PUBLISHERS
Estes Press, Summer Street, Boston

J IMMY CROW

By EDITH FRANCIS FOSTER

BOSTON
DANA ESTES & COMPANY
PUBLISHERS

Copyright, 1899-1900
By S. E. Casino Company

Copyright, April, 1902
By Dana Estes & Company

All rights reserved

JIMMY CROW

Colonial Press
Electrotyped and Printed by C. H. Simonds & Co
Boston, Mass., U. S. A.

Frontispiece
Contents
Dedication
How Jack Found Jimmy Crow | 9
The Christmas Candles | 15
After the Snow Storm | 21
"The Rose Is Red" | 27
Dropping Stitches | 33
April Fool | 39
Jack's Circus Money | 45
Jimmy's Circus | 51
A Whole Bunch of Crackers | 57
Jimmy Crow's Birthday Party | 63
In School | 69
Nutting | 75
Endpiece

HOW JACK FOUND JIMMY CROW. HOW JACK FOUND JIMMY CROW.

I.

Jimmy Crow belongs to Jack. Jack is a little boy. Jimmy is a big crow. Jack wears a white suit. Jimmy wears black feathers. Jack says "Good Morning," and "Yes, sir," and "Thank you." Jimmy can say only "Caw, caw." Jack thinks Jimmy is a funnier pet than a cat or a dog.

O ne day, last summer, Jack was picking low berries in the pasture, when he saw a young crow hopping in the bushes. The little crow was lame in one leg. He had fallen from the nest. He was too young to fly far, so Jack caught him. He carried him home in his berry-basket. Then Jack took a hammer and nails and wood and built a cage. He named his new pet "Jimmy Crow."

J ack took good care of Jimmy Crow. He caught crickets for him to eat, and gave him fresh water in a tin cup. Jimmy's lame leg soon got well. His wings grew big, and he could fly. When Jack called, Jimmy would fly to him and perch on his hand or head.

J immy Crow liked mischief. He liked to hide things and see people hunt for them. Once when Jack was getting ready for school, he could not find his top. He hunted till Mama said he must put on his rubber boots and be off. One of those boots would not go on. There was something in the toe. Jack held it up and shook it, and out fell—the top! Jimmy Crow flapped his wings and cried "Caw, caw!" That was his way of laughing. Jack laughed too, as he took his books and hat and hurried off. Edith Francis Foster

THE CHRISTMAS CANDLES THE CHRISTMAS CANDLES

II.

Grandma lives at Jack's house. She has a bird, too. Grandma's bird is a green parrot. The parrot's name is "Pepper." Jack loves Grandma, but Jack's crow does not love Grandma's parrot.

P epper can talk like a man, mew like a cat, bark like a dog. She can cry and laugh. When Jimmy says "Caw, caw!" Pepper says "C-a-w, c-a-w!" and then laughs. Jimmy crow doesn't like to be laughed at. Once he flew at Pepper, and pushed her off her perch. But Pepper scratched him with her talons and pulled out a tail-feather with her beak. Now Jimmy keeps away from her, unless he wants to steal her crackers.

O n Christmas Eve children came to Jack's Tree. Mama had trimmed it with popcorn and candles, and hung ornaments everywhere. When she went with a match to light the candles, they were gone! "Where are the candles?" cried Mama. "Somebody has carried them off, and I can't light the tree." Betty, the littlest girl, began to cry—two tears ran down her cheeks. Pepper sat on her perch cracking a nut. When she heard the outcry, she dropped it and screamed "Jimmy Crow, Jimmy Crow! Oh, oh! Oh, oh!" "Oh, naughty Jimmy Crow!" said Mama. "He has hidden them. Pepper is telling tales. Run, children, and hunt! We'll play a new game, 'Hunt the candle.'"

E ight pairs of feet ran "up stairs, down stairs, in my lady's chamber." At last Betty tipped over a basket, and out rolled the candles. The littlest girl had won! So Mama held her up, and she lit the Christmas Tree. Edith Francis Foster

AFTER THE SNOW STORM. AFTER THE SNOW STORM.

III.

Just after Christmas there was a great snow storm. The drifts were higher than the fence. When it cleared off, Jack put on his cap and reefer, mittens and rubber boots, and went out. Jimmy Crow went with him. First, Jack took shovel and broom and made a wide clean path to the gate. This was "working for Mama." Jack likes to work for Papa and Mama.

T hen friends came to play with him, and they had a fine frolic. They rolled big snowballs, and built a snowman. They put an old hat on his head and the shovel over his shoulder. Then Jack rang the bell, and Mama came to the door. "Here is a man with a shovel," he said. "Don't you want him to shovel paths for you?"

I might," laughed Mama, "but somebody has been ahead of him—and here are four hot donuts for that smart somebody." Jack gave the other boys donuts, and they all sat down on the steps to eat them. Jimmy Crow sat on the fence post. He begged till each boy gave him a piece.

T hen they made a pile of snowballs to throw at the snowman. Just as Bob threw one, Jimmy Crow lit on the shoulder of the snowman, and the snowball knocked him off into a deep drift! Jimmy Crow was not hurt, but he was angry. He flew at Bob, and carried off his cap in his beak, and dropped it into that same deep snowdrift. Then Bob had to wade through snow over his boots, to get his cap again. And Jimmy Crow perched on Jack's head, flapped his wings, and laughed "C-a-w, c-a-w, c-a-w!" Edith Francis Foster

"THE ROSE IS RED" "THE ROSE IS RED"

IV.

Tomorrow is St Valentine's day," said Jack. "Whom can I send a card to, Mama?" "Who is the nicest little girl you know?" asked Mama. Jack tried to think. "I guess it's the one in the big brick house," he said. "Her hair is curly, and she gave me an apple when I climbed the tree for her kitten. Her name is Kitty, too, and that's a pretty name."

S o Mama took a sheet of paper and painted flowers all around it, with two little doves at the top; and Jack wrote a verse in the middle, with pictures—like this story. "Dear Kitty; The rose is red, the violet blue—I like kittens so I like you. Yours truly, J." Then he put it in an envelope and went out to send it. Jimmy Crow went too.

O f course Jack could not carry it himself, or Kitty would know who sent it. So he tied it around Jimmy Crow's neck. When they reached Kitty's house he set him down on the steps and rang the bell. Then he ran and hid behind the gatepost.

T he door opened quickly, for Kitty was just coming out with her sled. She looked all around but she could only see Jimmy Crow, busy picking a bone her kitten had left there. Then she caught sight of the envelope, and untied it. She dropped her sled rope and the sled slid down the steps and away to the gate. Jack jumped out and caught it. "Oh, what a pretty card!" cried Kitty. "Thank you, Jack." "No, no!" said Jack in a hurry. "You mustn't know it's me." "Well, then, thank you, Jimmy," laughed Kitty. "Now let's go sliding." "All right," said Jack. He put Jimmy Crow on the sled and off they all went. Edith Francis Foster

DROPPING STITCHES. DROPPING STITCHES.

V.

One day, Grandma sat down to knit on Jack's stocking, and found one needle was gone. "Oh dear, that's too bad!" said she. "All the stitches dropped!" Pepper giggled, "Too bad, too bad!"

G randma looked into her basket, and under the table—and when she got up two needles were gone. "Dear, dear!" said she. "Where do they go?" Pepper giggled louder, and called, "Dear, dear! Too bad!"

G randma looked behind her chair, and under the rug—and when she came back three needles were gone. "Dearie me!" she cried, and held up both hands. Pepper giggled and giggled, and shrieked, "Dearie me! Jimmy Crow!" "Why, yes," cried Grandma, "Jimmy Crow is the thief, of course. Now where has he hid them?"

J ust then he flew down and tried to pull out the last needle. Grandma saw him, and called Jack. Jack looked in the coal scuttle, he crawled under the couch, he climbed on a chair and reached into the vases on the mantle. Jimmy Crow hopped about him and chuckled softly, "Caw, caw!"

T hen Pepper giggled and cried out, "Jimmy-Jimmy wants a cracker!" "Oh, yes," said Jack, "let's give Jimmy a cracker, and see where he takes it." Jimmy carried the cookie to the top of the cupboard. "That's the place. I'll get the ladder," Jack laughed. When he had climbed to the top, he shouted, "Grandma! Here are the needles—and all the other things we have lost—your pouch, and the spoon, and my mitten—and—lots of things!" As he came down with both hands full, Jimmy fluttered about his head, and Pepper giggled and shrieked. Edith Francis Foster

APRIL FOOL! APRIL FOOL!

VI.

Jack's Mama was making pies. "Please, Jack," said she, "get me some cold water." Jack took his pail and went out to the pump. Jimmy Crow went too. He sat on Jack's shoulder, bouncing up and down as Jack worked the handle.

T hen Jack took the cup which hung on a nail and filled it at the pump. But as it touched his lips, Jimmy reached round and snatched it, and flew up into the big cherry tree. "April-Fool!" called out Pepper from Grandma's window.

J ack was vexed. "Bring that back!" he shouted—but Jimmy Crow only chuckled. Jack jumped on a barrel, and began to climb the tree. Just as he reached up to grab Jimmy's leg Jimmy hopped to the next branch higher, tipping the cup, and all the water splashed down into Jack's face. "April-April-Fool!" cried Pepper from the window. Jack felt more vexed than ever. He dropped his hat and hurried, but Jimmy hopped as fast as Jack climbed, till they reached the top of the tree. Then, just as Jack thought he had him, Jimmy Crow dropped the cup, bang! on his nose, and flew off to the rooftop of the house.

O h, you bad Jimmy!" cried Jack, and started to climb down again. And all the way Pepper screamed, "April-April-Fool!" and giggled and giggled till Jack had to laugh too.

T hen he carried in the pail of water, and told Mama all about it. "I didn't mean to get fooled once today," said he, "but Jimmy Crow has fooled me three times already."

T hey both laughed, and Mama gave him a whole little apple pie, baked in a dish. Edith Francis Foster

JACK'S CIRCUS MONEY. JACK'S CIRCUS MONEY.

VII.

The circus was coming! Jack wanted to go, but he had spent all his money for candy and a kite.

S hall I give you twenty-five cents now," asked Mama as she took out her wallet, "or will you earn it?" "I'll earn it, with my own hands," said Jack. "It's more fun to spend money you have worked for." "Then you may weed the onions and carrots for me," said Mama.

J ack put on his jacket and went into the garden. Jimmy Crow went too. Jimmy Crow ate beetles and a caterpillar, and then perched on the lawn mower and watched Jack work.

W hen the job was done Mama paid him his quarter. First he sat on the wheelbarrow and spun the coin like a top. Then he began to toss it up in the air, and catch it in his hat as it fell.

T he second time he didn't catch it—but Jimmy Crow did, and flew off with it. Jack ran after him, shouting, "Stop thief!" He chased him through the berry-bushes and across the strawberry-bed, to the orchard wall. There Jimmy sat till Jack came up, then he dropped the quarter into a crack between the stones. Jack heard it rattle down to the ground.

T en Jack had to work hard! He pulled away the stones till he could see it, between two big rocks, but couldn't get his hand in. So he took a stick and poked. At last, out rolled the quarter—and out hopped a toad! Jack laughed, but Jimmy Crow was so surprised he flapped his wings and croaked.

J ust then Bob came up. "Did your mother give you that?" he asked. "No," said Jack, "I earned it, for the circus—and Jimmy Crow made me earn it over again!" Edith Francis Foster

JIMMY'S CIRCUS. JIMMY'S CIRCUS.

VIII.

Such a fine circus! Jack and Bob went, but Jimmy Crow was left at home. The two boys bought peanuts and fed the elephant and monkeys. Jack put his hand full of nuts between the bars, and a little brown monkey pulled his fingers open and picked out the peanuts.

T hen they saw the grand parade in the big tent—the elephant, the camel, the giraffe, the zebra, the cages with lions, and tigers, the hippopotamus and the bear. Then a pretty lady rode a white horse, standing up on the saddle and waving a flag. Other horses ran races, and jumped, and walked upright. The funny clown tried to ride a little donkey, and kept tumbling off.

A t the last, all the animals marched round again, and a funny thing happened. A big black crow came flying into the tent and lighted right on the elephant's back. He spread his wings, and danced up and down in time to the marching band. The people thought he was part of the circus, and clapped their hands and laughed, but Jack ran out into the ring, crying, "Oh, he's mine, he's mine! Please let me have him!"

T he clown got a ladder and climbed up the elephant, but Jimmy Crow kept out of his reach, and everybody laughed. So he came tumbling down again, and told Jack to try it. Jack climbed up and crept along to the elephant's head—and then Jimmy flew up on his shoulder, and the audience clapped louder still.

When Jack came down, the clown fished a penny out of his pocket, and offered to buy Jimmy Crow. "No, sir!" said Jack. "Not for a hundred dollars! I'd rather have my crow than this whole circus." Edith Francis Foster

A WHOLE BUNCH OF CRACKERS! A WHOLE BUNCH OF CRACKERS!

IX.

HURRAH for the Fourth! Jack was out of bed before the sun rose. He could not wait for breakfast, but drank a cup of milk, and ran out to find the other boys. Jimmy Crow went too. Bob and Russell came up just then, with their pockets full of firecrackers, and they all began firing them on the lawn. Jimmy Crow liked the little red things, and begged for some, but the boys only laughed at him.

P retty soon Jack lighted a whole string of firecrackers, and threw it down, and all the boys ran away. Then Jimmy Crow saw his chance, and he seized the bunch of crackers and flew in at Grandma's open window!

H e lighted on Pepper's perch. Pepper tried to bite him, but bang! went a firecracker!

Both birds jumped, and Jimmy dropped the bunch on the carpet. Bang! went another firecracker, and bang! bang! went two firecrackers. Then a dozen flew out, banging, over the floor.

C aw! Caw!" screamed Jimmy Crow. "Fire! Fire!" screamed Pepper. "Jack! Jack!" screamed Grandma. She was trying to pick up the bunch with the fire tongs, when Jack ran in. He threw a rug over the string of firecrackers, gathered them up in it, and threw all out of the window. Grandma sat down in her arm-chair very pale. Jack kissed her. "I'm sorry we scared you so," he said. "Now you rest while I clear up."

H e brought the brush and dustpan, and swept up the litter. Then he gave Pepper a peanut and took Jimmy Crow under his arm. "Pepper didn't 'want a cracker,' that time, did she, Grandma?" said he. "Now we'll go further away." But just then the breakfast bell rang. Edith Francis Foster

JIMMY CROW'S BIRTHDAY PARTY. JIMMY CROW'S BIRTHDAY PARTY.

X.

It was a year ago today I found Jimmy Crow," said Jack. "He must have a 'birthday' party." So Jack invited the children he and Jimmy liked best to "Jimmy's picnic."

T hey all went up to the berry-pasture where Jack found Jimmy Crow. First there was little Ibelle, carrying Jimmy Crow in her arms. Next came her big brother Alden, who had a basket with six pears in it. Louise had six sticks of candy in a bag, and Bob brought six donuts in a box. Russell carried six cookies in a parcel, and last came Jack with a tin bucket. Nobody knew what was in it. That was Mama's "surprise."

T ey sat down under a shady tree and divided the goodies. Jimmy Crow sat in the middle, and they each gave him a piece. After they had all eaten a stick of candy and a donut and a pear and a cookie, Jack opened the bucket. The children all put their heads close together to see, and as the lid came off they shouted, "Oh, oh! Ice-cream!"

T hen they sat down again in a circle, Jack in the middle, with a spoon. He gave each one a spoonful of ice-cream in turn. Oh, how good it tasted!

B ut Jimmy Crow wanted some, and when Jack would not let him eat from the spoon, he grabbed it in his beak and flew away. The children chased him until he dropped it, and then gave him a taste of the ice-cream. He didn't like it, so the children ate it all.

T hen they picked berries, until Alden's basket and Bob's box and Louise's bag were all full.

J ust as they were starting home, a little tired after all the fun—"Hurrah!" shouted Russell. "Here comes Uncle Charlie, with his wagon. He will give us a ride." So kind Uncle Charlie tossed them up into the hay, one by one—little Ibelle first—and they all rode home on the hay. Edith Francis Foster

IN SCHOOL. IN SCHOOL.

XI.

The first day Jack went to school in the fall, Jimmy Crow was very lonesome. The school was near by, and about noon he flew over and hopped in at the open window.

A ll the children were bending over their desks, writing, but Jimmy knew Jack's back as well as his front, and lighted on his head. The children laughed at that, and the teacher laughed too.

T hen she said, "If Jimmy Crow does not disturb anyone, he may stay, as it is nearly noon." The children promised not to be disturbed, and the pencils went to work again. Jimmy Crow behaved beautifully, though at first he tried to walk on Jack's paper and to bite his pencil. Jack pushed him away, and he flew to the teacher's desk where he walked about quietly, looking at the books and vase of flowers.

W hen the lesson was finished, the teacher said, "Jack may collect the pencils." He got the pencil box and began, but Jimmy flew ahead of him, and picked up a pencil. Jack took it, and put it in the box. Then Jimmy Crow brought another. The children were delighted. They held their pencils in their hands, and Jimmy Crow collected them all.

T hen the bell rang and the children marched out for hats and jackets. When they came back, Jimmy Crow was gone! Jack looked under the desks and in the waste-basket. Then the teacher looked in her closet, and there he sat on a clothes-hook. He had found her lunch-basket, and eaten a whole bunch of grapes. Jack was very sorry, but the teacher only laughed.

T hat afternoon Jimmy did not go to school, but Jack brought her a big red apple and said it was from Jimmy Crow. Edith Francis Foster

NUTTING. NUTTING.

XII.

One bright, frosty, October morning Jack went up to the walnut tree in the pasture to gather nuts. Jimmy Crow went too. Jack drew his little cart, and Jimmy Crow rode on the seat. Jack picked up all the nuts on the ground, then climbed the tree and shook down more, still in their thick, green husks.

W hen he came down, Jimmy Crow was busily picking up the nuts and dropping them into a hole in the tree. "Stop that!" cried Jack. "These are my nuts. The squirrels can pick for themselves." "Caw, caw!" said Jimmy Crow.

J ack took home a cart-load. Then he brought a ladder and spread the nuts out on the roof of the barn to dry the husks.

T oward night Jack took Mama out to look at his nuts. Half of them were gone! "Oh dear!" said Jack, "It is Jimmy Crow again. Now where has he put them all?" Just then he saw Jimmy's tail feathers disappear into the barn. He ran after, but could see no nuts—only an old wagon. He climbed up on the wheel, but found no nuts inside—only a barrel, lying on its side. He reached into the barrel and felt nothing but a basket. He pulled it out and peeped into it—and at last he had found the nuts! And Jimmy Crow perched on his shoulder and laughed, "Caw, caw!" When the nuts had all been carried back to the barn, and Mama had praised Jack's work, she said, "Now we must hurry in to supper. The sun has set and it is getting late and cold. Let us run, to keep warm." So she and Jack took hands and ran all the way back to the house. Then they went in to their supper—and Jimmy Crow went too.

"AND JIMMY CROW WENT TOO!" "AND JIMMY CROW WENT TOO!"

*** END OF THE PROJECT GUTENBERG EBOOK JIMMY CROW ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.