The Project Gutenberg eBook of Riley Songs of Home

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Title: Riley Songs of Home

Author: James Whitcomb Riley

Illustrator: Will Vawter

Release date: July 12, 2005 [eBook #16265]
Most recently updated: December 12, 2020

Language: English

Credits: Produced by Juliet Sutherland, Scott G. Sims and the Online
Distributed Proofreading Team at https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK RILEY SONGS OF HOME ***

Cowboy standing in a field

RILEY

SONGS OF HOME

JAMES WHITCOMB RILEY

WITH PICTURES BY

WILL VAWTER

NEW YORK

GROSSET & DUNLAP

PUBLISHERS

1910

BY JAMES WHITCOMB RILEY

TO

GEORGE A. CARR

CONTENTS

AS CREATED

56

AS MY UNCLE USED TO SAY

126

AT SEA

160

BACKWARD LOOK, A

155

BEST IS GOOD ENOUGH, THE

123

BOYS, THE

104

"BRAVE REFRAIN, A"

113

DREAMER, SAY

61

FEEL IN THE CHRIS'MAS AIR

52

FOR YOU

50

GOOD MAN, A

132

HER BEAUTIFUL HANDS

189

HIS ROOM

38

HONEY DRIPPING FROM THE COMB

125

"HOW DID YOU REST, LAST NIGHT?"

94

IN THE EVENING

115

IT'S GOT TO BE

107

JACK-IN-THE-BOX

100

JIM

117

JOHN MCKEEN

165

JUST TO BE GOOD

26

KNEELING WITH HERRICK

138

LAUGHTER HOLDING BOTH HIS SIDES

81

MULBERRY TREE, THE

46

MY DANCIN' DAYS IS OVER

184

MY FRIEND

29

NATURAL PERVERSITIES

70

NOT ALWAYS GLAD WHEN WE SMILE

36

OLD DAYS, THE

135

OLD GUITAR, THE

161

OLD TRUNDLE-BED, THE

64

OUR BOYHOOD HAUNTS

182

OUR KIND OF A MAN

92

OUR OWN

63

"OUT OF REACH?"

112

OUT OF THE HITHERWHERE

98

PLAINT HUMAN, THE

43

QUEST, THE

44

RAINY MORNING, THE

141

REACH YOUR HAND TO ME

143

SCRAWL, A

75

SONG OF PARTING

90

SONG OF YESTERDAY, THE

82

SPRING SONG AND A LATER, A

137

"THEM OLD CHEERY WORDS"

172

THINKIN' BACK

31

THROUGH SLEEPY-LAND

170

TO MY OLD FRIEND, WILLIAM LEACHMAN

145

TO THE JUDGE

177

WE MUST BELIEVE

130

WE MUST GET HOME

19

WHERE-AWAY

57

WHO BIDES HIS TIME

68

WRITIN' BACK TO THE HOME-FOLKS

76

RILEY SONGS OF HOME

Cottage and outbuildings

WE MUST GET HOME

We must get home! How could we stray like this?—

So far from home, we know not where it is,—

Only in some fair, apple-blossomy place

Of children's faces—and the mother's face—

We dimly dream it, till the vision clears

Even in the eyes of fancy, glad with tears.

We must get home—for we have been away

So long, it seems forever and a day!

And O so very homesick we have grown,

The laughter of the world is like a moan

In our tired hearing, and its song as vain,—

We must get home—we must get home again!

We must get home! With heart and soul we yearn

To find the long-lost pathway, and return!...

The child's shout lifted from the questing band

Of old folk, faring weary, hand in hand,

But faces brightening, as if clouds at last

Were showering sunshine on us as we passed.

We must get home: It hurts so staying here,

Where fond hearts must be wept out tear by tear,

And where to wear wet lashes means, at best,

When most our lack, the least our hope of rest—

When most our need of joy, the more our pain—

We must get home—we must get home again!

Seated woman with two children kneeling on the floor before her

We must get home—home to the simple things—

The morning-glories twirling up the strings

And bugling color, as they blared in blue-

And-white o'er garden-gates we scampered through;

The long grape-arbor, with its under-shade

Blue as the green and purple overlaid.

We must get home: All is so quiet there:

The touch of loving hands on brow and hair—

Dim rooms, wherein the sunshine is made mild—

The lost love of the mother and the child

Restored in restful lullabies of rain,—

We must get home—we must get home again!

The rows of sweetcorn and the China beans

Beyond the lettuce-beds where, towering, leans

The giant sunflower in barbaric pride

Guarding the barn-door and the lane outside;

The honeysuckles, midst the hollyhocks,

That clamber almost to the martin-box.

We must get home, where, as we nod and drowse,

Time humors us and tiptoes through the house,

And loves us best when sleeping baby-wise,

With dreams—not tear-drops—brimming our clenched eyes,—

Pure dreams that know nor taint nor earthly stain—

We must get home—we must get home again!

We must get home! The willow-whistle's call

Trills crisp and liquid as the waterfall—

Mocking the trillers in the cherry-trees

And making discord of such rhymes as these,

That know nor lilt nor cadence but the birds

First warbled—then all poets afterwards.

We must get home; and, unremembering there

All gain of all ambition otherwhere,

Rest—from the feverish victory, and the crown

Of conquest whose waste glory weighs us down.—

Fame's fairest gifts we toss back with disdain—

We must get home—we must get home again!

We must get home again—we must—we must!—

(Our rainy faces pelted in the dust)

Creep back from the vain quest through endless strife

To find not anywhere in all of life

A happier happiness than blest us then ...

We must get home—we must get home again!

Two boys on a farm

JUST TO BE GOOD

Just to be good—

This is enough—enough!

O we who find sin's billows wild and rough,

Do we not feel how more than any gold

Would be the blameless life we led of old

While yet our lips knew but a mother's kiss?

Ah! though we miss

All else but this,

To be good is enough!

It is enough—

Enough—just to be good!

To lift our hearts where they are understood;

To let the thirst for worldly power and place

Go unappeased; to smile back in God's face

With the glad lips our mothers used to kiss.

Ah! though we miss

All else but this,

To be good is enough!

Woman reading to a boy

Landscape

MY FRIEND

"He is my friend," I said,—

"Be patient!" Overhead

The skies were drear and dim;

And lo! the thought of him

Smiled on my heart—and then

The sun shone out again!

"He is my friend!" The words

Brought summer and the birds;

And all my winter-time

Thawed into running rhyme

And rippled into song,

Warm, tender, brave and strong.

And so it sings to-day.—

So may it sing alway!

Though waving grasses grow

Between, and lilies blow

Their trills of perfume clear

As laughter to the ear,

Let each mute measure end

With "Still he is thy friend."

Flowers

Boy seated on the ground

THINKIN' BACK

I've ben thinkin' back, of late,

S'prisin'!—And I'm here to state

I'm suspicious it's a sign

Of

age

, maybe, or decline

Of my faculties,—and yit

I'm not

feelin'

old a bit—

Any more than sixty-four

Ain't no

young

man any more!

Thinkin' back's a thing 'at grows

On a feller, I suppose—

Older 'at he gits, i jack,

More he keeps a-thinkin' back!

Old as old men git to be,

Er as middle-aged as me,

Folks'll find us, eye and mind

Fixed on what we've left behind—

Rehabilitatin'-like

Them old times we used to hike

Out barefooted fer the crick,

'Long 'bout

Aprile first

—to pick

Out some "warmest" place to go

In a-swimmin'—

Ooh! my-oh!

Wonder now we hadn't died!

Grate horseradish on my hide

Jes'

a-thinkin'

how cold then

That-'ere worter must 'a' ben!

Thinkin' back—W'y, goodness me!

I kin call their names and see

Every little tad I played

With, er fought, er was afraid

Of, and so made

him

the best

Friend I had of all the rest!

Man in a rocking chair

Thinkin' back, I even hear

Them a-callin', high and clear,

Up the crick-banks, where they seem

Still hid in there—like a dream—

And me still a-pantin' on

The green pathway they have gone!

Still they hide, by bend er ford—

Still they hide—but, thank the Lord,

(Thinkin' back, as I have said),

I hear laughin' on ahead!

Landscape

NOT ALWAYS GLAD WHEN WE SMILE

We are not always glad when we smile:

Though we wear a fair face and are gay,

And the world we deceive

May not ever believe

We could laugh in a happier way.—

Yet, down in the deeps of the soul,

Ofttimes, with our faces aglow,

There's an ache and a moan

That we know of alone,

And as only the hopeless may know.

We are not always glad when we smile,—

For the heart, in a tempest of pain,

May live in the guise

Of a smile in the eyes

As a rainbow may live in the rain;

And the stormiest night of our woe

May hang out a radiant star

Whose light in the sky

Of despair is a lie

As black as the thunder-clouds are.

We are not always glad when we smile!—

But the conscience is quick to record,

All the sorrow and sin

We are hiding within

Is plain in the sight of the Lord:

And ever, O ever, till pride

And evasion shall cease to defile

The sacred recess

Of the soul, we confess

We are not always glad when we smile.

House with people on porch and ghostly woman in yard

Violin and books

HIS ROOM

"I'm home again, my dear old Room,

I'm home again, and happy, too,

As, peering through the brightening gloom,

I find myself alone with you:

Though brief my stay, nor far away,

I missed you—missed you night and day—

As wildly yearned for you as now.—

Old Room, how are you, anyhow?

"My easy chair, with open arms,

Awaits me just within the door;

The littered carpet's woven charms

Have never seemed so bright before,—

The old rosettes and mignonettes

And ivy-leaves and violets,

Look up as pure and fresh of hue

As though baptized in morning dew.

"Old Room, to me your homely walls

Fold round me like the arms of love,

And over all my being falls

A blessing pure as from above—

Even as a nestling child caressed

And lulled upon a loving breast,

With folded eyes, too glad to weep

And yet too sad for dreams or sleep.

"You've been so kind to me, old Room—

So patient in your tender care,

My drooping heart in fullest bloom

Has blossomed for you unaware;

And who but you had cared to woo

A heart so dark, and heavy, too,

As in the past you lifted mine

From out the shadow to the shine?

"For I was but a wayward boy

When first you gladly welcomed me

And taught me work was truer joy

Than rioting incessantly:

And thus the din that stormed within

The old guitar and violin

Has fallen in a fainter tone

And sweeter, for your sake alone.

"Though in my absence I have stood

In festal halls a favored guest,

I missed, in this old quietude,

My worthy work and worthy rest—

By this I know that long ago

You loved me first, and told me so

In art's mute eloquence of speech

The voice of praise may never reach.

"For lips and eyes in truth's disguise

Confuse the faces of my friends,

Till old affection's fondest ties

I find unraveling at the ends;

But as I turn to you, and learn

To meet my griefs with less concern,

Your love seems all I have to keep

Me smiling lest I needs must weep.

"Yet I am happy, and would fain

Forget the world and all its woes;

So set me to my tasks again,

Old Room, and lull me to repose:

And as we glide adown the tide

Of dreams, forever side by side,

I'll hold your hands as lovers do

Their sweethearts' and talk love to you."

Man playing a guitar

Beggar approaching man in top hat

THE PLAINT HUMAN

Season of snows, and season of flowers,

Seasons of loss and gain!—

Since grief and joy must alike be ours,

Why do we still complain?

Ever our failing, from sun to sun,

O my intolerant brother—

We want just a little too little of one,

And much too much of the other.

THE QUEST

I am looking for Love. Has he passed this way,

With eyes as blue as the skies of May,

And a face as fair as the summer dawn?—

You answer back, but I wander on,—

For you say: "Oh, yes; but his eyes were gray,

And his face as dim as a rainy day."

Good friends, I query, I search for Love;

His eyes are as blue as the skies above,

And his smile as bright as the midst of May

When the truce-bird pipes: Has he passed this way?

And one says: "Ay; but his face, alack!

Frowned as he passed, and his eyes were black."

O who will tell me of Love? I cry!

His eyes are as blue as the mid-May sky,

And his face as bright as the morning sun;

And you answer and mock me, every one,

That his eyes were dark, and his face was wan,

And he passed you frowning and wandered on.

But stout of heart will I onward fare,

Knowing

my

Love is beyond—somewhere,—

The Love I seek, with the eyes of blue,

And the bright, sweet smile unknown of you;

And on from the hour his trail is found

I shall sing sonnets the whole year round.

Landscape

THE MULBERRY TREE

It's many's the scenes which is dear to my mind

As I think of my childhood so long left behind;

The home of my birth, with it's old puncheon-floor,

And the bright morning-glories that growed round the door;

The warped clab-board roof whare the rain it run off

Into streams of sweet dreams as I laid in the loft,

Countin' all of the joys that was dearest to me,

And a-thinkin' the most of the mulberry tree.

And to-day as I dream, with both eyes wide-awake,

I can see the old tree, and its limbs as they shake,

And the long purple berries that rained on the ground

Whare the pastur' was bald whare we trommpt it around.

And again, peekin' up through the thick leafy shade,

I can see the glad smiles of the friends when I strayed

With my little bare feet from my own mother's knee

To foller them off to the mulberry tree.

Boy in front of house

Leanin' up in the forks, I can see the old rail,

And the boy climbin' up it, claw, tooth, and toe-nail,

And in fancy can hear, as he spits on his hands,

The ring of his laugh and the rip of his pants.

But that rail led to glory, as certin and shore

As I'll never climb thare by that rout' any more—

What was all the green lauruls of Fame unto me,

With my brows in the boughs of the mulberry tree!

Then it's who can fergit the old mulberry tree

That he knowed in the days when his thoughts was as free

As the flutterin' wings of the birds that flew out

Of the tall wavin' tops as the boys come about?

O, a crowd of my memories, laughin' and gay,

Is a-climbin' the fence of that pastur' to-day,

And, a-pantin' with joy, as us boys ust to be,

They go racin' acrost fer the mulberry tree.

Landscape

FOR YOU

For you, I could forget the gay

Delirium of merriment,

And let my laughter die away

In endless silence of content.

I could forget, for your dear sake,

The utter emptiness and ache

Of every loss I ever knew.—

What could I not forget for you?

I could forget the just deserts

Of mine own sins, and so erase

The tear that burns, the smile that hurts,

And all that mars or masks my face.

For your fair sake I could forget

The bonds of life that chafe and fret,

Nor care if death were false or true.—

What could I not forget for you?

What could I not forget? Ah me!

One thing, I know, would still abide

Forever in my memory,

Though all of love were lost beside—

I yet would feel how first the wine

Of your sweet lips made fools of mine

Until they sung, all drunken through—

"What could I not forget for you?"

Long-stem rose

Landscape

A FEEL IN THE CHRIS'MAS-AIR

They's a kind o'

feel

in the air, to me.

When the Chris'mas-times sets in.

That's about as much of a mystery

As ever I've run ag'in!—

Fer instunce, now, whilse I gain in weight

And gineral health, I swear

They's a

goneness

somers I can't quite state—

A kind o' feel in the air.

Man in a chair

They's a feel in the Chris'mas-air goes right

To the spot where a man lives at!—

It gives a feller a' appetite—

They ain't no doubt about that!—

And yit they's

somepin

'—I don't know what—

That follers me, here and there,

And ha'nts and worries and spares me not—

A kind o' feel in the air!

They's a

feel

, as I say, in the air that's jest

As blame-don sad as sweet!—

In the same ra-sho as I feel the best

And am spryest on my feet,

They's allus a kind o' sort of a'

ache

That I can't lo-cate no-where;—

But it comes with

Chris'mas

, and no mistake!—

A kind o' feel in the air.

Is it the racket the childern raise?—

W'y, no!—God bless 'em!—no!—

Is it the eyes and the cheeks ablaze—

Like my own wuz, long ago?—

Is it the bleat o' the whistle and beat

O' the little toy-drum and blare

O' the horn?—

No! no!

—it is jest the sweet—

The sad-sweet feel in the air.

Landscape

AS CREATED

There's a space for good to bloom in

Every heart of man or woman,—

And however wild or human,

Or however brimmed with gall,

Never heart may beat without it;

And the darkest heart to doubt it

Has something good about it

After all.

Landscape

WHERE-AWAY

O the Lands of Where-Away!

Tell us—tell us—where are they?

Through the darkness and the dawn

We have journeyed on and on—

From the cradle to the cross—

From possession unto loss.—

Seeking still, from day to day,

For the Lands of Where-Away.

When our baby-feet were first

Planted where the daisies burst,

And the greenest grasses grew

In the fields we wandered through,—

On, with childish discontent,

Ever on and on we went,

Hoping still to pass, some day,

O'er the verge of Where-Away.

Roses laid their velvet lips

On our own, with fragrant sips;

But their kisses held us not,

All their sweetness we forgot;—

Though the brambles in our track

Plucked at us to hold us back—

"Just ahead," we used to say,

"Lie the Lands of Where-Away."

Children at the pasture-bars,

Through the dusk, like glimmering stars,

Waved their hands that we should bide

With them over eventide;

Down the dark their voices failed

Falteringly, as they hailed,

And died into yesterday—

Night ahead and—Where-Away?

Twining arms about us thrown—

Warm caresses, all our own,

Can but stay us for a spell—

Love hath little new to tell

To the soul in need supreme,

Aching ever with the dream

Of the endless bliss it may

Find in Lands of Where-Away!

Boy and a girl fishing

Landscape

DREAMER, SAY

Dreamer, say, will you dream for me

A wild sweet dream of a foreign land,

Whose border sips of a foaming sea

With lips of coral and silver sand;

Where warm winds loll on the shady deeps,

Or lave themselves in the tearful mist

The great wild wave of the breaker weeps

O'er crags of opal and amethyst?

Dreamer, say, will you dream a dream

Of tropic shades in the lands of shine,

Where the lily leans o'er an amber stream

That flows like a rill of wasted wine,—

Where the palm-trees, lifting their shields of green,

Parry the shafts of the Indian sun

Whose splintering vengeance falls between

The reeds below where the waters run?

Dreamer, say, will you dream of love

That lives in a land of sweet perfume,

Where the stars drip down from the skies above

In molten spatters of bud and bloom?

Where never the weary eyes are wet,

And never a sob in the balmy air,

And only the laugh of the paroquette

Breaks the sleep of the silence there?

Landscape

Man in a graveyard

OUR OWN

They walk here with us, hand-in-hand;

We gossip, knee-by-knee;

They tell us all that they have planned—

Of all their joys to be,—

And, laughing, leave us: And, to-day,

All desolate we cry

Across wide waves of voiceless graves—

Good-by! Good-by! Good-by!

THE OLD TRUNDLE-BED

O the old trundle-bed where I slept when a boy!

What canopied king might not covet the joy?

The glory and peace of that slumber of mine,

Like a long, gracious rest in the bosom divine:

The quaint, homely couch, hidden close from the light,

But daintily drawn from its hiding at night.

O a nest of delight, from the foot to the head,

Was the queer little, clear little, old trundle-bed!

O the old trundle-bed, where I wondering saw

The stars through the window, and listened with awe

To the sigh of the winds as they tremblingly crept

Through the trees where the robin so restlessly slept:

Where I heard the low, murmurous chirp of the wren,

And the katydid listlessly chirrup again,

Till my fancies grew faint and were drowsily led

Through the maze of the dreams of the old trundle bed.

Boy tieing his shoe

O the old trundle-bed! O the old trundle-bed!

With its plump little pillow, and old-fashioned spread;

Its snowy-white sheets, and the blankets above,

Smoothed down and tucked round with the touches of love;

The voice of my mother to lull me to sleep

With the old fairy-stories my memories keep

Still fresh as the lilies that bloom o'er the head

Once bowed o'er my own in the old trundle-bed.

Bed

Man plowing

WHO BIDES HIS TIME

Who bides his time, and day by day

Faces defeat full patiently,

And lifts a mirthful roundelay,

However poor his fortunes be,—

He will not fail in any qualm

Of poverty—the paltry clime

It will grow golden in his palm,

Who bides his time.

Who bides his time—he tastes the sweet

Of honey in the saltest tear;

And though he fares with slowest feet,

Joy runs to meet him, drawing near;

The birds are heralds of his cause;

And, like a never-ending rhyme,

The roadsides bloom in his applause,

Who bides his time.

Who bides his time, and fevers not

In the hot race that none achieves,

Shall wear cool-wreathen laurel, wrought

With crimson berries in the leaves;

And he shall reign a goodly king,

And sway his hand o'er every clime,

With peace writ on his signet-ring,

Who bides his time.

Landscape

Man running after a train

NATURAL PERVERSITIES

I am not prone to moralize

In scientific doubt

On certain facts that Nature tries

To puzzle us about,—

For I am no philosopher

Of wise elucidation,

But speak of things as they occur,

From simple observation.

I notice

little

things—to wit:—

I never missed a train

Because I didn't

run

for it;

I never knew it rain

That my umbrella wasn't lent,—

Or, when in my possession,

The sun but wore, to all intent,

A jocular expression.

Man on a rainy city street

I never knew a creditor

To dun me for a debt

But I was "cramped" or "busted;" or

I never knew one yet,

When I had plenty in my purse,

To make the least invasion,—

As I, accordingly perverse,

Have courted no occasion.

Nor do I claim to comprehend

What Nature has in view

In giving us the very friend

To trust we oughtn't to.—

But so it is: The trusty gun

Disastrously exploded

Is always sure to be the one

We didn't think was loaded.

Our moaning is another's mirth,—

And what is worse by half,

We say the funniest thing on earth

And never raise a laugh:

Mid friends that love us overwell,

And sparkling jests and liquor,

Our hearts somehow are liable

To melt in tears the quicker.

We reach the wrong when most we seek

The right; in like effect,

We stay the strong and not the weak—

Do most when we neglect.—

Neglected genius—truth be said—

As wild and quick as tinder,

The more we seek to help ahead

The more we seem to hinder.

I've known the least the greatest, too—

And, on the selfsame plan,

The biggest fool I ever knew

Was quite a little man:

We find we ought, and then we won't—

We prove a thing, then doubt it,—

Know

everything

but when we don't

Know anything about it.

An umbrella

Landscape

A SCRAWL

I want to sing something—but this is all—

I try and I try, but the rhymes are dull

As though they were damp, and the echoes fall

Limp and unlovable.

Words will not say what I yearn to say—

They will not walk as I want them to,

But they stumble and fall in the path of the way

Of my telling my love for you.

Simply take what the scrawl is worth—

Knowing I love you as sun the sod

On the ripening side of the great round earth

That swings in the smile of God.

WRITIN' BACK TO THE HOME-FOLKS

My dear old friends—It jes beats all,

The way you write a letter

So's ever'

last

line beats the

first

,

And ever' next-un's better!—

W'y, ever' fool-thing you putt down

You make so interestin',

A feller, readin' of 'em all,

Can't tell which is the best-un.

It's all so comfortin' and good,

'Pears-like I almost hear ye

And git more sociabler, you know,

And hitch my cheer up near ye

And jes smile on ye like the sun

Acrosst the whole per-rairies

In Aprile when the thaw's begun

And country couples marries.

Man sitting reading a letter

It's all so good-old-fashioned like

To talk jes like we're thinkin',

Without no hidin' back o' fans

And giggle-un and winkin',

Ner sizin' how each-other's dressed—

Like some is allus doin',—

"

Is

Marthy Ellen's basque ben

turned

Er shore-enough a new-un!"—

Er "ef Steve's city-friend haint jes

'A leetle kindo'-sorto'"—

Er "wears them-air blame eye-glasses

Jes 'cause he hadn't ort to?"

And so straight on,

dad-libitum

,

Tel all of us feels, someway,

Jes like our "comp'ny" wuz the best

When we git up to come 'way!

That's why I like

old

friends like you,—

Jes 'cause you're so abidin'.—

Ef I was built to live "

fer keeps

,"

My principul residin'

Would be amongst the folks 'at kep'

Me allus thinkin' of 'em,

And sorto' eechin' all the time

To tell 'em how I love 'em.—

Sich folks, you know, I jes love so

I wouldn't live without 'em,

Er couldn't even drap asleep

But what I dreamp' about 'em,—

And ef we minded God, I guess

We'd all love one-another

Jes like one fam'bly,—me and Pap

And Madaline and Mother.

Woman sitting with plate in her lap

Man laughing

LAUGHTER HOLDING BOTH HIS SIDES

Ay, thou varlet!—Laugh away!

All the world's a holiday!

Laugh away, and roar and shout

Till thy hoarse tongue lolleth out!

Bloat thy cheeks, and bulge thine eyes

Unto bursting; pelt thy thighs

With thy swollen palms, and roar

As thou never hast before!

Lustier! wilt thou! peal on peal!

Stiflest? Squat and grind thy heel—

Wrestle with thy loins, and then

Wheeze thee whiles, and whoop again!

THE SONG OF YESTERDAY

I

But yesterday

I looked away

O'er happy lands, where sunshine lay

In golden blots

Inlaid with spots

Of shade and wild forget-me-nots.

My head was fair

With flaxen hair,

And fragrant breezes, faint and rare,

And warm with drouth

From out the south,

Blew all my curls across my mouth.

And, cool and sweet,

My naked feet

Found dewy pathways through the wheat;

And out again

Where, down the lane,

The dust was dimpled with the rain.

Boy, girl, and dog

II

But yesterday:—

Adream, astray,

From morning's red to evening's gray,

O'er dales and hills

Of daffodils

And lorn sweet-fluting whippoorwills.

I knew nor cares

Nor tears nor prayers—

A mortal god, crowned unawares

With sunset—and

A scepter-wand

Of apple-blossoms in my hand!

The dewy blue

Of twilight grew

To purple, with a star or two

Whose lisping rays

Failed in the blaze

Of sudden fireflies through the haze.

III

But yesterday

I heard the lay

Of summer birds, when I, as they

With breast and wing,

All quivering

With life and love, could only sing.

My head was lent

Where, with it, blent

A maiden's o'er her instrument;

While all the night,

From vale to height,

Was filled with echoes of delight.

And all our dreams

Were lit with gleams

Of that lost land of reedy streams.

Along whose brim

Forever swim

Pan's lilies, laughing up at him.

Woman playing guitar while man listens

IV

But yesterday!...

O blooms of May,

And summer roses—where-away?

O stars above;

And lips of love,

And all the honeyed sweets thereof!—

O lad and lass,

And orchard pass,

And briered lane, and daisied grass!

O gleam and gloom,

And woodland bloom,

And breezy breaths of all perfume!—

No more for me

Or mine shall be

Thy raptures—save in memory,—

No more—no more—

Till through the Door

Of Glory gleam the days of yore.

Woman and man clasping hands

SONG OF PARTING

Say farewell, and let me go;

Shatter every vow!

All the future can bestow

Will be welcome now!

And if this fair hand I touch

I have worshipped overmuch,

It was my mistake—and so,

Say farewell, and let me go.

Say farewell, and let me go:

Murmur no regret,

Stay your tear-drops ere they flow—

Do not waste them yet!

They might pour as pours the rain,

And not wash away the pain:

I have tried them and I know.—

Say farewell, and let me go.

Say farewell, and let me go:

Think me not untrue—

True as truth is, even so

I am true to you!

If the ghost of love may stay

Where my fond heart dies to-day,

I am with you alway—so,

Say farewell, and let me go.

Ship at sea

OUR KIND OF A MAN

I

The kind of a man for you and me!

He faces the world unflinchingly,

And smites, as long as the wrong resists,

With a knuckled faith and force like fists:

He lives the life he is preaching of,

And loves where most is the need of love;

His voice is clear to the deaf man's ears,

And his face sublime through the blind man's tears;

The light shines out where the clouds were dim,

And the widow's prayer goes up for him;

The latch is clicked at the hovel door

And the sick man sees the sun once more,

And out o'er the barren fields he sees

Springing blossoms and waving trees,

Feeling as only the dying may,

That God's own servant has come that way,

Smoothing the path as it still winds on

Through the Golden Gate where his loved have gone.

II

The kind of a man for me and you!

However little of worth we do

He credits full, and abides in trust

That time will teach us how more is just.

He walks abroad, and he meets all kinds

Of querulous and uneasy minds,

And, sympathizing, he shares the pain

Of the doubts that rack us, heart and brain;

And, knowing this, as we grasp his hand,

We are surely coming to understand!

He looks on sin with pitying eyes—

E'en as the Lord, since Paradise,—

Else, should we read, "Though our sins should glow

As scarlet, they shall be white as snow"?—

And, feeling still, with a grief half glad,

That the bad are as good as the good are bad,

He strikes straight out for the Right—and he

Is the kind of a man for you and me!

Man reading

"HOW DID YOU REST, LAST NIGHT?"

"How did you rest, last night?"—

I've heard my gran'pap say

Them words a thousand times—that's right—

Jes them words thataway!

As punctchul-like as morning dast

To ever heave in sight

Gran'pap 'ud allus haf to ast—

"How did you rest, last night?"

Elderly man and boy

Us young-uns used to grin,

At breakfast, on the sly,

And mock the wobble of his chin

And eyebrows belt so high

And kind: "

How did you rest, last night?

"

We'd mumble and let on

Our voices trimbled, and our sight

Was dim, and hearin' gone.

Bad as I used to be,

All I'm a-wantin' is

As puore and ca'm a sleep fer me

And sweet a sleep as his!

And so I pray, on Jedgment Day

To wake, and with its light

See

his

face dawn, and hear him say—

"How did you rest, last night?"

Landscape

Tree with blossoms

OUT OF THE HITHERWHERE

Out of the hitherwhere into the Yon—

The land that the Lord's love rests upon;

Where one may rely on the friends he meets,

And the smiles that greet him along the streets:

Where the mother that left you years ago

Will lift the hands that were folded so,

And put them about you, with all the love

And tenderness you are dreaming of.

Out of the hitherwhere into the Yon—

Where all of the friends of your youth have gone,—

Where the old schoolmate that laughed with you,

Will laugh again as he used to do,

Running to meet you, with such a face

As lights like a moon the wondrous place

Where God is living, and glad to live,

Since He is the Master and may forgive.

Out of the hitherwhere into the Yon!—

Stay the hopes we are leaning on—

You, Divine, with Your merciful eyes

Looking down from the far-away skies,—

Smile upon us, and reach and take

Our worn souls Home for the old home's sake.—

And so Amen,—for our all seems gone

Out of the hitherwhere into the Yon.

Landscape

Jack-in-the-box

JACK-IN-THE-BOX

(Grandfather, musing.)

In childish days! O memory,

You bring such curious things to me!—

Laughs to the lip—tears to the eye,

In looking on the gifts that lie

Like broken playthings scattered o'er

Imagination's nursery floor!

Did these old hands once click the key

That let "Jack's" box-lid upward fly,

And that blear-eyed, fur-whiskered elf

Leap, as though frightened at himself,

And quiveringly lean and stare

At me, his jailer, laughing there?

Elderly man and girl

A child then! Now—I only know

They call me very old; and so

They will not let me have my way,—

But uselessly I sit all day

Here by the chimney-jamb, and poke

The lazy fire, and smoke and smoke,

And watch the wreaths swoop up the flue,

And chuckle—ay, I often do—

Seeing again, all vividly,

Jack-in-the-box leap, as in glee

To see how much he looks like me!

... They talk. I can't hear what they say—

But I am glad, clean through and through

Sometimes, in fancying that they

Are saying, "Sweet, that fancy strays

In age back to our childish days!"

Pipe and eyeglasses

THE BOYS

Where are they?—the friends of my childhood enchanted—

The clear, laughing eyes looking back in my own,

And the warm, chubby fingers my palms have so wanted,

As when we raced over

Pink pastures of clover,

And mocked the quail's whir and the bumblebee's drone?

Have the breezes of time blown their blossomy faces

Forever adrift down the years that are flown?

Am I never to see them romp back to their places,

Where over the meadow,

In sunshine and shadow,

The meadow-larks trill, and the bumblebees drone?

Where are they? Ah! dim in the dust lies the clover;

The whippoorwill's call has a sorrowful tone,

And the dove's—I have wept at it over and over;—

I want the glad luster

Of youth, and the cluster

Of faces asleep where the bumblebees drone!

Two boys

Man on a pier

IT'S GOT TO BE

"When it's

got

to be,"—like! always say,

As I notice the years whiz past,

And know each day is a yesterday,

When we size it up, at last,—

Same as I said when my

boyhood

went

And I knowed we had to quit,—

"It's

got

to be, and it's

goin'

to be!"—

So I said "Good-by" to it.

It's

got

to be, and it's

goin'

to be!

So at least I always try

To kind o' say in a hearty way,—

"Well, it's got to be. Good-by!"

The time jes melts like a late, last snow,—

When it's got to be, it melts!

But I aim to keep a cheerful mind,

Ef I can't keep nothin' else!

I knowed, when I come to twenty-one,

That I'd soon be twenty-two,—

So I waved one hand at the soft young man,

And I said, "Good-by to you!"

It's

got

to be, and it's

goin'

to be!

So at least I always try

To kind o' say, in a cheerful way,—

"Well, it's got to be.—Good-by!"

They kep' a-goin', the years and years,

Yet still I smiled and smiled,—

For I'd said "Good-by" to my single life,

And I now had a wife and child:

Mother and son and the father—one,—

Till, last, on her bed of pain,

She jes' smiled up, like she always done,—

And I said "Good-by" again.

It's

got

to be, and it's

goin'

to be!

So at least I always try

To kind o' say, in a humble way,—

"Well, it's got to be. Good-by!"

Man weeping over body of another man

And then my boy—as he growed to be

Almost a man in size,—

Was more than a pride and joy to me,

With his mother's smilin' eyes.—

He gimme the slip, when the War broke out,

And followed me. And I

Never knowed till the first right's end ...

I found him, and then, ... "Good-by."

It's

got

to be, and it's

goin'

to be!

So at least I always try

To kind o' say, in a patient way,

"Well, it's got to be. Good-by!"

I have said, "Good-by!—Good-by!—Good-by!"

With my very best good will,

All through life from the first,—and I

Am a cheerful old man still:

But it's

got

to end, and it's

goin'

to end!

And this is the thing I'll do,—

With my last breath I will laugh, O Death,

And say "Good-by" to you!...

It's

got

to be! And again I say,—

When his old scythe circles high,

I'll laugh—of course, in the kindest way,—

As I say "Good-by!—Good-by!"

Baby

"OUT OF REACH?"

You think them "out of reach," your dead?

Nay, by my own dead, I deny

Your "out of reach."—Be comforted:

'Tis not so far to die.

O by their dear remembered smiles

And outheld hands and welcoming speech,

They wait for us, thousands of miles

This side of "out-of-reach."

Landscape

"A BRAVE REFRAIN"

When snow is here, and the trees look weird,

And the knuckled twigs are gloved with frost;

When the breath congeals in the drover's beard,

And the old pathway to the barn is lost;

When the rooster's crow is sad to hear,

And the stamp of the stabled horse is vain,

And the tone of the cow-bell grieves the ear—

O then is the time for a brave refrain!

When the gears hang stiff on the harness-peg,

And the tallow gleams in frozen streaks;

And the old hen stands on a lonesome leg,

And the pump sounds hoarse and the handle squeaks;

When the woodpile lies in a shrouded heap,

And the frost is scratched from the window-pane

And anxious eyes from the inside peep—

O then is the time for a brave refrain!

When the ax-helve warms at the chimney-jamb,

And hob-nailed shoes on the hearth below,

And the house-cat curls in a slumber calm,

And the eight-day clock ticks loud and slow;

When the harsh broom-handle jabs the ceil

'Neath the kitchen-loft, and the drowsy brain

Sniffs the breath of the morning meal—

O then is the time for a brave refrain!

ENVOI

When the skillet seethes, and a blubbering hot

Tilts the lid of the coffee-pot,

And the scent of the buckwheat cake grows plain—

O then is the time for a brave refrain!

Landscape

IN THE EVENING

I

In the evening of our days,

When the first far stars above

Glimmer dimmer, through the haze,

Than the dewy eyes of love,

Shall we mournfully revert

To the vanished morns and Mays

Of our youth, with hearts that hurt,—

In the evening of our days?

II

Shall the hand that holds your own

Till the twain are thrilled as now,

Be withheld, or colder grown?

Shall my kiss upon your brow

Falter from its high estate?

And, in all forgetful ways,

Shall we sit apart and wait—

In the evening of our days?

III

Nay, my wife—my life!—the gloom

Shall enfold us velvetwise,

And my smile shall be the groom

Of the gladness of your eyes:

Gently, gently as the dew

Mingles with the darkening maze,

I shall fall asleep with you—

In the evening of our days.

Man with hammer

JIM

He was jes a plain, ever'-day, all-round kind of a

jour.,

Consumpted-lookin'—but la!

The jokiest, wittiest, story-tellin', song-singin',

laughin'est, jolliest

Feller you ever saw!

Worked at jes coarse work, but you kin bet he was fine

enough in his talk,

And his feelin's, too!

Lordy! ef he was on'y back on his bench ag'in to-day,

a-carryin' on

Like he ust to do!

Any shop-mate'll tell you there never was, on top o'

dirt,

A better feller'n Jim!

You want a favor, and couldn't git it anywheres else—

You could git it o' him!

Most free-heartedest man thataway in the world, I

guess!

Give up ever' nickel he's worth—

And, ef you'd a-wanted it, and named it to him, and it

was his,

He'd a-give you the earth!

Allus a-reachin' out, Jim was, and a-he'ppin' some

Pore feller onto his feet—

He'd a-never a-keered how hungry he was hisse'f,

So's the feller got somepin' to eat!

Didn't make no differ'nee at all to him how

he

was

dressed,

He ust to say to me,—

"You togg out a tramp purty comfortable in

winter-time, a-huntin' a job,

And he'll git along!" says he.

Man reaching into pocket for beggar

Jim didn't have, ner never could git ahead, so overly

much

O' this world's goods at a time.—

'Fore now I've saw him, more'n one't, lend a dollar,

and haf to, more'n like,

Turn round and borry a dime!

Mebby laugh and joke about it hisse'f fer a while—

then jerk his coat.

And kindo' square his chin,

Tie on his apern, and squat hisse'f on his old

shoe-bench,

And go to peggin' ag'in!

Patientest feller, too, I reckon, 'at ever jes

natchurly

Coughed hisse'f to death!

Long enough after his voice was lost he'd laugh in a

whisper and say

He could git ever'thing but his breath—

"

You fellers

," he'd sorto' twinkle his eyes and say,

"Is a-pilin' onto me

A mighty big debt fer that-air little weak-chested

ghost o' mine to pack

Through all Eternity!"

Now there was a man 'at jes 'peared-like, to me,

'At ortn't a-never a-died!

"But death hain't a-showin' no favors," the old boss

said—

"On'y to Jim!" and cried:

And Wigger, who puts up the best sewed-work in the

shop—

Er the whole blame neighborhood,—

He says, "When God made Jim, I bet you He didn't do

anything else that day

But jes set around and feel good!"

Old shoe

Cottage

THE BEST IS GOOD ENOUGH

I quarrel not with Destiny,

But make the best of everything—

The best is good enough for me.

Leave Discontent alone, and she

Will shut her month and let

you

sing.

I quarrel not with Destiny.

I take some things, or let 'em be—

Good gold has always got the ring;

The best is good enough for me.

Since Fate insists on secrecy,

I have no arguments to bring—

quarrel not with Destiny.

The fellow that goes "haw" for "gee"

Will find he hasn't got full swing.

The best is good enough for me.

One only knows our needs, and He

Does all of the distributing.

I quarrel not with Destiny;

The best is good enough for me.

Landscape

HONEY DRIPPING FROM THE COMB

How slight a thing may set one's fancy drifting

Upon the dead sea of the Past!—A view—

Sometimes an odor—or a rooster lifting

A far-off "Ooh! ooh-ooh!"

And suddenly we find ourselves astray

In some wood's-pasture of the Long Ago—

Or idly dream again upon a day

Of rest we used to know.

I bit an apple but a moment since—

A wilted apple that the worm had spurned.—

Yet hidden in the taste were happy hints

Of good old days returned.—

And so my heart, like some enraptured lute,

Tinkles a tune so tender and complete,

God's blessing must be resting on the fruit—

So bitter, yet so sweet!

AS MY UNCLE USED TO SAY

I've thought a power on men and things,

As my uncle ust to say,—

And ef folks don't work as they pray, i jings!

W'y, they ain't no use to pray!

Ef you want somepin', and jes dead-set

A-pleadin' fer it with both eyes wet,

And

tears

won't bring it, w'y, you try

sweat

,

As my uncle ust to say.

They's some don't know their A, B, C's,

As my uncle ust to say,

And yit don't waste no candle-grease,

Ner whistle their lives away!

But ef they can't write no book, ner rhyme

No singin' song fer to last all time,

They can blaze the way fer the march sublime,

As my uncle ust to say.

Man standing outdoors

Whoever's Foreman of all things here,

As my uncle ust to say,

He knows each job 'at we're best fit fer,

And our round-up, night and day:

And a-sizin'

His

work, east and west,

And north and south, and worst and best.

I ain't got nothin' to suggest,

As my uncle ust to say.

Man chopping down a tree

WE MUST BELIEVE

"

Lord, I believe: help Thou mine unbelief.

"

We must believe—

Being from birth endowed with love and trust—

Born unto loving;—and how simply just

That love—that faith!—even in the blossom-face

The babe drops dreamward in its resting-place,

Intuitively conscious of the sure

Awakening to rapture ever pure

And sweet and saintly as the mother's own,

Or the awed father's, as his arms are thrown

O'er wife and child, to round about them weave

And wind and bind them as one harvest-sheaf

Of love—to cleave to, and

forever

cleave....

Lord, I believe:

Help Thou mine unbelief.

We must believe—

Impelled since infancy to seek some clear

Fulfillment, still withheld all seekers here;—

For never have we seen perfection nor

The glory we are ever seeking for:

But we

have

seen—all mortal souls as one—

Have seen its

promise

, in the morning sun—

Its blest assurance, in the stars of night;—

The ever-dawning of the dark to light;—

The tears down-falling from all eyes that grieve—

The eyes uplifting from all deeps of grief,

Yearning for what at last we shall receive....

Lord, I believe:

Help Thou mine unbelief.

We must believe—

For still all unappeased our hunger goes,

From life's first waking, to its last repose:

The briefest life of any babe, or man

Outwearing even the allotted span,

Is each a life unfinished—incomplete:

For these, then, of th' outworn, or unworn feet

Denied one toddling step—O there must be

Some fair, green, flowery pathway endlessly

Winding through lands Elysian! Lord, receive

And lead each as Thine Own Child—even the Chief

Of us who didst Immortal life achieve....

Lord, I believe:

Help Thou mine unbelief.

A GOOD MAN

I

A good man never dies—

In worthy deed and prayer

And helpful hands, and honest eyes,

If smiles or tears be there:

Who lives for you and me—

Lives for the world he tries

To help—he lives eternally.

A good man never dies.

II

Who lives to bravely take

His share of toil and stress,

And, for his weaker fellows' sake,

Makes every burden less,—

He may, at last, seem worn—

Lie fallen—hands and eyes

Folded—yet, though we mourn and mourn,

A good man never dies.

Man plowing

Landscape

THE OLD DAYS

The old days—the far days—

The overdear and fair!—

The old days—the lost days—

How lovely they were!

The old days of Morning,

With the dew-drench on the flowers

And apple-buds and blossoms

Of those old days of ours.

Then was the

real

gold

Spendthrift Summer flung;

Then was the

real

song

Bird or Poet sung!

There was never censure then,—

Only honest praise—

And all things were worthy of it

In the old days.

There bide the true friends—

The first and the best;

There clings the green grass

Close where they rest:

Would they were here? No;—

Would we were there!...

The old days—the lost days—

How lovely they were!

Flowers

Trees

A SPRING SONG AND A LATER

She sang a song of May for me,

Wherein once more I heard

The mirth of my glad infancy—

The orchard's earliest bird—

The joyous breeze among the trees

New-clad in leaf and bloom,

And there the happy honey-bees

In dewy gleam and gloom.

So purely, sweetly on the sense

Of heart and spirit fell

Her song of Spring, its influence—

Still irresistible,—

Commands me here—with eyes ablur—

To mate her bright refrain.

Though I but shed a rhyme for her

As dim as Autumn rain.

KNEELING WITH HERRICK

Dear Lord, to Thee my knee is bent--

Give me content—

Full-pleasured with what comes to me,

Whate'er it be:

An humble roof—a frugal board,

And simple hoard;

The wintry fagot piled beside

The chimney wide,

While the enwreathing flames up-sprout

And twine about

The brazen dogs that guard my hearth

And household worth:

Tinge with the ember's ruddy glow

The rafters low;

And let the sparks snap with delight,

As fingers might

That mark deft measures of some tune

The children croon:

Then, with good friends, the rarest few

Thou boldest true,

Ranged round about the blaze, to share

My comfort there,—

Give me to claim the service meet

That makes each seat

A place of honor, and each guest

Loved as the rest.

Three men by a fireplace

Man walking away

THE RAINY MORNING

The dawn of the day was dreary,

And the lowering clouds o'erhead

Wept in a silent sorrow

Where the sweet sunshine lay dead;

And a wind came out of the eastward

Like an endless sigh of pain,

And the leaves fell down in the pathway

And writhed in the falling rain.

I had tried in a brave endeavor

To chord my harp with the sun,

But the strings would slacken ever,

And the task was a weary one:

And so, like a child impatient

And sick of a discontent,

I bowed in a shower of teardrops

And mourned with the instrument.

And lo! as I bowed, the splendor

Of the sun bent over me,

With a touch as warm and tender

As a father's hand might be:

And even as I felt its presence,

My clouded soul grew bright,

And the tears, like the rain of morning,

Melted in mists of light.

Rooster

Seascape

REACH YOUR HAND TO ME

Reach your hand to me, my friend,

With its heartiest caress—

Sometime there will come an end

To its present faithfulness—

Sometime I may ask in vain

For the touch of it again,

When between us land or sea

Holds it ever back from me.

Sometime I may need it so,

Groping somewhere in the night,

It will seem to me as though

Just a touch, however light,

Would make all the darkness day,

And along some sunny way

Lead me through an April-shower

Of my tears to this fair hour.

O the present is too sweet

To go on forever thus!

Round the corner of the street

Who can say what waits for us?—

Meeting—greeting, night and day,

Faring each the selfsame way—

Still somewhere the path must end.—

Reach your hand to me, my friend!

Lake

Man wearing hat

TO MY OLD FRIEND, WILLIAM LEACHMAM

Fer forty year and better you have been a friend to me,

Through days of sore afflictions and dire adversity,

You allus had a kind word of counsul to impart,

Which was like a healin' 'intment to the sorrow of my hart.

When I burried my first womern, William Leachman, it was you

Had the only consolation that I could listen to—

Fer I knowed you had gone through it and had rallied from the blow,

And when you said I'd do the same, I knowed you'd ort to know.

But that time I'll long remember; how I wundered here and thare—

Through the settin'-room and kitchen, and out in the open air—

And the snowflakes whirlin', whirlin', and the fields a frozen glare,

And the neghbors' sleds and wagons congergatin' ev'rywhare.

I turned my eyes to'rds heaven, but the sun was hid away;

I turned my eyes to'rds earth again, but all was cold and gray;

And the clock, like ice a-crackin', clickt the icy hours in two—

And my eyes'd never thawed out ef it hadn't been fer you!

We set thare by the smoke-house—me and you out thare alone—

Me a-thinkin'—you a-talkin' in a soothin' undertone—

You a-talkin'—me a-thinkin' of the summers long ago,

And a-writin' "Marthy—Marthy" with my finger in the snow!

Horses pulling a wagon

William Leachman, I can see you jest as plane as I could then;

And your hand is on my shoulder, and you rouse me up again,

And I see the tears a-drippin' from your own eyes, as you say:

"Be rickonciled and bear it—we but linger fer a day!"

At the last Old Settlers' Meetin' we went j'intly, you and me—

Your hosses and my wagon, as you wanted it to be;

And sence I can remember, from the time we've neghbored here,

In all sich friendly actions you have double-done your sheer.

It was better than the meetin', too, that nine-mile talk we had

Of the times when we first settled here and travel was so bad;

When we had to go on hoss-back, and sometimes on "Shanks's mare,"

And "blaze" a road fer them behind that had to travel thare.

And now we was a-trottin' 'long a level gravel pike,

In a big two-hoss road-wagon, jest as easy as you like—

Two of us on the front seat, and our wimmern-folks behind,

A-settin' in theyr Winsor-cheers in perfect peace of mind!

And we pinted out old landmarks, nearly faded out of sight:—

Thare they ust to rob the stage-coach; thare Gash Morgan had the fight

With the old stag-deer that pronged him—how he battled fer his life,

And lived to prove the story by the handle of his knife.

Thare the first griss-mill was put up in the Settlement, and we

Had tuck our grindin' to it in the Fall of Forty-three—

When we tuck our rifles with us, techin' elbows all the way,

And a-stickin' right together ev'ry minute, night and day.

Two men talking

Thare ust to stand the tavern that they called the "Travelers' Rest,"

And thare, beyent the covered bridge, "The Counter-fitters' Nest"—

Whare they claimed the house was ha'nted—that a man was murdered thare,

And burried underneath the floor, er 'round the place somewhare.

And the old Plank-road they laid along in Fifty-one er two—

You know we talked about the times when that old road was new:

How "Uncle Sam" put down that road and never taxed the State

Was a problem, don't you rickollect, we couldn't

dim

-onstrate?

Ways was devius, William Leachman, that me and you has past;

But as I found you true at first, I find you true at last;

And, now the time's a-comin' mighty nigh our jurney's end,

I want to throw wide open all my soul to you, my friend.

With the stren'th of all my bein', and the heat of hart and brane,

And ev'ry livin' drop of blood in artery and vane,

I love you and respect you, and I venerate your name,

Fer the name of William Leachman and True Manhood's jest the same!

House

A BACKWARD LOOK

As I sat smoking, alone, yesterday,

And lazily leaning back in my chair,

Enjoying myself in a general way—

Allowing my thoughts a holiday

From weariness, toil and care,—

My fancies—doubtless, for ventilation—

Left ajar the gates of my mind,—

And Memory, seeing the situation,

Slipped out in street of "Auld Lang Syne."

Wandering ever with tireless feet

Through scenes of silence, and jubilee

Of long-hushed voices; and faces sweet

Were thronging the shadowy side of the street

As far as the eye could see;

Dreaming again, in anticipation,

The same old dreams of our boyhood's days

That never come true, from the vague sensation

Of walking asleep in the world's strange ways.

Away to the house where I was born!

And there was the selfsame clock that ticked

From the close of dusk to the burst of morn,

When life-warm hands plucked the golden corn

And helped when the apples were picked.

And the "chany-dog" on the mantel-shelf,

With the gilded collar and yellow eyes,

Looked just as at first, when I hugged myself

Sound asleep with the dear surprise.

And down to the swing in the locust tree,

Where the grass was worn from the trampled ground

And where "Eck" Skinner, "Old" Carr, and three

Or four such other boys used to be

Doin' "sky-scrapers," or "whirlin' round:"

And again Bob climbed for the bluebird's nest,

And again "had shows" in the buggy-shed

Of Guymon's barn, where still, unguessed,

The old ghosts romp through the best days dead!

And again I gazed from the old school-room

With a wistful look of a long June day,

When on my cheek was the hectic bloom

Caught of Mischief, as I presume—

He had such a "partial" way,

It seemed, toward me.—And again I thought

Of a probable likelihood to be

Kept in after school—for a girl was caught

Catching a note from me.

Man in rocking chair

And down through the woods to the swimming-hole—

Where the big, white, hollow, old sycamore grows,—

And we never cared when the water was cold.

And always "clucked" the boy that told

On the fellow that tied the clothes.—

When life went so like a dreamy rhyme

That it seems to me now that then

The world was having a jollier time

Than it ever will have again.

Landscape

Seascape

AT SEA

O we go down to sea in ships—

But Hope remains behind,

And Love, with laughter on his lips,

And Peace, of passive mind;

While out across the deeps of night,

With lifted sails of prayer,

We voyage off in quest of light,

Nor find it anywhere.

O Thou who wroughtest earth and sea,

Yet keepest from our eyes

The shores of an eternity

In calms of Paradise,

Blow back upon our foolish quest

With all the driving rain

Of blinding tears and wild unrest,

And waft us home again.

Guitar

THE OLD GUITAR

Neglected now is the old guitar

And moldering into decay;

Fretted with many a rift and scar

That the dull dust hides away,

While the spider spins a silver star

In its silent lips to-day.

The keys hold only nerveless strings—

The sinews of brave old airs

Are pulseless now; and the scarf that clings

So closely here declares

A sad regret in its ravelings

And the faded hue it wears.

But the old guitar, with a lenient grace,

Has cherished a smile for me;

And its features hint of a fairer face

That comes with a memory

Of a flower-and-perfume-haunted place

And a moonlit balcony.

Music sweeter than words confess

Or the minstrel's powers invent,

Thrilled here once at the light caress

Of the fairy hands that lent

This excuse for the kiss I press

On the dear old instrument.

The rose of pearl with the jeweled stem

Still blooms; and the tiny sets

In the circle all are here; the gem

In the keys, and the silver frets;

But the dainty fingers that danced o'er them—

Alas for the heart's regrets!—

Alas for the loosened strings to-day,

And the wounds of rift and scar

On a worn old heart, with its roundelay

Enthralled with a stronger bar

That Fate weaves on, through a dull decay

Like that of the old guitar!

Boy playing a guitar

Man smoking a pipe

JOHN McKEEN

John McKeen, in his rusty dress,

His loosened collar, and swarthy throat;

His face unshaven, and none the less,

His hearty laugh and his wholesomeness,

And the wealth of a workman's vote!

Bring him, O Memory, here once more,

And tilt him back in his Windsor chair

By the kitchen-stove, when the day is o'er

And the light of the hearth is across the floor,

And the crickets everywhere!

And let their voices be gladly blent

With a watery jingle of pans and spoons,

And a motherly chirrup of sweet content,

And neighborly gossip and merriment,

And old-time fiddle-tunes!

Tick the clock with a wooden sound,

And fill the hearing with childish glee

Of rhyming riddle, or story found

In the Robinson Crusoe, leather-bound

Old book of the Used-to-be!

John McKeen of the Past! Ah, John,

To have grown ambitious in worldly ways!—

To have rolled your shirt-sleeves down, to don

A broadcloth suit, and, forgetful, gone

Out on election days!

John, ah, John! did it prove your worth

To yield you the office you still maintain?

To fill your pockets, but leave the dearth

Of all the happier things on earth

To the hunger of heart and brain?

Man gardening

Under the dusk of your villa trees,

Edging the drives where your blooded span

Paw the pebbles and wait your ease,—

Where are the children about your knees,

And the mirth, and the happy man?

The blinds of your mansion are battened to;

Your faded wife is a close recluse;

And your "finished" daughters will doubtless do

Dutifully all that is willed of you,

And marry as you shall choose!—

But O for the old-home voices, blent

With the watery jingle of pans and spoons,

And the motherly chirrup of glad content,

And neighborly gossip and merriment,

And the old-time fiddle-tunes!

Plates and spoon

Child shepherd and animals

THROUGH SLEEPY-LAND

Where do you go when you go to sleep,

Little Boy! Little Boy! where?

'Way—'way in where's Little Bo-Peep,

And Little Boy Blue, and the Cows and Sheep

A-wandering 'way in there;—in there—

A-wandering 'way in there!

And what do you see when lost in dreams,

Little Boy, 'way in there?

Firefly-glimmers and glowworm-gleams,

And silvery, low, slow-sliding streams,

And mermaids, smiling out—'way in where

They're a-hiding—'way in there!

Where do you go when the Fairies call,

Little Boy! Little Boy! where?

Wade through the clews of the grasses tall,

Hearing the weir and the waterfall

And the Wee Folk—'way in there—in there—

And the Kelpies—'way in there!

And what do you do when you wake at dawn,

Little Boy! Little Boy! what?

Hug my Mommy and kiss her on

Her smiling eyelids, sweet and wan,

And tell her everything I've forgot

About, a-wandering 'way in there—

Through the blind-world 'way in there!

Sleepy girl

"THEM OLD CHEERY WORDS"

Pap he allus ust to say,

"Chris'mus comes but onc't a year!"

Liked to hear him that-a-way,

In his old split-bottomed cheer

By the fireplace here at night—

Wood all in,—and room all bright,

Warm and snug, and folks all here:

"Chris'mus comes but onc't a year!"

Me and 'Lize, and Warr'n and Jess

And Eldory home fer two

Weeks' vacation; and, I guess,

Old folks tickled through and through,

Same as

we

was,—"Home onc't more

Fer another Chris'mus—shore!"

Pap 'u'd say, and tilt his cheer,—

"Chris'mus comes but onc't a year!"

Mostly Pap was ap' to be

Ser'ous in his "daily walk,"

As he called it; giner'ly

Was no hand to joke er talk.

Fac's is, Pap had never be'n

Rugged-like at all—and then

Three years in the army had

Hepped to break him purty bad.

Man and children in woods

Never

flinched

! but frost and snow

Hurt his wownd in winter. But

You bet

Mother

knowed it, though!—

Watched his feet, and made him putt

On his flannen; and his knee,

Where it never healed up, he

Claimed was "well now—mighty near—

Chris'mus comes but onc't a year!"

"Chris'mus comes but onc't a year!"

Pap 'u'd say, and snap his eyes ...

Row o' apples sputter'n' here

Round the hearth, and me and 'Lize

Crackin' hicker'-nuts; and Warr'n

And Eldory parchin' corn;

And whole raft o' young folks here.

"Chris'mus comes but onc't a year!"

Mother tuk most comfort in

Jest a-heppin' Pap: She'd fill

His pipe fer him, er his tin

O' hard cider; er set still

And read fer him out the pile

O' newspapers putt on file

Whilse he was with Sherman—(She

Knowed the whole war-history!)

Sometimes he'd git het up some.—

"Boys," he'd say, "and you girls, too,

Chris'mus is about to come;

So, as you've a right to do,

Celebrate

it! Lots has died,

Same as Him they crucified,

That you might be happy here.

Chris'mus comes but onc't a year!"

Missed his voice last Chris'mus—missed

Them old cheery words, you know.

Mother belt up tel she kissed

All of us—then had to go

And break down! And I laughs: "Here!

'Chris'mus comes but onc't a year!"

"Them's his very words," sobbed she,

"When he asked to marry me."

"Chris'mus comes but onc't a year!"

"Chris'mus comes but onc't a year!"

Over, over, still I hear,

"Chris'mus comes but onc't a year!"

Yit, like him, I'm goin' to smile

And keep cheerful all the while:

Allus

Chris'mus

There

—And here

"Chris'mus comes but onc't a year!"

Hat and coat hanging on wall

TO THE JUDGE

A Voice From the Interior of Old Hoop-Pole Township

Friend of my earliest youth,

Can't you arrange to come down

And visit a fellow out here in the woods—

Out of the dust of the town?

Can't you forget you're a Judge

And put by your dolorous frown

And tan your wan face in the smile of a friend—

Can't you arrange to come down?

Can't you forget for a while

The arguments prosy and drear,—

To lean at full-length in indefinite rest

In the lap of the greenery here?

Can't you kick over "the Bench,"

And "husk" yourself out of your gown

To dangle your legs where the fishing is good—

Can't you arrange to come down?

Bah! for your office of State!

And bah! for its technical lore!

What does our President, high in his chair,

But wish himself low as before!

Pick between peasant and king,—

Poke your bald head through a crown

Or shadow it here with the laurels of Spring!—

Can't you arrange to come down?

"Judge it" out

here

, if you will,—

The birds are in session by dawn;

You can draw, not

complaints

, but a sketch of the hill

And a breath that your betters have drawn;

You can open your heart, like a case,

To a jury of kine, white and brown,

And their verdict of "Moo" will just satisfy you!—

Can't you arrange to come down?

Man greeting another man

Can't you arrange it, old Pard?—

Pigeonhole Blackstone and Kent!—

Here we have "Breitmann," and Ward,

Twain, Burdette, Nye, and content!

Can't you forget you're a Judge

And put by your dolorous frown

And tan your wan face in the smile of a friend—

Can't you arrange to come down?

Man fishing

Two boys

OUR BOYHOOD HAUNTS

Ho! I'm going back to where

We were youngsters.—Meet me there,

Dear old barefoot chum, and we

Will be as we used to be,—

Lawless rangers up and down

The old creek beyond the town—

Little sunburnt gods at play,

Just as in that far-away:—

Water nymphs, all unafraid,

Shall smile at us from the brink

Of the old millrace and wade

Tow'rd us as we kneeling drink

At the spring our boyhood knew,

Pure and clear as morning-dew:

And, as we are rising there,

Doubly dow'rd to hear and see,

We shall thus be made aware

Of an eerie piping, heard

High above the happy bird

In the hazel: And then we,

Just across the creek, shall see

(Hah! the goaty rascal!) Pan

Hoof it o'er the sloping green,

Mad with his own melody,

Aye, and (bless the beasty man!)

Stamping from the grassy soil

Bruiséd scents of

fleur-de-lis

,

Boneset, mint and pennyroyal.

Landscape

MY DANCIN'-DAYS IS OVER

What is it in old fiddle-chunes 'at makes me ketch my breath

And ripples up my backbone tel I'm tickled most to death?—

Kindo' like that sweet-sick feelin', in the long sweep of a swing,

The first you ever swung in, with yer first sweet-heart, i jing!—

Yer first picnic—yer first ice-cream—yer first o' ever'thing

'At happened 'fore yer dancin'-days wuz over!

I never understood it—and I s'pose I never can,—

But right in town here, yisterd'y, I heerd a pore blindman

A-fiddlin' old "Gray Eagle"—And-sir! I jes stopped my load

O' hay and listened at him—yes, and watched the way he "bow'd,"—

And back I went, plum forty year', with boys and girls I knowed

And loved, long 'fore my dancin'-days wuz over!—

Man playing a fiddle near a horse-drawn wagon

At high noon in yer city,—with yer blame Magnetic-Cars

A-hummin' and a-screetchin' past—and bands and G.A.R.'s

A-marchin'—and fire-ingines.—All the noise, the whole street through,

Wuz lost on me!—I only heerd a whipperwill er two,

It 'peared-like, kindo' callin' 'crost the darkness and the dew,

Them nights afore my dancin'-days wuz over.

T'uz Chused'y-night at Wetherell's, er We'nsd'y-night at Strawn's,

Er Fourth-o'-July-night at uther Tomps's house er John's!—

With old Lew Church from Sugar Crick, with that old fiddle he

Had sawed clean through the Army, from Atlanty to the sea—

And yit he'd fetched, her home ag'in, so's he could play fer me

One't more afore my dancin'-days wuz over!

The woods 'at's all ben cut away wuz growin' same as then;

The youngsters all wuz boys ag'in 'at's now all oldish men;

And all the girls 'at then wuz girls—I saw 'em, one and all,

As plain as then—the middle-sized, the short-and-fat, and tall—

And, 'peared-like, I danced "Tucker" fer 'em up and down the wall

Jes like afore my dancin' days wuz over!

Yer

po

-leece they can holler "Say!

you

, Uncle! drive ahead!—

You can't use

all

the right-o'-way!"—fer that wuz what they said!—

But, jes the same,—in spite of all 'at you call "interprise

And prog-gress of you-folks Today," we're all of fambly-ties—

We're all got feelin's fittin' fer the tears 'at's in our eyes

Er the smiles afore our dancin'-days is over.

HER BEAUTIFUL HANDS

O your hands—they are strangely fair!

Fair—for the jewels that sparkle there,—

Fair—for the witchery of the spell

That ivory keys alone can tell;

But when their delicate touches rest

Here in my own do I love them best,

As I clasp with eager acquisitive spans

My glorious treasure of beautiful hands!

Marvelous—wonderful—beautiful hands!

They can coax roses to bloom in the strands

Of your brown tresses; and ribbons will twine.

Under mysterious touches of thine,

Into such knots as entangle the soul,

And fetter the heart under such a control

As only the strength of my love understands—

My passionate love for your beautiful hands.

As I remember the first fair touch

Of those beautiful hands that I love so much,

I seem to thrill as I then was thrilled,

Kissing the glove that I found unfilled—

When I met your gaze, and the queenly bow,

As you said to me, laughingly, "Keep it now!"

And dazed and alone in a dream I stand

Kissing this ghost of your beautiful hand.

When first I loved, in the long ago,

And held your hand as I told you so—

Pressed and caressed it and gave it a kiss,

And said "I could die for a hand like this!"

Little I dreamed love's fulness yet

Had to ripen when eyes were wet,

And prayers were vain in their wild demands

For one warm touch of your beautiful hands.

Beautiful Hands! O Beautiful Hands!

Could you reach out of the alien lands

Where you are lingering, and give me, to-night,

Only a touch—were it ever so light—

My heart were soothed, and my weary brain

Would lull itself into rest again;

For there is no solace the world commands

Like the caress of your beautiful hands.

Man walking in moonlight

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