The Project Gutenberg eBook of Self-Help

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Self-Help

Author: W. W. Jacobs

Illustrator: Will Owen

Release date: January 1, 2004 [eBook #10783]
Most recently updated: December 20, 2020

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK SELF-HELP ***

SAILORS' KNOTS

By W.W. Jacobs

1909

Part 3.

List of Illustrations

"''E Comes Along and Hits You over Your Tenderest Corn With a Oar.'"

"Mr. Cubbins Winked at 'im and Tapped 'is Nose."

"Let Drive With All his Might in 'is Face. "

"'Wot on Earth's the Matter, Ginger?'"

SELF-HELP

The night-watchman sat brooding darkly over life and its troubles. A shooting corn on the little toe of his left foot, and a touch of liver, due, he was convinced, to the unlawful cellar work of the landlord of the Queen's Head, had induced in him a vein of profound depression. A discarded boot stood by his side, and his gray-stockinged foot protruded over the edge of the jetty until a passing waterman gave it a playful rap with his oar. A subsequent inquiry as to the price of pigs' trotters fell on ears rendered deaf by suffering.

"I might 'ave expected it," said the watchman, at last. "I done that man—if you can call him a man—a kindness once, and this is my reward for it. Do a man a kindness, and years arterwards 'e comes along and hits you over your tenderest corn with a oar."

He took up his boot, and, inserting his foot with loving care, stooped down and fastened the laces.

Do a man a kindness, he continued, assuming a safer posture, and 'e tries to borrow money off of you; do a woman a kindness and she thinks you want tr marry 'er; do an animal a kindness and it tries to bite you—same as a horse bit a sailorman I knew once, when 'e sat on its head to 'elp it get up. He sat too far for'ard, pore chap.

Kindness never gets any thanks. I remember a man whose pal broke 'is leg while they was working together unloading a barge; and he went off to break the news to 'is pal's wife. A kind-'earted man 'e was as ever you see, and, knowing 'ow she would take on when she 'eard the news, he told her fust of all that 'er husband was killed. She took on like a mad thing, and at last, when she couldn't do anything more and 'ad quieted down a bit, he told 'er that it was on'y a case of a broken leg, thinking that 'er joy would be so great that she wouldn't think anything of that. He 'ad to tell her three times afore she understood 'im, and then, instead of being thankful to 'im for 'is thoughtfulness, she chased him 'arf over Wapping with a chopper, screaming with temper.

I remember Ginger Dick and Peter Russet trying to do old Sam Small a kindness one time when they was 'aving a rest ashore arter a v'y'ge. They 'ad took a room together as usual, and for the fust two or three days they was like brothers. That couldn't last, o' course, and Sam was so annoyed one evening at Ginger's suspiciousness by biting a 'arf-dollar Sam owed 'im and finding it was a bad 'un, that 'e went off to spend the evening all alone by himself.

He felt a bit dull at fust, but arter he had 'ad two or three 'arf-pints 'e began to take a brighter view of things. He found a very nice, cosey little public-'ouse he hadn't been in before, and, arter getting two and threepence and a pint for the 'arf-dollar with Ginger's tooth-marks on, he began to think that the world wasn't 'arf as bad a place as people tried to make out.

There was on'y one other man in the little bar Sam was in—a tall, dark chap, with black side-whiskers and spectacles, wot kept peeping round the partition and looking very 'ard at everybody that came in.

"I'm just keeping my eye on 'em, cap'n," he ses to Sam, in a low voice.

"Ho!" ses Sam.

"They don't know me in this disguise," ses the dark man, "but I see as 'ow you spotted me at once. Anybody 'ud have a 'ard time of it to deceive you; and then they wouldn't gain nothing by it."

"Nobody ever 'as yet," ses Sam, smiling at 'im.

"And nobody ever will," ses the dark man, shaking his 'cad; "if they was all as fly as you, I might as well put the shutters up. How did you twig I was a detective officer, cap'n?"

Sam, wot was taking a drink, got some beer up 'is nose with surprise.

"That's my secret," he ses, arter the tec 'ad patted 'im on the back and brought 'im round.

"You're a marvel, that's wot you are," ses the tec, shaking his 'ead. "Have one with me."

Sam said he didn't mind if 'e did, and arter drinking each other's healths very perlite 'e ordered a couple o' twopenny smokes, and by way of showing off paid for 'em with 'arf a quid.

"That's right, ain't it?" ses the barmaid, as he stood staring very 'ard at the change. "I ain't sure about that 'arf-crown, now I come to look at it; but it's the one you gave me."

Pore Sam, with a tec standing alongside of 'im, said it was quite right, and put it into 'is pocket in a hurry and began to talk to the tec as fast as he could about a murder he 'ad been reading about in the paper that morning. They went and sat down by a comfortable little fire that was burning in the bar, and the tec told 'im about a lot o' murder cases he 'ad been on himself.

"I'm down 'ere now on special work," he ses, "looking arter sailormen."

"Wot ha' they been doing?" ses Sam.

"When I say looking arter, I mean protecting 'em," ses the tec. "Over and over agin some pore feller, arter working 'ard for months at sea, comes 'ome with a few pounds in 'is pocket and gets robbed of the lot. There's a couple o' chaps down 'ere I'm told off to look arter special, but it's no good unless I can catch 'em red-'anded."

"Red-'anded?" ses Sam.

"With their hands in the chap's pockets, I mean," ses the tec.

Sam gave a shiver. "Somebody had their 'ands in my pockets once," he ses. "Four pun ten and some coppers they got."

"Wot was they like?" ses the tee, starting.

Sam shook his 'ead. "They seemed to me to be all hands, that's all I know about 'em," he ses. "Arter they 'ad finished they leaned me up agin the dock wall an' went off."

"It sounds like 'em," ses the tec, thoughtfully. "It was Long Pete and Fair Alf, for a quid; that's the two I'm arter."

He put his finger in 'is weskit-pocket. "That's who I am," he ses, 'anding Sam a card; "Detective-Sergeant Cubbins. If you ever get into any trouble at any time, you come to me."

Sam said 'e would, and arter they had 'ad another drink together the tec shifted 'is seat alongside of 'im and talked in his ear.

"If I can nab them two chaps I shall get promotion," he ses; "and it's a fi'-pun note to anybody that helps me. I wish I could persuade you to."

"'Ow's it to be done?" ses Sam, looking at 'im.

"I want a respectable-looking seafaring man," ses the tec, speaking very slow; "that's you. He goes up Tower Hill to-morrow night at nine o'clock, walking very slow and very unsteady on 'is pins, and giving my two beauties the idea that 'e is three sheets in the wind. They come up and rob 'im, and I catch them red-'anded. I get promotion, and you get a fiver."

"But 'ow do you know they'll be there?" ses Sam, staring at 'im.

Mr. Cubbins winked at 'im and tapped 'is nose.

"We 'ave to know a good deal in our line o' business," he ses.

"Still," ses Sam, "I don't see——"

"Narks," says the tec; "coppers' narks. You've 'eard of them, cap'n? Now, look 'ere. Have you got any money?"

"I got a matter o' twelve quid or so," ses Sam, in a of hand way.

"The very thing," says the tec. "Well, to-morrow night you put that in your pocket, and be walking up Tower Hill just as the clock strikes nine. I promise you you'll be robbed afore two minutes past, and by two and a 'arf past I shall 'ave my hands on both of 'em. Have all the money in one pocket, so as they can get it neat and quick, in case they get interrupted. Better still, 'ave it in a purse; that makes it easier to bring it 'ome to 'em."

"Wouldn't it be enough if they stole the purse?" ses Sam. "I should feel safer that way, too."

Mr. Cubbins shook his 'ead, very slow and solemn. "That wouldn't do at all," he ses. "The more money they steal, the longer they'll get; you know that, cap'n, without me telling you. If you could put fifty quid in it would be so much the better. And, what-ever you do, don't make a noise. I don't want a lot o' clumsy policemen interfering in my business."

"Still, s'pose you didn't catch 'em," ses Sam, "where should I be?"

"You needn't be afraid o' that," ses the tec, with a laugh. "Here, I'll tell you wot I'll do, and that'll show you the trust I put in you."

He drew a big di'mond ring off of 'is finger and handed it to Sam.

"Put that on your finger," he ses, "and keep it there till I give you your money back and the fi'-pun note reward. It's worth seventy quid if it's worth a farthing, and was given to me by a lady of title for getting back 'er jewellery for 'er. Put it on, and wotever you do, don't lose it"

He sat and watched while Sam forced it on is finger.

"You don't need to flash it about too much," he ses, looking at 'im rather anxious. "There's men I know as 'ud cut your finger off to get that."

Sam shoved his 'and in his pocket, but he kept taking it out every now and then and 'olding his finger up to the light to look at the di'mond. Mr. Cubbins got up to go at last, saying that he 'ad got a call to make at the police-station, and they went out together.

"Nine o'clock sharp," he ses, as they shook hands, "on Tower Hill."

"I'll be there," ses Sam.

"And, wotever you do, no noise, no calling out," ses the tec, "and don't mention a word of this to a living soul."

Sam shook 'ands with 'im agin, and then, hiding his 'and in his pocket, went off 'ome, and, finding Ginger and Peter Russet wasn't back, went off to bed.

He 'eard 'em coming upstairs in the dark in about an hour's time, and, putting the 'and with the ring on it on the counterpane, shut 'is eyes and pretended to be fast asleep. Ginger lit the candle, and they was both beginning to undress when Peter made a noise and pointed to Sam's 'and.

"Wot's up?" ses Ginger, taking the candle and going over to Sam's bed. "Who've you been robbing, you fat pirate?"

Sam kept 'is eyes shut and 'eard 'em whispering; then he felt 'em take 'is hand up and look at it. "Where did you get it, Sam?" ses Peter.

"He's asleep," ses Ginger, "sound asleep. I b'lieve if I was to put 'is finger in the candle he wouldn't wake up."

"You try it," ses Sam, sitting up in bed very sharp and snatching his 'and away. "Wot d'ye mean coming 'ome at all hours and waking me up?" "Where did you get that ring?" ses Ginger. "Friend o' mine," ses Sam, very short.

"Who was it?" ses Peter.

"It's a secret," ses Sam.

"You wouldn't 'ave a secret from your old pal Ginger, Sam, would you?" ses Ginger.

"Old wot?" ses Sam. "Wot did you call me this arternoon?"

"I called you a lot o' things I'm sorry for," ses Ginger, who was bursting with curiosity, "and I beg your pardin, Sam."

"Shake 'ands on it," ses Peter, who was nearly as curious as Ginger.

They shook hands, but Sam said he couldn't tell 'em about the ring; and several times Ginger was on the point of calling 'im the names he 'ad called 'im in the arternoon, on'y Peter trod on 'is foot and stopped him. They wouldn't let 'im go to sleep for talking, and at last, when 'e was pretty near tired out, he told 'em all about it.

"Going—to 'ave your—pocket picked?" ses Ginger, staring at 'im, when 'e had finished.

"I shall be watched over," ses Sam.

"He's gorn stark, staring mad," ses Ginger. "Wot a good job it is he's got me and you to look arter 'im, Peter."

"Wot d'ye mean?" ses Sam.

"Mean?" ses Ginger. "Why, it's a put-up job to rob you, o' course. I should ha' thought even your fat 'ead could ha' seen that':"

"When I want your advice I'll ask you for it," ses Sam, losing 'is temper. "Wot about the di'mond ring—eh?"

"You stick to it," ses Ginger, "and keep out o' Mr. Cubbins's way. That's my advice to you. 'Sides, p'r'aps it ain't a real one."

Sam told 'im agin he didn't want none of 'is advice, and, as Ginger wouldn't leave off talking, he pretended to go to sleep. Ginger woke 'im up three times to tell 'im wot a fool 'e was, but 'e got so fierce that he gave it up at last and told 'im to go 'is own way.

Sam wouldn't speak to either of 'em next morning, and arter breakfast he went off on 'is own. He came back while Peter and Ginger was out, and they wasted best part o' the day trying to find 'im.

"We'll be on Tower Hill just afore nine and keep 'im out o' mischief, any way," ses Peter.

Ginger nodded. "And be called names for our pains," he ses. "I've a good mind to let 'im be robbed."

"It 'ud serve 'im right," ses Peter, "on'y then he'd want to borrer off of us. Look here! Why not—why not rob 'im ourselves?"

"Wot?" ses Ginger, starting.

"Walk up behind 'im and rob 'im," ses Peter. "He'll think it's them two chaps he spoke about, and when 'e comes 'ome complaining to us we'll tell 'im it serves 'im right. Arter we've 'ad a game with 'im for a day or two we'll give 'im 'is money back."

"But he'd reckernize us," ses Ginger.

"We must disguise ourselves," ses Peter, in a whisper. "There's a barber's shop in Cable Street, where I've seen beards in the winder. You hook 'em on over your ears. Get one o' them each, pull our caps over our eyes and turn our collars up, and there you are."

Ginger made a lot of objections, not because he didn't think it was a good idea, but because he didn't like Peter thinking of it instead of 'im; but he gave way at last, and, arter he 'ad got the beard, he stood for a long time in front o' the glass thinking wot a difference it would ha' made to his looks if he had 'ad black 'air instead o' red.

Waiting for the evening made the day seem very long to 'em; but it came at last, and, with the beards in their pockets, they slipped out and went for a walk round. They 'ad 'arf a pint each at a public-'ouse at the top of the Minories, just to steady themselves, and then they came out and hooked on their beards; and wot with them, and pulling their caps down and turning their coat-collars up, there wasn't much of their faces to be seen by anybody.

It was just five minutes to nine when they got to Tower Hill, and they walked down the middle of the road, keeping a bright lookout for old Sam. A little way down they saw a couple o' chaps leaning up agin a closed gate in the dock wall lighting their pipes, and Peter and Ginger both nudged each other with their elbows at the same time. They 'ad just got to the bottom of the Hill when Sam turned the corner.

Peter wouldn't believe at fust that the old man wasn't really the worse for liquor, 'e was so lifelike. Many a drunken man would ha' been proud to ha' done it 'arf so well, and it made 'im pleased to think that Sam was a pal of 'is. Him and Ginger turned and crept up behind the old man on tiptoe, and then all of a sudden he tilted Sam's cap over 'is eyes and flung his arms round 'im, while Ginger felt in 'is coat-pockets and took out a leather purse chock full o' money.

It was all done and over in a moment, and then, to Ginger's great surprise, Sam suddenly lifted 'is foot and gave 'im a fearful kick on the shin of 'is leg, and at the same time let drive with all his might in 'is face. Ginger went down as if he 'ad been shot, and as Peter went to 'elp him up he got a bang over the 'cad that put 'im alongside o' Ginger, arter which Sam turned and trotted off down the Hill like a dancing-bear.

For 'arf a minute Ginger didn't know where 'e was, and afore he found out the two men they'd seen in the gateway came up, and one of 'em put his knee in Ginger's back and 'eld him, while the other caught hold of his 'and and dragged the purse out of it. Arter which they both made off up the Hill as 'ard as they could go, while Peter Russet in a faint voice called "Police!" arter them.

He got up presently and helped Ginger up, and they both stood there pitying themselves, and 'elping each other to think of names to call Sam.

"Well, the money's gorn, and it's 'is own silly fault," ses Ginger. "But wotever 'appens, he mustn't know that we had a 'and in it, mind that."

"He can starve for all I care," ses Peter, feeling his 'ead. "I won't lend 'im a ha'penny—not a single, blessed ha'penny."

"Who'd ha' thought 'e could ha' hit like that?" says Ginger. "That's wot gets over me. I never 'ad such a bang in my life—never. I'm going to 'ave a little drop o' brandy—my 'ead is fair swimming."

Peter 'ad one, too; but though they went into the private bar, it wasn't private enough for them; and when the landlady asked Ginger who'd been kissing 'im, he put 'is glass down with a bang and walked straight off 'ome.

Sam 'adn't turned up by the time they got there, and pore Ginger took advantage of it to put a little warm candle-grease on 'is bad leg. Then he bathed 'is face very careful and 'elped Peter bathe his 'ead. They 'ad just finished when they heard Sam coming upstairs, and Ginger sat down on 'is bed and began to whistle, while Peter took up a bit o' newspaper and stood by the candle reading it.

"Lor' lumme, Ginger!" ses Sam, staring at 'im. "What ha' you been a-doing to your face?"

"Me?" ses Ginger, careless-like. "Oh, we 'ad a bit of a scrap down Limehouse way with some Scotchies. Peter got a crack over the 'ead at the same time."

"Ah, I've 'ad a bit of a scrap, too," ses Sam, smiling all over, "but I didn't get marked."

"Oh!" ses Peter, without looking up from 'is paper. "Was it a little boy, then?" ses Ginger.

"No, it wasn't a little boy neither, Ginger," ses Sam; "it was a couple o' men twice the size of you and Peter here, and I licked 'em both. It was the two men I spoke to you about last night."

"Oh!" ses Peter agin, yawning.

"I did a bit o' thinking this morning," ses Sam, nodding at 'em, "and I don't mind owning up that it was owing to wot you said. You was right, Ginger, arter all."

"Fust thing I did arter breakfast," ses Sam, "I took that di'mond ring to a pawnshop and found out it wasn't a di'mond ring. Then I did a bit more thinking, and I went round to a shop I know and bought a couple o' knuckle-dusters."

"Couple o' wot?" ses Ginger, in a choking voice.

"Knuckle-dusters," ses Sam, "and I turned up to-night at Tower Hill with one on each 'and just as the clock was striking nine. I see 'em the moment I turned the corner—two enormous big chaps, a yard acrost the shoulders, coming down the middle of the road—You've got a cold, Ginger!"

"No, I ain't," ses Ginger.

"I pretended to be drunk, same as the tec told me," ses Sam, "and then I felt 'em turn round and creep up behind me. One of 'em come up behind and put 'is knee in my back and caught me by the throat, and the other gave me a punch in the chest, and while I was gasping for breath took my purse away. Then I started on 'em."

"Lor'!" ses Ginger, very nasty.

"I fought like a lion," ses Sam. "Twice they 'ad me down, and twice I got up agin and hammered 'em. They both of 'em 'ad knives, but my blood was up, and I didn't take no more notice of 'em than if they was made of paper. I knocked 'em both out o' their hands, and if I hit 'em in the face once I did a dozen times. I surprised myself."

"You surprise me," ses Ginger.

"All of a sudden," ses Sam, "they see they 'ad got to do with a man wot didn't know wot fear was, and they turned round and ran off as hard as they could run. You ought to ha' been there, Ginger. You'd 'ave enjoyed it."

Ginger Dick didn't answer 'im. Having to sit still and listen to all them lies without being able to say anything nearly choked 'im. He sat there gasping for breath.

"O' course, you got your purse back in the fight, Sam?" ses Peter.

"No, mate," ses Sam. "I ain't going to tell you no lies—I did not."

"And 'ow are you going to live, then, till you get a ship, Sam?" ses Ginger, in a nasty voice. "You won't get nothing out o' me, so you needn't think it."

"Wot on earth's the matter, Ginger?"

"Nor me," ses Peter. "Not a brass farthing."

"There's no call to be nasty about it, mates," ses Sam. "I 'ad the best fight I ever 'ad in my life, and I must put up with the loss. A man can't 'ave it all his own way."

"'Ow much was it?" ses Peter.

"Ten brace-buttons, three French ha'pennies, and a bit o' tin," ses Sam. "Wot on earth's the matter, Ginger?"

Ginger didn't answer him.

*** END OF THE PROJECT GUTENBERG EBOOK SELF-HELP ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.